Norse Revival


Book Description

Norse Revival offers a thorough investigation of Germanic Neopaganism (Asatru) through an international and comprehensive historical perspective. It traces Germanic Neopaganism’s genesis in German ultra-nationalist and occultist movements around 1900. Based on ethnographic research of contemporary groups in Germany, Scandinavia and North America, the book examines this alternative Neopagan religion’s transformations towards respectability and mainstream thought after the 1970s. It asks which regressive and progressive elements of a National Romantic discourse on Norse myth have shaped Germanic Neopaganism. It demonstrates how these ambiguous ideas about Nordic myth permeate general discourses on race, religion, gender, sexuality, and aesthetics. Ultimately, Norse Revival raises the question whether Norse mythology can be freed from its reactionary ideological baggage.




Norse Revival


Book Description

Norse Revival offers a thorough investigation of Germanic Neopaganism (Asatru) through an international and comprehensive historical perspective. It traces Germanic Neopaganism's genesis in German ultra-nationalist and occultist movements around 1900. Based on ethnographic research of contemporary groups in Germany, Scandinavia and North America, the book examines this alternative Neopagan religion's transformations towards respectability and mainstream thought after the 1970s. It asks which regressive and progressive elements of a National Romantic discourse on Norse myth have shaped Germanic Neopaganism. It demonstrates how these ambiguous ideas about Nordic myth permeate general discourses on race, religion, gender, sexuality and aesthetics. Ultimately, Norse Revival raises the question of whether Norse mythology can be freed from its reactionary ideological baggage.




The American Discovery of the Norse


Book Description

"The interest of a group of American writers in the Norse (Viking Age Scandinavians) began to develop in the late 1830s, reaching its high point at mid-century and tapering off after the Civil War as the members of the group neared the end of their careers (only one of the authors discussed, Julia Clinton Jones, joins the club at the end of the period)." "This period, defined as the original phase of the American discovery of the Norse, features two essayists, Emerson and Thoreau, who refer to the Norse in writing on a variety of topics. Fiction is represented by Melville alone (American writers of fiction like Stowe and Hawthorne shun the Norse). Neither the essayists nor Melville uses Norse themes as their primary subject. That is reserved for the poets: Lowell, Whittier, Taylor, Longfellow, and Julia Clinton Jones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Being Viking


Book Description

Being Viking provides a rigorous ethnographic account of the Asatru religion in America, also known as Heathenry or Heathenism. Arising from five years of original ethnographic fieldwork among American Asatru adherents, the book expands our understanding of this religious movement as part of the American religious context.




Gods of the Blood


Book Description

DIVAn ethnographic study of the development of racist paganism in the United States during the 1990s, examining the economic, cultural, and political developments racist paganism reacts to or makes use of./div




The Viking Age


Book Description

In this extensively revised third edition of The Viking Age: A Reader, Somerville and McDonald successfully bring the Vikings and their world to life for twenty-first-century students and instructors. The diversity of the Viking era is revealed through the remarkable range and variety of sources presented as well as the geographical and chronological coverage of the readings. The third edition has been reorganized into fifteen chapters. Many sources have been added, including material on gender and warrior women, and a completely new final chapter traces the continuing cultural influence of the Vikings to the present day. The use of visual material has been expanded, and updated maps illustrate historical developments throughout the Viking Age. The English translations of Norse texts, many of them new to this collection, are straightforward and easily accessible, while chapter introductions contextualize the readings.




Vikings and the Vikings


Book Description

This essay collection is a wide-ranging exploration of Vikings, the television series that has successfully summoned the historical world of the Norse people for modern audiences to enjoy. From a range of critical viewpoints, these all fresh essays explore the ways in which past and present representations of the Vikings converge in the show's richly textured dramatization of the rise and fall of Ragnar Loobrok--and the exploits of his heirs--creating what many viewers label a "true" representation of the age. From the show's sources in both saga literature and Victorian revival, to its engagement with contemporary concerns regarding gender, race and identity, via setting, sex, society and more, this first book-length study of the History Channel series appeals to fans of the show, Viking enthusiasts, and anyone with an interest in medievalist representation in the 21st century.




Scandinavism: Overlapping and Competing Identities in the Nordic World, 1770-1919


Book Description

Through an in-depth analysis of historicist literature and art, this book demonstrates that cultural Scandinavism, despite its failure as a political mobilizer, was highly successful in strengthening and extending national consciousness-raising in Denmark, Norway, and Sweden.




Revival of the Runes


Book Description

• Explores the five periods of runic revival: the Renaissance, the Enlightenment, the Romantic period, the early 20th century, and the late 20th century • Examines the use of runes by the foremost magicians and scholars of each era, including mystic and scholar Johannes Bureus, who developed his own integrated system of runology known as Adalruna • Reveals how the Nazi misguided use of the runes showed a lack of comprehension of what was being discovered by scientific rune scholars of the day In this exploration of the history of the runes from 1500 CE to the present day, Stephen Edred Flowers examines the five periods of runic revival: the Renaissance, the Enlightenment, the Romantic period, the early 20th century, and the late 20th century. For each period, he discusses both the scholarly studies and those focused on the esoteric mysteries of the runes--and how these two branches of study were at first intertwined yet diverged in later revivals. Focusing in particular on the first runic revival, Flowers examines the use of runes during the Renaissance by the foremost magicians and scholars of the era, including mystic and scholar Johannes Bureus, the “grandfather of integral runology,” who developed his own system known as Adalruna. In his examination of the runic reawakenings of the early and late 20th century, Flowers looks at how the runes were employed as part of a reassessment of Germanic identity, one school of which led to Nazi Germany. He explains how the Nazi use and abuse of the runes was misguided and revealed a lack of comprehension of what earlier rune scholars had discovered through their extensive studies of the past. He also offers a fresh look at the work of Guido von List and clears him of his guilt by association with the Nazis. Detailing the multilayered history of the runes, the author reveals the integrated way the predecessors of today’s rune workers thought and conceived of the runes, highlighting how their discoveries helped shape modern magical practices and scholarly studies. He calls for a return of integral runology as was practiced during the Renaissance and before. By reuniting the two branches of runic study, blending the scientific with the magical, we make way for new discoveries in runology and a chance for a full-scale reawakening of integrated runic knowledge.




Nordic Noir, Adaptation, Appropriation


Book Description

This book argues that adaptation is an underrecognized yet constitutive element of Nordic noir. In so doing, it reframes the prevailing critical view. Now celebrated for its global sweep, Nordic noir is equally a transmedial phenomenon. Nordic Noir, Adaptation, Appropriation deploys the tools of current adaptation studies to undertake a wide-ranging transcultural, intermedial exploration, adding an important new layer to the rich scholarship that has arisen around Nordic noir in recent years.