Dark Aemilia


Book Description

"For I have sworn thee fair, and thought thee bright; Who art as black as hell, as dark as night." —William Shakespeare, Sonnet 147 In the boldest imagining of the era since Shakespeare in Love and Elizabeth, a finalist for the Italian Premio del Castello del Terriccio, this spellbinding novel of witchcraft, poetry, and passion, brings to life Aemilia Lanyer, the "Dark Lady" of Shakespeare's Sonnets—the playwright's muse and his one true love. The daughter of a Venetian musician but orphaned as a young girl, Aemilia Bassano grows up in the court of Elizabeth I, becoming the Queen's favorite. She absorbs a love of poetry and learning, maturing into a striking young woman with a sharp mind and a quick tongue. Now brilliant, beautiful, and highly educated, she becomes mistress of Lord Hunsdon, the Lord Chamberlain and Queen's cousin. But her position is precarious; when she falls in love with court playwright William Shakespeare, her fortunes change irrevocably. A must-read for fans of Tracy Chevalier (Girl With a Pearl Earring) and Sarah Dunant (The Birth of Venus), Sally O'Reilly's richly atmospheric novel compellingly re-imagines the struggles for power, recognition, and survival in the brutal world of Elizabethan London. She conjures the art of England's first professional female poet, giving us a character for the ages—a woman who is ambitious and intelligent, true to herself, and true to her heart.




Note Upon the Dark Lady Series of Shakespeare's Sonnets (1921)


Book Description

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.




Shakespeare’s "Sonnet 127" and the mysterious "Dark Lady" - An Analysis


Book Description

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Erfurt, language: English, abstract: For about thirty years sonnet sequences were popular in England (1580s to the 1610s) . A sonnet is a poem of 14 lines of iambic pentameter with an elaborate rhyme scheme. The poets of these forms of poems wrote in order to express their deep human emotions. Especially, poets in Renaissance revealed the philosophy of humanism. Poets of Elizabethan time are mainly concerned with the subject of love. Thereby, they made use on metaphoric and poetic conventions which were developed by Italian poets of the fourteenth century like Petrarch or Dante. The Petrarchan, or Italian sonnet, consists of two quatrains and two tercets. To emphasize the idea of the poem, the rhyme scheme and structure work together. William Shakespeare reshaped the sonnet structure. The English, or Shakespearean sonnet, consists of three quatrains and a concluding couplet. Shakespeare used, like Petrarch, the structure of the sonnet to explore multiple facets of a topic in short. He, despite his high status as a dramatist, attracted no attention as a sonneteer . William Shakespeare was born in 1564 in Stratford upon Avon. In 1609 he retracted from the London live in theatre back to the city of his birth. In the very same year the publisher Thomas Thorpe announced the book “Shake-Speares Sonnets Never before Imprinted”. “When [Shakespeare] published his sonnets – or allowed them to be published – in 1609, the sonnet vogue was all but over [...]” . About the background and the reliability of this edition prevails disagreement. It is not resolved whether Shakespeare had wanted the publication. It is also uncertain whether the order of the sonnets is right or does it make any sense to rearrange the sequence. Even the division of the sequence into two parts – sonnet one till 126 address a young man and sonnet 127 till 154 address the Dark Lady – is questionable because many of the sonnets have no gender-markers. However, most editors accept the ordering from the 1609 edition . With 154 poems, Shakespeare wrote the longest sonnet cycle of the Elizabethan age. If we comply with the assumption of most editors, the poems one till 126 focuses a young blonde man, and the sonnets 127 till 152 are aimed at a Dark Lady who is the “conceptual antithesis of the young man” . The whole sequence ends with two rather insignificant love sonnets which have nothing to do with the previous sonnets.




