Making the Mission


Book Description

In the aftermath of the 1906 San Francisco earthquake, residents of the city’s iconic Mission District bucked the city-wide development plan, defiantly announcing that in their neighborhood, they would be calling the shots. Ever since, the Mission has become known as a city within a city, and a place where residents have, over the last century, organized and reorganized themselves to make the neighborhood in their own image. In Making the Mission, Ocean Howell tells the story of how residents of the Mission District organized to claim the right to plan their own neighborhood and how they mobilized a politics of place and ethnicity to create a strong, often racialized identity—a pattern that would repeat itself again and again throughout the twentieth century. Surveying the perspectives of formal and informal groups, city officials and district residents, local and federal agencies, Howell articulates how these actors worked with and against one another to establish the very ideas of the public and the public interest, as well as to negotiate and renegotiate what the neighborhood wanted. In the process, he shows that national narratives about how cities grow and change are fundamentally insufficient; everything is always shaped by local actors and concerns.







Oceania


Book Description

"Encompassing thousands of islands from the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, Oceania is one of the world's most extraordinary and diverse regions. This book, accompanying the spectacular exhibition at the Royal Academy opening this September, showcases Oceanic art and the subsequent migrations of people, cultures and objects from the Pacific around the world, from the unrivalled navigational feats of the first settlers who traversed the open ocean in wooden canoes to the explorations of Captain Cook 250 years ago. Bringing together the most up-to-date scholarship by experts in the field, this book presents Oceania through the eyes of its own people - artists, poets and photographers - who explore the legacy of the past and the future of a world and way of life threatened by a changing climate. Featuring over 300 colour illustrations, and text from Peter Brunt, Senior Lecturer at Victoria University of Wellington; Nicholas Thomas, Director of the Museum of Archaeology and Anthropology, University of Cambridge; Noelle M.K.Y. Kahanu, Emmanuel Kasarhérou, Deputy Director of the Department of the Department of Heritage and Collections at Musée du quai Branly-Jacques Chirac, Paris; Sean Mallon, Senior Curator of Pacific Cultures at the Museum of New Zealand/Te Papa Tongarewa, Wellington; Michael Mel, Manager for Pacific and International Collections at the Australian Museum, Sydney; and Dame Anne Salmond DBE, Professor of Maori Studies at the University of Auckland."--Royal Academy of Arts website (accessed 26/10/2018).




Shores, Surfaces and Depths


Book Description

This book examines the oceanic presence in life on Earth, and the ways that we engage with the oceanic worlds for play, pleasure, adventure, and the pursuit of leisure and escape through tourism and travel. The oceanic ‘turn’ across the social sciences and humanities has produced a still proliferating opus of work that seeks to discover and emphasize oceanic presence in life on Earth. This literal and figurative ‘unearthing’ of blue spaces has encouraged scholars to gaze beyond the lands that have supported much of our experience and knowledge towards the gathering up of a more holistic appreciation of blue planetary life. This widening of scholarly attention – from ‘land’ to ‘sea’ – is occurring simultaneously across a range of disciplines and fields, including history, archaeology, anthropology, comparative literature, public policy, cultural studies, and geography. With an explicit focus on 'leisure' and 'tourism', this edited collection follows a growing appreciation that it is our seemingly inconsequential encounters – at play, for pleasure, and on holidays – that are increasingly present and influential in our oceanic relations. This volume will be of value to scholars and students interested in social and cultural history and environmental history and humanities.




Oceans


Book Description

OCEANS attends to the inextricable human and nonhuman agencies that affect and are affected by the sea and its running currents within contemporary art and visual culture. Oceans cover more than 70 percent of the Earth’s surface, dividing and connecting humans, who carry saltwater in their blood, sweat and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and bizarre species, a source of life and death, a site of new beginnings and tragic endings, both wondrous and disastrous. From migration to melting ice caps, the sea is omnipresent in international news and politics, leaking into popular culture and proliferating in recent art and exhibitions. This anthology gathers artists and writers to address the ocean not only as a theme but as a major agent of artistic and curatorial methods. Artists surveyed include Bas Jan Ader, Eileen Agar, John Akomfrah, Heba Y. Amin, Shuvinai Ashoona, Betty Beaumont, Leopold & Rudolf Blaschka, Heidi Bucher, Marcus Coates, Tacita Dean, Chris Dobrowolski, Léuli Eshrāghi, Ellen Gallagher, Ayesha Hameed, Barbara Hepworth, Klara Hobza, Isuma, Brian Jungen, Tania Kovats, Sonia Levy, Armin Linke, Lani Maestro, Ana Mendieta, Kasia Molga, Eleanor Morgan, Wangechi Mutu, Saskia Olde Wolbers, Jean Painlevé and Geneviève Hamon, Allan Sekula, Shimabuku, Ahren Warner, Christine & Margaret Wertheim, Alberta Whittle Writers include Stacy Alaimo, Bergit Arends, Erika Balsom, Karen Barad, Rachel Carson, Mel Y. Chen, T.J. Demos, Marion Endt-Jones, Kodwo Eshun, Paul Gilroy, Stefano Harney, Epeli Hau’ofa, Donna Haraway, Eva Hayward, Stefanie Hessler, Luce Irigaray, Zakiyyah Iman Jackson, Celina Jeffery, Melody Jue, Max Liboiron, Lana Lopesi, Chus Martínez, Jules Michelet, Fred Moten, Astrida Neimanis, Celeste Olalquiaga, Ralph Rugoff, John Ruskin, Marina Warner, Jan Verwoert




