No Guts, No Heart, No Glory


Book Description

We are sick of it, being ignored We are sick of it, being indoors No Guts, No Heart, No Glory explores being young, fearless and doing the unexpected. Working closely with five 16-22-year-old Muslim women and former National Champion boxer Ambreen Sadiq. This play represents a young Muslim female experience of life in the UK. It speaks to young people and will make them feel braver and encourage them to live how they want to live, so that they are free and confident to make their own choices tomorrow. 'Common Wealth are an award-winning, Bradford-based company who make site-specific theatre events that are political and contemporary – based in the present day – the here and now. Our ideas are rooted in socialist politics, working class backgrounds, a keen interest in contemporary music/theatre/art/design, the people that we meet and an idealistic ambition to shift things. We see our plays as campaigns, a way of bringing people together and making change feel possible. Aisha Zia is a playwright based in the UK. She completed her MA in Creative Writing (plays and screenplays) at City University, London. No Guts, No Heart, No Glory is her fourth full-length play. Aisha worked with Common Wealth on her adaptation An Indecent Incident from A Nasty Story by Fyodor Dostoevsky and wrote text for Our Glass House, a play which explored domestic abuse and toured disused houses around the UK from 2012- 2013. No Guts, No Heart, No Glory was winner of the Scotsman Fringe First Award at the Edinburgh Fringe, 2014 and was shortlisted for Amnesty International's Freedom of Expression Award in the same year'.




No Guts, No Glory


Book Description

No matter when you make changes in your life, you can still reap the benefits of bolstering your gut, reinvigorating its digestive and immune capabilities, and boosting your overall health.




Routledge Companion to Pakistani Anglophone Writing


Book Description

The Routledge Companion to Pakistani Anglophone Writing forms a theoretical, comprehensive, and critically astute overview of the history and future of Pakistani literature in English. Dealing with key issues for global society today, from terrorism, religious extremism, fundamentalism, corruption, and intolerance, to matters of love, hate, loss, belongingness, and identity conflicts, this Companion brings together over thirty essays by leading and emerging scholars, and presents: the transformations and continuities in Pakistani anglophone writing since its inauguration in 1947 to today; contestations and controversies that have not only informed creative writing but also subverted certain stereotypes in favour of a dynamic representation of Pakistani Muslim experiences; a case for a Pakistani canon through a critical perspective on how different writers and their works have, at different times, both consciously and unconsciously, helped to realise and extend a uniquely Pakistani idiom. Providing a comprehensive yet manageable introduction to cross-cultural relations and to historical, regional, local, and global contexts that are essential to reading Pakistani anglophone literature, The Routledge Companion to Pakistani Anglophone Writing is key reading for researchers and academics in Pakistani anglophone literature, history, and culture. It is also relevant to other disciplines such as terror studies, post-9/11 literature, gender studies, postcolonial studies, feminist studies, human rights, diaspora studies, space and mobility studies, religion, and contemporary South Asian literatures and cultures.




Culture, Democracy and the Right to Make Art


Book Description

Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today. The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time. Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts.




Precariousness and the Performances of Welfare


Book Description

Precariousness and the Performances of Welfare brings together an international group of artists, activists and scholars to explore precarity in the contexts of applied and socially engaged theatre. The policy of austerity pursued by governments across the global North following the financial crisis of 2008 has renewed interest in issues of poverty, economic inequality and social justice. Emerging from European contexts of activism and scholarship, ‘precarity’ has become a shorthand term for the permanently insecure conditions of life under neoliberal capitalism and its associated stripping back of social welfare protections. This collection explores a range of theatre practice, including activist theatres, theatre and health projects, the community work of regional theatres, arts-led social care initiatives, people’s theatres and youth arts programmes. Comprising full-length chapters and shorter pieces, the collection offers new perspectives on social theatre projects as creative occasions of occupation that generate a sense of security in a precarious world. This book was originally published as a special issue of RiDE: The Journal of Applied Theatre and Performance.




Staging Muslims in Britain


Book Description

This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances. The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. Önder Çakırtaş critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds. This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.




