José Martí, Cuban Apostle


Book Description

Once called 'the wellspring of the revolution' by Fidel Castro, Jose Marti (1853-1895) is revered as one of the greatest figures in the history of Cuba. Not only was he instrumental in the late nineteenth-century cause of securing Cuban independence from Spain. He is also considered one of Cuba's most brilliant writers, orators and formative intellectuals, who provided inspiration to the young Fidel, Che and their fellow revolutionaries by dedicating his whole life to the goal of national political emancipation. Jose Marti suffered persecution and early imprisonment for his convictions, and in consequence is often referred to as the 'Cuban Apostle'. In this wide-ranging discussion of Marti's life, work and influence, distinguished Cuban poet Cintio Vitier and prominent Buddhist leader Daisaku Ikeda explore their subject's understanding of non-violence; his nationalism that was also a profound openness to difference and dialogue; his spirituality; his poetical writings; and most of all his fundamental dignity, humanity and self-mastery. The book explores above all the nature of sacrifice, and the cost of relinquishing personal happiness for the sake of a great cause. The discussants examine Marti's family life, including his difficult relationships with his wife - Carmen Zayas Bazan - and his parents, who distanced themselves from his revolutionary fervour. Comparisons are drawn between Marti's ideals and Nichiren Buddhism as a source of unfailing hope and courage. As Daisaku Ikeda, follower of Nichiren, says at one point in the dialogue: 'Self-mastery is the hardest thing of all. But to have a spiritual nature worthy of the name, a person must overcome himself, a task that only a true optimist can accomplish. Marti's perspicacity is revealed in his conviction that final victory in life is assured by such optimists.' Marti, like Nichiren, had the unerring ability to turn enemies into friends. And as Cintio Vitier and Daisaku Ikeda reveal, what set Marti apart was not his thought or ideas alone but what emanated from his words and found embodiment in his actions. It was thus that a follower at the time could say of him: we don't understand him, but we are ready to die for him.




Meditaciones Acres


Book Description




Cigar Smoke and Violet Water


Book Description

In Cigar Smoke and Violet Water, a work informed by feminist and narrative theory as well as by linguistic discourse analysis, Joyce Tolliver considers narrative tactics and their cultural context in the nineteenth-century Spanish writer Emilia Pardo Bazan (1851-1921). The critical focus is on the narrative voices in short stories by this writer and on the role gender plays both in narrative dynamics and in the writer's engagement with her public.




Mário de Andrade


Book Description

Mario de Andrade is an international reference on the Brazilian modernist movement that began in 1922. This is the first English-language critical assessment of this Brazilian writer's poetry, novels, and short stories, all of which are examined within the development and framework of Brazilian Modernism.




Latin America Between Colony and Nation


Book Description

This book focuses on a key period in Latin American history, the transition from colonial status, via the revolutions for independence, to national organization. The essays provide in-depth studies of eighteenth-century society, the colonial state, and the roots of independence in Spanish America. The relation of Spanish America to the age of democratic revolution and the reaction of the Church to revolutionary change are newly defined, and leadership of Simon Bolivar is subject to particular scrutiny. National organization saw the emergence of new political leaders, the caudillos , and the marginalization of many people who sought relief in popular religion and millenarian movements.







Cultural Hermeneutics


Book Description

In Cultural Hermeneutics, Mario J. Valdés offers a synthesis of the hermeneutic philosophies of Miguel de Unamuno and Paul Ricoeur, a dialectical method that has formed the basis for many of Valdés' own studies in comparative literature. As Valdés explains in these insightful essays, what Unamuno and Ricoeur shared in their hermeneutic studies was a theory of interpretation in which the meaning of a work of art comes into existence through the dialectical relationship between its creator and its readers, listeners, or viewers. Contextualizing this hermeneutic concept as it appears in the works of both philosophers, Cultural Hermeneutics presents the basis for a profound understanding of the arts.




The Unity of Content and Form in Philosophical Writing


Book Description

This book is a creative, original argument about the variety of forms of expression across the history of philosophy.




The Emergence of Latin American Science Fiction


Book Description

A fantastic voyage through the early science fiction of Latin America Early science fiction has often been associated almost exclusively with Northern industrialized nations. In this groundbreaking exploration of the science fiction written in Latin America prior to 1920, Rachel Haywood Ferreira argues that science fiction has always been a global genre. She traces how and why the genre quickly reached Latin America and analyzes how writers in Argentina, Brazil, and Mexico adapted science fiction to reflect their own realities. Among the texts discussed are one of the first defenses of Darwinism in Latin America, a tale of a time-traveling history book, and a Latin American Frankenstein. Latin American science fiction writers have long been active participants in the sf literary tradition, expanding the limits of the genre and deepening our perception of the role of science and technology in the Latin American imagination. The book includes a chronological bibliography of science fiction published from 1775 to 1920 in all Latin American countries.




The Logic of Fetishism


Book Description

Cuban author Alejo Carpentier (1904-1980) was a key figure in the foundation of contemporary Latin American fiction. By taking a critical position vis-a-vis the restitutionary current in Latin American studies, James Pancrazio provides a highly innovative re-reading of Carpentier's work.