Note Upon the 'Dark Lady' Series of Shakespeare's Sonnets


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Dark Lady of the Sonnets


Book Description

"The Dark Lady of the Sonnets" is a one-act play written by means of George Bernard Shaw. A departure from Shaw's more well-known works, this play is a humorous and satirical exploration of the mysterious parent from William Shakespeare's sonnets, regularly known as the "Dark Lady." Set in the early 17th century, the play opens with William Shakespeare himself, grappling with creator's block as he struggles to locate thought for his poetry. The plot takes an unexpected flip while the Dark Lady, the object of Shakespeare's poetic affections, turns out to be none other than Queen Elizabeth I. Shaw uses this revelation to weave a comedic narrative, injecting wit and smart speak into the interaction between the Bard and the Queen. The play satirizes Shakespeare's romantic entanglements and mocks the conventions of Elizabethan drama, all while imparting a lighthearted exploration of the complexities of love, reputation, and artistic idea. "The Dark Lady of the Sonnets" is a short and exciting work that showcases Shaw's wit and ability to playfully engage with ancient and literary topics. It offers a unique angle on the speculative components of Shakespeare's private lifestyles and relationships, including a hint of humor to the area of Elizabethan poetry and drama.




The 'Fair Youth' and the 'Dark Lady' in Shakespeare's Sonnets and Their Relationship to the Poetic Persona


Book Description

Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 2,0, RWTH Aachen University (Institut fur Anglistik, Amerikanistik und Romanistik der RWTH Aachen), course: The Sonnet - History of a Genre, language: English, abstract: Nowadays sonnets, or probably even lyric in general, are not very popular anymore. That was quite different in the Elizabethan era when sonnet-writing was widespread during the so called "sonnet vogue" at the end of the 16th century. A lot of sonnets were written during that time by poets like Sir Philip Sidney, Edmund Spenser or of course William Shakespeare, whose sonnet sequence contains 154 sonnets in total. Some of Shakespeare's sonnets are still very well-known today and are read and analysed by students in schools or universities. To get a better understanding of these poems, an important aspect one should be concerned with is the addressee of each sonnet. Shakespeare had two major addressees for his sonnets: The "Fair Youth" - respectively the "Young Man" - and the "Dark Lady" whose identities are still a matter of speculation even today. The first part of Shakespeare's sonnet sequence, namely sonnets 1-126, is directed to the "Young Man," while sonnets 127-154 are written to the "Dark Lady." But how are these figures - the young man and the dark lady - portrayed by the poetic persona? What does this portrayal tell the reader about the relationship between persona and addressee? Are these relationships of a similar nature or do they differ in some aspects? In this paper I am first going to deal with the "Fair Youth" sequence: There will be a short characterisation of this figure before I will concern myself with the relationship to the poetic persona. After a brief summary of these results the "Dark Lady" sonnets will be examined in the same manner while regarding the results about the "Young Man" I achieved before. These points will be executed by looking at several sonnets in"




CliffsNotes on Shakespeare's Sonnets


Book Description

Numbering more than 150, Shakespeare's sonnets have contributed significantly to discussions of the elusive character of the Bard. While most of the poems are addressed to a young man, others invoke the renowned Dark Lady. Each sonnet is interpreted, focusing on language particular to the poem, as well as on how the sonnet form furthers meaning. In addition, Shakespeare's major themes of love and beauty; mutability; and time and immortality are explored.




Shakespeare's "Dark Lady"-sonnets: The hell of sexuality – the sexuality of hell


Book Description

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,3, Saarland University (Anglisitik), course: Proseminar: Shakespeare's Love Tragedies, language: English, abstract: 1. Introduction William Shakespeare’s (1564-1616) collection of 154 sonnets belongs surely to one of the greatest and most famous ones, although there are many discrepancies about it; for example, discrepancies in authorship, composition, publication and contents. Shakespeare’s 154 sonnets can be divided into two great sections: The first section contains the sonnets 1-126 which are addressed to a young man, obviously a very good friend of the author who appears again in the second section; and the poems from 127 to 152 are the so-called “dark lady” sonnets. The last two sonnets, 153 and 154, are about Cupid, the god of love, and revisions of an epigram of the Anthologia Graeca . This paper will have a closer look at the “dark lady” sonnets, at what they are about, why they are called this way and what it is that makes them so special. Furthermore, several important images that can be found again and again in these sonnets will be named and analysed, amongst others images of sexuality, hell, darkness, death, religion, illness and so on. There will also be a quick introduction why most people speak of Antipetrarchan sonnets in form and content.




Note Upon the 'Dark Lady' Series of Shakespeare's Sonnets - Scholar's Choice Edition


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.