Rites


Book Description

Rites is a powerful and provocative new play exploring the deep-rooted cultural practice of Female Genital Mutilation (FGM). This ritual of enforced cutting has been performed for centuries and millions of girls worldwide, often as young as five years old, are still subjected to it. The reasons are complicated and myriad. It depends who you are what you've been taught. Some things are simple though: FGM is still happening across the world. FGM is happening in the UK, here and now. Rites is based on interviews and true stories from girls affected in Scotland and the rest of the UK, mothers who feel under pressure to continue the practice, and the experiences of midwives, lawyers, police officers, teachers and health workers trying to effect change in communities. Weaving together different perspectives into a multi-voiced production, the play explores the complexities, misconceptions and challenges involved in trying to change what is to many, a fundamental rite of passage.




Octopus


Book Description

Set in a world where how British you are is determined by the state, three women have been called in for interview. Sara looks kind of Asian. Scheherazade kind of Middle Eastern. And Sarah is kind of white and has no idea why she's here. She also keeps bursting into song.




The Diary of a Hounslow Girl


Book Description

The story of a modern Asian young woman trying to straddle Western attitudes and traditional beliefs. You've heard of an Essex Girl or even a Chelsea Girl but what is a Hounslow Girl? The term has become a byword for confident, young Muslim women who are grappling with traditional values, city life and fashion. From the joys of Pakistani weddings to fights on the night bus, Ambreen Razia's The Diary of a Hounslow Girl is a funny, bold, provocative play highlighting the challenges of being a teenage girl in a traditional Muslim family, alongside the temptations and influences of growing up in and around London. “Ambreen’s writing is poetic in its structure and intensity, funny, moving, chilling, and delivered in a style that takes inspiration from spoken word and physical theatre. She has created a rhythm that draws the audience in, as compelling as a thriller, complete with gathering ominousness, shocks and comic relief.” Deborah Bestwick, Director, Ovalhouse “Ambreen Razia’s terrific play is exactly the kind of new work we wish to support in the new home of multi-cultural theatre in London. Hounslow Girl is a wonderfully funny take on a London phenomenon and one audiences will enjoy.” Jatinder Verma, Artistic Director, Tara Arts” "a powerful piece of theatre... Ambreen Razia's performance is astonishing." BritishTheatre.com "This is a sophisticated, moving and often very funny piece of writing, particularly nuanced in its depiction of Shaheeda's relationship with her mother ... astute in tackling the breakdown of the loving bonds between parent and child that can occur when a child becomes a teenager – and also how this experience can be magnified for the children of first-generation immigrants, whose parents feel distant from their children’s British lives... Razia's script touches on everything from first love to cultural expectations to student-teacher relationships; it’s a bit like an inner-city version of An Education." The Stage Ambreen Razia is an actress and writer from South London. The Diary of a Hounslow Girl is Ambreen's debut show which premiered at Ovalhouse in 2015. Passionate about re-establishing British Asian comedy within the UK, she continues to write her comedy sketch show involving two British Asian girls exploring the clash between traditional Indian/Pakistani culture and modern British life. She is also currently writing her next play POT primarily focusing on the recent comeback of gang culture within the UK. Performance credits include: On the Middle Day (Old Vic Theatre); Words and Women (Edinburgh Fringe); Random Acts (Channel 4); Fair Exchange (Hen and Chickens Theatre); Variations on a Theme (Camden People's Theatre); Mind the Gap (National Theatre); No Guts, No Heart, No Glory (BBC4/Perth Festival Australia) and Murdered by my Father (BBC3).




Doctor at Heart


Book Description

Doctor at Heart is not just about Dr Gikonyo's life journey, but it also delves into pertinent social, economic and political issues at the local and global levels. The author criss-crosses generations and in so doing presents their respective opportunities and challenges, while at the same time advancing theories and worldviews that the reader will find very engaging. The book also brings out the authors' multiple skills, each of which he pursues with a passion. His authentic search for solutions to the challenges of life, aptly depict him as a Doctor at heart. Notably, Dr. Gikonyo emphasises some of the elements of transformation that he envisages for Kenya through a never-before-published interview of Mwai Kibaki, a transcript of which is included in the book.