O Resplandor


Book Description

This brilliant collection explores the idea that the act of reading is a practice of embodiment, containing all the experiences of the body itself: love, splendor, travel, doubling, and loss. The "resplandor" of the title refers to the radiance of the body when the language of the book flows into ears and eyes. As Moure explains, "We call this moment 'reading,' and in reading we stop and reverse time, explode geographies, inhabit others, and resurrect ourselves." In unexpected ways — through impossible translation, anachronistic journeys, and a fictional mystery that involves a search for a translator who exists only in the future beyond the book itself — O Resplandor confounds notions of authorship and translation, all while conveying the clamor over love and loss. Richly challenging and charged with Erín Moure's distinctive energy, this is a work about the powerful light contained in the human body, in translation, and in poetry.




The Unmemntioable


Book Description

Shortlisted for the Kobzar Literary Award. The Unmemntioable joins letters that should not be joined. There is, in this word, an act of force. Of devastation. The unmentionable is love, of course. But in Moure’s poems, love is bound to a duty: to comprehend what it was that the immigrants would not speak of. Now they are dead; their children and grandchildren know but an anecdotal pastiche of Ukrainian history. On Saskatoon Mountain in Alberta where they settled, only the chatter of the leaves remains of their presence. What was not spoken is sealed over, unmemntioable. There is no one left to contact in the Old Country. Can the unmemntioable retain its silence, yet be eased into words? Can experience still be spoken?




Dictionary of Spoken Spanish


Book Description

A must reference for students of Spanish and travelers anywhere in the Spanish-speaking world -- over 18,000 commonly used words, phrases, and expressions, plus valuable supplements on pronunciation, grammar, currency, road signs, geography, and foods.




Regenerations / Régénérations


Book Description

Sixteen essays exemplify the progress of interdisciplinary research, collaboration, and publishing surrounding Canadian women's writing.




Time in Time


Book Description

Edgar Allan Poe, arguing that brevity and intensity were the essence of poetry, declared there was no such thing as a long poem. It can also be said there is no difference between a short and a long poem except duration: a measure of time. Time in Time examines what the difference really is, and investigates the interplay of short and long forms in contemporary poetry. Moving beyond the opposition of lyric and experimental schools, Time in Time constructs a history of recent North American efforts to bring about a more open poetic form. Contributors explore ways in which the work of Louis Zukofsky, William Carlos Williams, Jackson Mac Low, George Oppen, Hannah Weiner, A.R. Ammons, Marjorie Perloff, Erín Moure, Ron Silliman, and Kenneth Goldsmith reconceives, reframes, and sometimes interknits the possibilities of short and long poems. In doing so, the collection offers insight into the affiliative networks and inter-generational lines of avant-gardism on the continent. Attuned to the surprising reversals and unstable categories of the period, Time in Time illuminates the ongoing encounter of literary creativity with the limits and possibilities of form. Contributors include Adam Dickinson (Brock University), Kerry Doyle (York University), Rachel Blau DuPlessis (Temple University), Steve McCaffery (SUNY Buffalo), Erín Moure (Montreal), Michael O'Driscoll (University of Alberta) Jennifer Russo (City University of New York Graduate Center), and J. Mark Smith (Grant MacEwan University).




Eleven More American Women Poets in the 21st Century


Book Description

“A fine and selective anthology that’s also a critical introduction to some of the most provocative, and some of the most original, poetry out there.” —Stephanie Burt, author of Don’t Read Poetry: A Book About How to Read Poems The American Poets in the 21st Century series continues with another anthology focused on female poets. Like the earlier books, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. This unique organization makes these books invaluable teaching tools. Broadening the lens through which we look at contemporary poetry, this new volume extends its geographical net by including Caribbean and Canadian poets. Representing three generations of women writers, among the insightful pieces included in this volume are essays by Karla Kelsey on Mary Jo Bang’s modes of artifice, Christine Hume on Carla Harryman’s kinds of listening, Dawn Lundy Martin on M. NourbeSe Phillip (for whom “english / is a foreign anguish”), and Sina Queyras on Lisa Robertson’s confoundingly beautiful surfaces. In addition, a companion website presents audio of each poet’s work.







A Scholarly Edition of Andrés de Li's Thesoro de la passion (1494)


Book Description

A Scholarly Edition of Andrés de Li’s Thesoro de la passion (1494) is the first new edition of this early Castilian Passion text in five hundred years. Originally published in 1494 by the prolific Zaragozan printer Pablo Hurus, this beautifully illustrated devotional offers the modern reader a glimpse into the complex social world of late fifteenth-century Spain. Li’s converso identity permeates his retelling of the Passion through expositions on hypocrisy, anti-Semitism, and false faith. This new, modernized edition of the Thesoro de la passion dramatically illustrates the unique confluence of social, religious, and cultural forces present during the emergence of Spain’s national identity via analyses of the Thesoro’s Classical, Castilian, and Catalan sources, its importance as an early printed book, Li’s portrayal of the Virgin Mary, Christ, and the Passion events, and the importance of Li’s converso perspectives throughout the work.







This Is Not a Hoax


Book Description

This Is Not a Hoax shows how the work of some contemporary artists and writers intentionally disrupts the curatorial and authorial practices of the country’s most respected cultural institutions: art galleries, museums, and book publishers. This first-ever study of contemporary Canadian hoaxes in visual art and literature asks why we trust authority in artistic works and how that trust is manifest. This book claims that hoaxes, far from being merely lies meant to deceive or wound, may exert a positive influence. Through their insistent disobedience, they assist viewers and readers in re-examining unquestioned institutional trust, habituated cultural hierarchies, and the deeply inscribed racism and sexism of Canada’s settler-colonial history. Through its attentive look at hoaxical works by Canadian artists Iris Häussler, Brian Jungen, and Rebecca Belmore, photographer Jeff Wall, and writers and translators David Solway and Erin Mouré, this book celebrates the surprising ways hoaxes call attention to human capacities for flexibility, adaptation, and resilience in a cultural moment when radical empathy and imagination is critically needed.