The Serious Pleasures of Suspense


Book Description

Scholars have long recognized that narrative suspense dominates the formal dynamics of 19th-century British fiction. This study argues that various 19th-century thinkers - John Ruskin, Michael Faraday, Charlotte Bronte - saw suspense as a vehicle for a new approach to knowledge called "realism".




The Best American Mystery Stories of the 19th Century


Book Description

An unparalleled treasury of American 19th century mystery fiction selected and introduced by Otto Penzler.







Nineteenth-Century Philosophy


Book Description

Readings in the History of Philosophy is organized chronologically; thus, each volume may be used independently as introductory, comparative, or reference material in a wide range of courses in philosophy and humanities. Taken together, these eight volumes form an integrated series that skillfully illustrates the contributions and influence of the major figures of Western philosophy from the Greeks to the present.




The New Nineteenth Century


Book Description

This book includes essays on writers from the 1840s to the 1890s, well known writers such as Anne Bronte, Wilkie Collins and Bram Stoker, lesser known writers such as Geraldine Jewsbury, Charles Reade, Margaret Oliphant, George Moore, Sarah Grand and Mary Ward. The contributors explore important thematic concerns: the relation between private and public realms; gender and social class; sexuality and the marketplace; and male and female cultural identity.




Classic Crimes


Book Description

Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to do.




The Murder of Harriet Monckton


Book Description

From the award-winning and bestselling author of Into the Darkest Corner comes a delicious Victorian crime novel based on a true story that shocked and fascinated the nation. On 7th November 1843, Harriet Monckton, 23 years old and a woman of respectable parentage and religious habits, is found murdered in the privy behind the chapel she regularly attended in Bromley, Kent. The community is appalled by her death, apparently as a result of swallowing a fatal dose of prussic acid, and even more so when the surgeon reports that Harriet was around six months pregnant. Drawing on the coroner's reports and witness testimonies, Elizabeth Haynes builds a compelling picture of Harriet's final hours through the eyes of those closest to her and the last people to see her alive. Her fellow teacher and companion, her would-be fiancé, her seducer, her former lover—all are suspects; each has a reason to want her dead. Brimming with lust, mistrust and guilt, The Murder of Harriet Monckton is a masterclass of suspense from one of our greatest crime writers.




Edgar Allan Poe


Book Description

Presents the life and accomplishments of the nineteenth-century writer known for his dark tales, including "The Pit and the Pendulum," "The Raven," and "The Cask of Amontillado."




True Crime Writings in Colonial India


Book Description

The emergent culture of crime writings in late 19th century colonial Bengal (India) is an interesting testimony to how literature is shaped by various material forces including the market. This book deals with true crime writings of the late 1800s published by ‘lowbrow publishing houses’ — infamous for publishing ‘sensational’ and the ‘vulgar’ literature — which had an avid bhadralok (genteel) readership. The volume focuses on select translations of true crime writings by Bakaullah and Priyanath Mukhopadhyay who worked as darogas (Detective Inspectors) in the police department in mid-late nineteenth century colonised Bengal. These published accounts of cases investigated by them are among the very first manifestations of the crime genre in India. The writings reflect their understandings of criminality and guilt, as well as negotiations with colonial law and policing. Further, through a selection of cases in which women make an appearance either as victims or offenders, (or sometimes as both,) this book sheds light on the hidden gendered experiences of the time, often missing in mainstream Bangla literature. Combining a love for suspense with critical readings of a cultural phenomenon, this book will be of much interest to scholars and researchers of comparative literature, translation studies, gender studies, literary theory, cultural studies, modern history, and lovers of crime fiction from all disciplines.