Author :
Publisher : Oxford University Press
Page : 274 pages
File Size : 26,99 MB
Release :
Category :
ISBN : 0198890060
Author :
Publisher : Oxford University Press
Page : 274 pages
File Size : 26,99 MB
Release :
Category :
ISBN : 0198890060
Author : British Museum. Department of Printed Books
Publisher :
Page : 794 pages
File Size : 49,25 MB
Release : 1900
Category : English literature
ISBN :
Author : Elizabeth A. H. Cleland
Publisher : Metropolitan Museum of Art
Page : 416 pages
File Size : 24,31 MB
Release : 2014-10-06
Category : Art
ISBN : 0300208057
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.
Author : British Museum. Dept. of Printed Books
Publisher :
Page : pages
File Size : 41,7 MB
Release : 1965
Category : English imprints
ISBN :
Author : Andrew McClellan
Publisher : Univ of California Press
Page : 308 pages
File Size : 22,9 MB
Release : 1999-10-26
Category : Architecture
ISBN : 9780520221765
A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.
Author : E. and A. Evans
Publisher :
Page : 526 pages
File Size : 36,38 MB
Release : 1820
Category :
ISBN :
Author :
Publisher :
Page : 44 pages
File Size : 46,5 MB
Release : 1892
Category :
ISBN :
Author : Robin Alston
Publisher :
Page : 688 pages
File Size : 34,59 MB
Release : 1994
Category : Antiques & Collectibles
ISBN :
Marginal annotations to printed books are a little studied aspect of the history of books and the transmission of ideas, providing a commentary on published texts which is conventionally anonymous, critical and economical. While many annotations are no more than individual comments on or disagreements with what an author has written, in a significant number of cases marginal notes have been found to be authorial, often adding an important new dimension to the original text.
Author : British Museum. Department of Printed Books
Publisher :
Page : 612 pages
File Size : 45,3 MB
Release : 1959
Category : English literature
ISBN :
Author : Darius A. Spieth
Publisher : BRILL
Page : 535 pages
File Size : 10,94 MB
Release : 2017-11-06
Category : Art
ISBN : 9004276750
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.