Odes of Pindar


Book Description







Odes of Pindar


Book Description

In addition to Pindar's “A Dissertation on the Olympick Games”and the “Odes of Pindar” this work includes translations of Horace, Euripides, Lucian, and other classical poets. Including The Fourth Odes of the Fourth Book of Horace, Iphigenia in Tauris. A Tragedy. Translated from the Greek of Euripides, The Triumphs of the Gout. Translated from the Greek of Lucian, Translations from the Argonauticks of Apollonius Rhodius, The Hymn of Cleanthes, and Menexenus. A Dialogue of Plate.







English Translations from the Greek: A Bibliographical Survey


Book Description

Originating from a study of the people's attitude in the first thirty years of the nineteenth century toward the classics, English Translations from the Greek by Finley Melville Kendall Foster lists the significant translations published during those years. In order to have the necessary material for a close study of the original list, extensive research was conducted for around fifty years. The result of these discoveries is embodied in the list of translations that make up this book's contents. Foster hopes to educate people about and make them familiar with the various kinds of Greek literature that have been popular at different times during the last four hundred and thirty years. He has in no way attempted to discuss the standards or the benchmarks of a good translation, the reason being that the making of an English version of a Greek original presents difficulties little distinct from those of translation from any other language into English.




The Bibliographer's Manual of English Literature


Book Description

Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.










"James Barry, 1741?806: History Painter "


Book Description

Bringing into relief the singularity of Barry's unswerving commitment to his vision for history painting despite adverse cultural, political and commercial currents, these essays on Barry and his contemporaries offer new perspectives on the painter's life and career. Contributors, including some of the best known experts in the field of British eighteenth-century studies, set Barry's works and writings into a rich political and social context, particularly in Britain. Among other notable achievements, the essays shed new light on the influence which Barry's radical ideology and his Catholicism had on his art; they explore his relationship with Reynolds and Blake, and discuss his aesthetics in the context of Burke and Wollstonecraft as well as Fuseli and Payne Knight. The volume is an indispensable resource for scholars of eighteenth-century British painting, patronage, aesthetics, and political history.