Nylund, the Sarcographer


Book Description

Fiction. "If Vladimir Nabokov wanted to seduce Nancy Drew, he'd read her NYLUND, THE SARCOGRAPHER one dark afternoon over teacups of whiskey. Welcome to fiction's new femme fatale, Joyelle McSweeney."--Kate Bernheimer. "You thought you knew your own language. This book hands it back to you on a platter and includes the instructional manual for its further use."--Michael Martone. NYLUND, THE SARCOGRAPHER is a baroque noir. Its eponymous protagonist is a loner who tries to comprehend everything from the outside, like a sarcophagus, and with analogously ornate results. The method by which the book was written, and by which Nylund experiences the world, is thus called sarcography. Sarcography is like negative capability on steroids; this ultra-susceptibility entangles Nylund in both a murder plot and a plot regarding his missing sister, Daisy. As the murder plot places Nylund in increasing danger, his sensuous memories become more present than the present itself.




Leaving the Atocha Station


Book Description

Adam Gordon is a brilliant, if highly unreliable, young American poet on a prestigious fellowship in Madrid, struggling to establish his sense of self and his relationship to art. What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam's "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by? In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle. Born in Topeka, Kansas, in 1979, Ben Lerner is the author of three books of poetry The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. He has been a finalist for the National Book Award and the Northern California Book Award, a Fulbright Scholar in Spain, and the recipient of a 2010-2011 Howard Foundation Fellowship. In 2011 he became the first American to win the Preis der Stadt Münster für Internationale Poesie. Leaving the Atocha Station is his first novel.




Not Heaven, Somewhere Else


Book Description

"If heaven is somewhere, it isn't with us, but somewhere we want to get -- a state, a place, a turning to home. Rebecca Brown's thirteenth book is narrative cycle that revamps old fairy tales, movies, and myths, as it leads the reader from darkness to light, from harshness to love, from where we are to where we might go"--Publisher.




Salamandrine


Book Description

Fiction. "One would not make love to a Salamandrine during a sandstorm," wrote Aleister Crowley, anticipating by some sixty years the note of caution that Tarpaulin Sky must attach to the Black Book whose image now burns before you: Dear Reader, banish all received notions of narrative, of language itself. Masquerading as a collection of short stories, SALAMANDRINE is a channeled text, moonchild, unholy offspring of poetry and Loser Occult. Refracting the dread and isolation of contemporary life through a series of formal/generic lenses, producing a distorted, attenuated, spasmatic experience of time, as accompanies motherhood, Salamandrine renders impossible any thinking in terms of conventional temporalities or even causalities, let alone their narrative effects. SALAMANDRINE is the high magick of art so low it crawls. Like a toddler at a poetry reading. With a taste for achilles heels. Hell-bent on bringing literature itself to its knees. "If you would recover the empire over the Salamanders, purify and exalt the Natural Fire that is within you." Abbe de Villars "He who shrinks from the flames will never command Salamanders." Arthur Edward Waite"




Potted Meat


Book Description

Set in a decaying town in southern West Virginia, Potted Meat follows a young Aftican-American boy into adolescence as he struggles with abusive parents, poverty, alcohol addiction, and racial tensions.