Pacific Presences


Book Description

Hundreds of thousands of works of art and artefacts from many parts of the Pacific are dispersed across European museums. They range from seemingly quotidian things such as fish-hooks and baskets to great sculptures of divinities, architectural forms and canoes. These collections constitute a remarkable resource for understanding history and society across Oceania, cross-cultural encounters since the voyages of Captain Cook, and the colonial transformations that have taken place since. They are also collections of profound importance for Islanders today, who have varied responses to their disp.




Littoral Drift


Book Description

"This work stems from the artist's fascination with the nature of our relationships to the landscape, the sublime, time, and impermanence. Both series consist of cyanotypes made directly in the landscape, where elements like precipitation, waves, wind, and sediment physically etch into the photo chemistry; the prints simultaneously expose in sunlight and wash in the water around them. Littoral Drift, a geologic term describing the action of wind-driven waves transporting sand and gravel, consists of camera-less cyanotypes made in collaboration with the landscape and the ocean, at the edge of both. The elements employed in the process -- waves, rain, wind, and sediment -- leave physical inscriptions through direct contact with photographic materials. Ecotone also engages dynamic photographic materials in the landscape, but collaborates with precipitation rather than ocean waves or running water in the landscape. Rain, snow, ice, fog, etc. chemically activate the photographic materials, while they expose via the residual sunlight that exists even in the heaviest storm. Riepenhoff drapes the photochemically treated paper on objects in the landscape, from windfall branches and boulders to garbage cans and fences."--Publisher's website, viewed 7 January 2019.




Spicebox Kitchen


Book Description

A renowned chef and physician shares her secrets to a healthy life in this cookbook filled with healthy recipes that will fuel and energize your body and mind. "I like to think of a spicebox as the cook's equivalent of a doctor's bag--containing the essential tools to use in the art of cooking. Learning to use spices is the best way to add interest and vibrancy to simple home cooking."—from the Introduction In her first cookbook, chef and physician Linda Shiue puts the phrase "let food be thy medicine" to the test. With 175 vegetarian and pescatarian recipes curated from her own kitchen, Dr. Shiue takes you on a journey of vibrant, fresh flavors through a range of spices from amchar masala to za'atar. With a comprehensive "Healthy Cooking 101" chapter, lists of the healthiest ingredients out there, and tips for prevention, Spicebox Kitchen is a culinary wellness trip you can take in your own kitchen.




Creation


Book Description

A fully illustrated, panoramic world history of art from ancient civilisation to the present day, exploring the remarkable endurance of humankind's creative impulse. Some fifty thousand years ago, on an island in modern-day Indonesia, an early human used red ochre pigment to capture the likeness of a native pig on a limestone cave wall. Around the same time, across the globe in Europe, another human retrieved a lump of charcoal from an old fire and sketched four galloping horses. It was like a light turning on in the human mind. Our instinct to produce images in response to nature allowed the earliest Homo sapiens to understand the world around us, and to thrive. Now, the art historian John-Paul Stonard has travelled across continents to take us on a panoramic journey through the history of art – from ancient Anatolian standing stones to a Qing Dynasty ink handscroll, from a drawing by a Kiowa artist from the Great Plains to a post-independence Congolese painting. Lavishly illustrated throughout, Creation is an ambitious, thrilling and landmark work that leads us from Benin to Belgium, China to Constantinople, Mexico to Mesopotamia. Journeying from pre-history to the present day, it explores the remarkable endurance of humankind's creative impulse, and asks how – and why – we create.




Classic San Francisco: From Ocean Beach to Mission Bay


Book Description

San Francisco has always been a city of transformation. From the nostalgic days of downtown shopping and grand movie palaces to newer buildings on the skyline and stunning neighborhood transformations, change has been a constant factor since the early days of European settlement in the late 1700s. Evidence of early San Francisco is still visible in the revitalized Ferry Building, repurposed as an artisan marketplace; in the celebrated neighborhood street fairs; and even in the enduring edifices of commerce and industry. The city of the future has its roots firmly planted in a much-loved past. City native and local history author Frank Dunnigan showcases the old city as well as the new one gradually emerging.