The Vietnam Veterans Memorial at Angel Fire


Book Description

A great white angel spreading her wings across the Moreno Valley: this is how one visitor described the memorial standing atop a windswept prominence in the Sangre de Cristo Mountains near Taos, New Mexico. A de-facto national Vietnam veterans memorial, built by one family more than a decade before the Wall in Washington, DC, and without aid or recognition from the US government, the chapel at Angel Fire is a testament to one young American’s sacrifice—but also to the profound determination of his family to find meaning in their loss. In The Vietnam Veterans Memorial at Angel Fire, Steven Trout tells the story of Marine Lieutenant David Westphall, who was killed near Con Thien on May 22, 1968, and of the Westphall family’s subsequent struggle to create and maintain a one-of-a-kind memorial chapel dedicated to the memory of all Americans lost in the Vietnam War and to the cause of world peace. Focused primarily on a life lost amid our nation’s most controversial conflict and on the Westphalls’ desperate battle to keep their chapel open between 1971 and 1982, the book’s brisk and moving narrative traces the memorial’s evolution from a personal act of family remembrance to its emergence as an iconic pilgrimage destination for thousands of Vietnam veterans. Documenting the chapel’s shifting messages over time, which include a momentary (and controversial) recognition of the dead on both sides of the war, The Vietnam Veterans Memorial at Angel Fire spotlights one American soldier’s tragic story and the monument to hope and peace that it inspired.




Trauma and the Memory of Politics


Book Description

In this interesting study, Jenny Edkins explores how we remember traumatic events such as wars, famines, genocides and terrorism, and questions the assumed role of commemorations as simply reinforcing state and nationhood. Taking examples from the World Wars, Vietnam, the Holocaust, Kosovo and September 11th, Edkins offers a thorough discussion of practices of memory such as memorials, museums, remembrance ceremonies, the diagnosis of post-traumatic stress and the act of bearing witness. She examines the implications of these commemorations in terms of language, political power, sovereignty and nationalism. She argues that some forms of remembering do not ignore the horror of what happened but rather use memory to promote change and to challenge the political systems that produced the violence of wars and genocides in the first place. This wide-ranging study embraces literature, history, politics and international relations, and makes a significant contribution to the study of memory.




Shrapnel in the Heart


Book Description

For the first time, one book gives voice to the haunting, painful, tender, and healing tales of those who lost so much in America's least popular war.




The Vietnam War in American Memory


Book Description

This title presents a penetrating account of the cultural politics surrounding the memorialisation of the Vietnam War. It is a study of American attempts to come to terms with the legacy of the Vietnam War.




Tangled Memories


Book Description

Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events. Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall—one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war—is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation.




Nothing Ever Dies


Book Description

Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)




The Mourner's Song


Book Description

No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell. Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials. Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.




War beyond Words


Book Description

What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.




A Rift in the Earth


Book Description

A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious “art war” that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war’s end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. “The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth."—Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." —Frederick Hart




Forever Vietnam


Book Description

Four decades after its end, the American war in Vietnam still haunts the nation's collective memory. Its lessons, real and imagined, continue to shape government policies and military strategies, while the divisions it spawned infect domestic politics and fuel the so-called culture wars. In Forever Vietnam, David Kieran shows how the contested memory of the Vietnam War has affected the commemoration of other events, and how those acts of remembrance have influenced postwar debates over the conduct and consequences of American foreign policy. Kieran focuses his analysis on the recent remembrance of six events, three of which occurred before the Vietnam War and three after it ended. The first group includes the siege of the Alamo in 1836, the incarceration of Union troops at Andersonville during the Civil War, and the experience of American combat troops during World War II. The second comprises the 1993 U.S. intervention in Somalia, the crash of United Airlines Flight 93 on September 11, 2001, and the Iraq and Afghanistan wars. In each case a range of actors--military veterans, policymakers, memorial planners, and the general public--used memorial practices associated with the Vietnam War to reinterpret the contemporary significance of past events. A PBS program about Andersonville sought to cultivate a sense of national responsibility for the My Lai massacre. A group of Vietnam veterans occupied the Alamo in 1985, seeing themselves as patriotic heirs to another lost cause. A World War II veteran published a memoir in 1980 that reads like a narrative of combat in Vietnam. Through these and other examples, Forever Vietnam reveals not only the persistence of the past in public memory but also its malleability in the service of the political present.