I Have Devoted My Life to the Clitoris


Book Description

Literary Nonfiction. California Interest. LGBT Studies. Women's Studies. Elizabeth Hall began writing I HAVE DEVOTED MY LIFE TO THE CLITORIS in the summer of 2010 after reading Thomas Laqueur's Making Sex. She was particularly struck by Laqueur's bold assertion: "More words have been shed, I suspect, about the clitoris, than about any other organ, or at least, any organ its size." How was it possible that Hall had been reading compulsively for years and never once stumbled upon this trove of prose devoted to the clit? If Lacquer's claim was correct, where were all these "words"? And more: what did size have to do with it? Hall set out to find all that had been written about the clit past and present. As she soon discovered, the history of the clitoris is no ordinary tale; rather, its history is marked by the act of forgetting. "Marvelously researched and sculpted... Bulleted points rat-tat-tatting the patriarchy, strobing with pleasure." Dodie Bellamy "Freud, terra cotta cunts, hyenas, anatomists, and Acker, mixed with a certain slant of light on a windowsill and a leg thrown open invite us... Bawdy and beautiful." Wendy C. Ortiz "Gorgeous little book about a gorgeous little organ... Mines discourses as varied as sexology, plastic surgery, literature and feminism to produce an eye-opening compendium... The 'tender button' finally gets its due." Janet Sarbanes "God this book is glorious... You will learn and laugh and wonder why it took you so long to find this book." Suzanne Scanlon "The luxury of lingering in pleasure is what Hall's book gives its readers, not only because the subject is at once sexy and scientifically compelling, but because it is rendered with graceful care, delivering in small bites an investigation of the clit that is simultaneously a meditation on the myriad ways in which smallness hides power." The Rumpus"




Moon


Book Description

"Mixing fable and fact, extraordinary and ordinary, Jennifer S. Cheng's hybrid collection Moon: letters, maps, poems draws on various Chinese mythologies about women, particularly that of Chang'E (the Lady in the Moon), uncovering the shadow stories of our myths--with the belief that there is always an underbelly. Moon explores bewilderment and shelter, destruction and construction, unthreading as it rethreads, shedding as it collects."--Page [4] of cover.




Percussion Grenade


Book Description

Rat-a-tat prosody and scattershot, hallucinatory cultural critique, replete with grotesqueries, spit baroquely from the necropastoral ground of McSweeney's third collection.




Womonster


Book Description

Taking the form of two long poems, "Interro-Porn" and "Chenille," _Womonster_ explores the often monstrous and buffoonish impossibility of a coherent self, even as its speakers take great pleasure in the performance of selves. Everywhere absorbing and leaking other media, _Womonster_ is a "sloppy" text, at once nauseating and thrilling, psychedelic and domestic. "Olivia Cronk's Womonster is a performative feat, a book that makes being out of pretending.... I was thrilled and moved by this wild book, which moves from an explosive rejection of narrative to the creation of a theater of home, that shabby, beautiful structure built with girly hope, our fortification against loss." (Suzanne Scanlon) "With _Womonster_, Olivia Cronk shows that we are other people as much as we are our various selves. We are the people who share our lives; we are our loved ones and our aggressors. If this makes us monsters, then everyone's a monster." (Jay Besemer) "Cronk's writing is forensically spooky.... We are brought closer to Cronk's territory of occult sadomasochistic desire. _Womonster_ is both a hyper-abject soap opera of beige underwear, dusty crystal, sinks full of bloodied dishes, and a redemptive horror story about the power of becoming the monster." (Laura Ellen Joyce) "Olivia Cronk is one of my favorite US poets over the past 15 years. _Womonster_ is something like Lars Noren's Revolver rewritten with Ouija board." (Johannes Göransson)




Sometimes the Air in the Room Goes Missing


Book Description

Fiction. Dana Green's debut collection of stories, SOMETIMES THE AIR IN THE ROOM GOES MISSING, explores how storytelling changes with each iteration, each explosion, each mutation. Told through multiple versions, these are stories of weapons testing, sheep that can herd themselves into watercolors, and a pregnant woman whose water breaks every day for nine months stories told with an unexpected syntax and a sense of deja vu: narrative as echo. "I love Dana Green's wild mind and the beautiful flux of these stories. Here the wicked simmers with the sweet, and reading is akin to watching birds. How lucky, and how glad I am, to have this book in my hands." Noy Halloand "Language becomes a beautiful problem amid the atomic explosions and nuclear families and strange symmetries and southwestern deserts and frail human bodies blasted by cancer that comprise Dana Green's bracing debut, which reminds us every ordinary moment, every ordinary sentence, is an impending emergency." Lance Olsen"