Oceania at the Tropenmuseum


Book Description

Oceania at the Tropenmuseum is not in the first place a book on art from Oceania, but rather a treatise on the coming into existence and growth of a well-known Oceanic collection, which started at the beginning of the 20th century with the bringing together of the collections of the Colonial Museum in the Dutch provincial town of Haarlem and the ethnographic collection of Artis, the Amsterdam Zoo. The objects were, then and later on, brought together by early explorers, travellers, scientific expeditions, missionaries, Dutch government officials, ethnologists and collectors, most of them within the context of Dutch colonial presence in New Guinea, from where the majority of objects originate. During the last hundred years the intellectual approach to the collection changed from evidences of cultures in far-away places to the cultural heritage of world citizens, whose objects of art and material culture has been amassed during the colonial period of Western history. This richly illustrated book emphasizes this historical context and the way the objects were collected and presented to the public until today.




Oceania


Book Description

Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.




Museums, Heritage and International Development


Book Description

While many claims are made regarding the power of cultural heritage as a driver and enabler of sustainable development, the relationship between museums, heritage and development has received little academic scrutiny. This book stages a critical conversation between the interdisciplinary fields of museum studies, heritage studies and development studies to explore this under-researched sphere of development intervention. In an agenda-setting introduction, the editors explore the seemingly oppositional temporalities and values represented by these "past-making" and "future-making" projects, arguing that these provide a framework for mutual critique. Contributors to the volume bring insights from a wide range of academic and practitioner perspectives on a series of international case studies, which each raise challenging questions that reach beyond merely cultural concerns and fully engage with both the legacies of colonial power inequalities and the shifting geopolitical dynamics of contemporary international relations. Cultural heritage embodies different values and can be instrumentalized to serve different economic, social and political objectives within development contexts, but the past is also intrinsic to the present and is foundational to people’s aspirations for the future. Museums, Heritage and International Development explores the problematics as well as potentials, the politics as well as possibilities, in this fascinating nexus.




How to Read Oceanic Art


Book Description

An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture




A Companion to Museum Studies


Book Description

A Companion to Museum Studies captures the multidisciplinary approach to the study of the development, roles, and significance of museums in contemporary society. Collects first-rate original essays by leading figures from a range of disciplines and theoretical stances, including anthropology, art history, history, literature, sociology, cultural studies, and museum studies Examines the complexity of the museum from cultural, political, curatorial, historical and representational perspectives Covers traditional subjects, such as space, display, buildings, objects and collecting, and more contemporary challenges such as visiting, commerce, community and experimental exhibition forms




Collecting Kamoro


Book Description

The story of ethnographic collecting is one of cross-cultural encounters. This book focuses on collecting encounters in the Kamoro region of Papua from the earliest collections made in 1828 until 2011. Exploring the links between representation and collecting, the author focuses on the creative and pragmatic agency of Kamoro people in these collecting encounters. By considering objects as visualizations of social relations, and as enactments of personal, social or historical narrative, this book combines filling a gap in the literature on Kamoro culture with an interest in broader questions that surround the nature of ethnographic collecting, representation, patronage and objectification.




Museum Transformations


Book Description

MUSEUM TRANSFORMATIONS DECOLONIZATION AND DEMOCRATIZATION Edited By ANNIE E. COOMBES AND RUTH B. PHILLIPS Museum Transformations: Decolonization and Democratization addresses contemporary approaches to decolonization, greater democratization, and revisionist narratives in museum exhibition and program development around the world. The text explores how museums of art, history, and ethnography responded to deconstructive critiques from activists and poststructuralist and postcolonial theorists, and provided models for change to other types of museums and heritage sites. The volume's first set of essays discuss the role of the museum in the narration of difficult histories, and how altering the social attitudes and political structures that enable oppression requires the recognition of past histories of political and racial oppression and colonization in museums. Subsequent essays consider the museum's new roles in social action and discuss experimental projects that work to change power dynamics within institutions and leverage digital technology and new media.







Curatorial Dreams


Book Description

What if museum critics were challenged to envision their own exhibitions? In Curatorial Dreams, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design. While the deconstructive critique of museums remains relevant, Curatorial Dreams charts new ground, proposing unique modes of engagement that enrich public scholarship and dialogue.




The Pacific Crossing Guide 4th edition


Book Description

'The definitive work on Pacific crossings' Cruising The Pacific Crossing Guide is a complete reference for anyone contemplating sailing the Pacific. From ideal timing, suitable boats, routes, methods of communication, health and provisioning to seasonal weather, departure and arrival ports, facilities, likely costs and dangers, this comprehensive new edition will both inspire dreamers and instil confidence in those about to depart. Completely updated, expanded and refreshed for the new generation of Pacific cruisers, this is the definitive reference, relied upon by many thousands of cruisers. Part 1 covers thorough preparation for both East-to-West and West-to-East crossings and Part 2 covers Pacific weather patterns, major routes and landfall ports, with useful website links throughout. There are sections on rallies, coral atolls and atoll navigation, the cyclone season and laying up, use of electronic charts, satellite phones versus HF radio, ongoing maintenance, and Pacific festivals. Updated with new charts and photographs, the new 4th edition focuses on ports of entry rather than secondary anchorages, and expands the North Pacific coverage, making it a valuable resource for sailors doing a North Pacific circuit, particularly US and Canadian sailors from the Pacific North.