Obiter Dicta


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Sufficiency and Defects of the English Communion Office (Classic Reprint)


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Excerpt from The Sufficiency and Defects of the English Communion Office HE object which led to the enterprise of this subject was essentially practical. Considerable outcry had been raised against the interpolation into the service by the Celebrant of parts of the Unreformed Office. The outcry interpreted this action as throwing doubt or discredit on the Office of our Church. And this interpretation is justified by the open avowals of many who are addicted to this practice. They allege defect or deficiency in our Office. Others, indeed, without such allegation or conscious admission, defend their interpolations as conducing to greater fulness or richness. The object of this work in part'is to attempt to disprove the charges of insufficiency and to show the redundancy of such interpolations. The nature of the interpolations in View has been already defined. There is no reference to any private1 intercessions or devo tions of the Celebrant, but to the direct interpolation of portions of other Offices. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Obiter Dicta (Classic Reprint)


Book Description

Excerpt from Obiter Dicta Critics will probably be found ready to assert that this little book has no right to exist, since it exhibits nothing worthy of the name of research, being written by one who has never been inside the reading-room of the British Museum. Neither does it expound any theory, save the unworthy one, that literature ought to please; nor does it so much as introduce any new name or forgotten author to the attention of what is facetiously called 'the reading public.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Obiter Dicta


Book Description

Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno's Minima Moralia, this unschooled exercise in aesthetic thought--gleefully dilettantish, oftentimes dangerously close to the epigrammatic--interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran's approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to exhaustively favor the material grammar of a signifier over hand-me-down meaning, juxtaposing outer semblances with their buried systems and our etched-in-stone intuitions about color and illusion, shape and value, with lessons stolen from seemingly unrelatable disciplines. Interlarded with extracts of Ludwig Wittgenstein but also Wallace Stevens, Cormac McCarthy as well as Roland Barthes, this cache of incidental remarks eschews what's granular for the biggest picture available, leaving below the hyper-specialized fields of academia for a bird's-eye view of their crop circles. Obiter Dicta is an unapologetic experiment in intellectual dot-connecting that challenges much long-standing wisdom about everything from illuminated manuscripts to Minecraft and the evolution of European music with lyrical brevity; that is, before jumping to the next topic.




The Intricacies of Dicta and Dissent


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Common-law judgments tend to be more than merely judgments, for judges often make pronouncements that they need not have made had they kept strictly to the task in hand. Why do they do this? The Intricacies of Dicta and Dissent examines two such types of pronouncement, obiter dicta and dissenting opinions, primarily as aspects of English case law. Neil Duxbury shows that both of these phenomena have complex histories, have been put to a variety of uses, and are not amenable to being straightforwardly categorized as secondary sources of law. This innovative and unusual study casts new light on – and will prompt lawyers to pose fresh questions about – the common law tradition and the nature of judicial decision-making.







The Classical Journal


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Arthur Machen - Ultimate Collection: The Greatest Occult & Supernatural Classics


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Musaicum Press presents to you an Arthur Machen collection, which has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Arthur Machen (1863-1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan has garnered a reputation as a classic of horror (Stephen King has called it "Maybe the best [horror story] in the English language"). Historian of fantastic literature Brian Stableford has suggested that Machen "was the first writer of authentically modern horror stories, and his best works must still be reckoned among the finest products of the genre". Table of Contents: Novels: The Three Impostors The Hill of Dreams The Terror: A Mystery The Secret Glory Short Stories and Novellas: A Fragment of Life The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Bowmen The Soldiers' Rest The Monstrance The Dazzling Light The Bowmen And Other Noble Ghosts The Marriage of Panurge Psychology The Rose Garden The Ceremony The Happy Children The Great Return A New Christmas Carol Out of the Earth Essay: Hieroglyphics Translation: The Memoirs of Jacques Casanova de Seingalt, 1725-1798 Autobiography: Far Off Things Criticism: Arthur Machen: A Novelist of Ecstasy and Sin (With Two Uncollected Poems by Arthur Machen)




Classical Journal


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Classical Philology


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