Noctes Ambrosianae, Vol. 1 (Classic Reprint)


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Excerpt from Noctes Ambrosianae, Vol. 1 May, 1854, had fairly set in ere I could commence writing the notes, and the five volumes being distributed among as many printers, as the pressure for time was unusually great, I had to supply fresh copy daily to each, and to correct five separate sets of proofs and revises, and to annotate every passage where it seemed necessary. At the same time, I was also literary editor and political writer on a daily, and dramatic and musical critic on a weekly paper in New York. Nor was my labor limited to mere annotations - for I had to preface the volumes with an elaborate history of Blackwood's Magazine, and biographies of Wil son, Lockhart, Hogg, and Maginn. Lastly (and this alone took a fortnight), I had to make a double index, containing over three thousand references. The time occupied on the work was three months, during which I averaged fourteen hours work per day - taking a recess only on each Sunday. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Noctes Ambrosianae


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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.










The Publishers' Circular


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Romanticism and Women Poets


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One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.




The Spectator


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Samuel Johnson


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