Rethinking Boucher


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"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.




Catalogue des objets d'art et d'ameublement des XVIe, XVIIe et XVIIIe siècles, faïences italiennes, de Bernard Palissy et autres., précieuse salière en faience de Saint Porchaire, sculptures en marbre, en terre cuite, en bois et en ivoire, cheminmée monumentale en pierre, porcelaines de Sèvres, de Saxe, de Chine et du Japon, vitraux, orfèvrerie, matières précieuses, quelques tabelaux anciens, bronzes d'art et d'ameublement, magnifique mobilier en tapisserie de Beauvais, meubles en bois sculpté du XVIe siècle, tapisseries remarquables des Gobelins et de Beauvais, panneaux d ela savonnerie, meubles et tentures en tapisserie au point, beaux lustres en cristal de roche, meubles dépendant de la succession de Mme d'Yvon


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Architectural Space in Eighteenth-Century Europe


Book Description

Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.




Furnishing the Eighteenth Century


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Cannibalismes disciplinaires


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Ce volume est issu du colloque "Histoire de l'art et anthropologie" qui s'est tenu du 21 au 23 juin 2007







Luxury in the Eighteenth Century


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'Luxury in the 18th Century' explores the political, economic, moral and intellectual effects of the production and consumption of luxury goods, and provides a broadly-based account from a variety of perspectives, addressing key themes of economic debate, material culture, the principles of art and taste, luxury as 'female vice' and the exotic.