The Return of Ulysses


Book Description

Whether they focus on the bewitching song of the Sirens, his cunning escape from the cave of the terrifying one-eyed Cyclops, or the vengeful slaying of the suitors of his beautiful wife Penelope, the stirring adventures of Ulysses/Odysseus are amongst the most durable in human culture. The picaresque return of the wandering pirate-king is one of the most popular texts of all time, crossing East-West divides and inspiring poets and film-makers worldwide. But why, over three thousand years, has the Odyssey's appeal proved so remarkably resilient and long-lasting? In her much-praised book Edith Hall explains the enduring fascination of Homer's epic in terms of its extraordinary susceptibility to adaptation. Not only has the story reflected a myriad of different agendas, but - from the tragedies of classical Athens to modern detective fiction, film, travelogue and opera - it has seemed perhaps uniquely fertile in generating new artistic forms. Cultural texts as diverse as Joyce's Ulysses, Suzanne Vega's Calypso, Monteverdi's Il Ritorno d'Ulisse in Patria, the Coen Brothers' O Brother Where Art Thou?, Daniel Vigne's Le Retour de Martin Guerre and Anthony Minghella's Cold Mountain all show that Odysseus is truly a versatile hero. His travels across the wine-dark Aegean are journeys not just into the mind of one of the most brilliantly creative of all the ancient Greek writers. They are as much a voyage beyond the boundaries of a narrative which can plausibly lay claim to being the quintessential global phenomenon.




An Odyssey: A Father, A Son and an Epic: SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017


Book Description

SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.




The Lost Books of the Odyssey


Book Description

A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.




The Choice of Odysseus


Book Description

The Choice of Odysseus demonstrates how the Odyssey provided Renaissance authors and readers with a poetic ethics—tools for living developed in poetry—to navigate the challenges of their age. As they endured schisms, ruptures, and failures of ideals, readers and poets turned to the Odyssey for narratives of recovery and aftermath. Sarah Van der Laan reconstructs Renaissance readings of the Odyssey from myriad sources. Situating major works by Petrarch, Poliziano, Ariosto, Tasso, Spenser, Monteverdi, and Milton in these Odyssean contexts, she recovers a powerful Renaissance tradition of Odyssean epic. Renaisance poets adopted the Odyssey as an epic model that supplements and even opposes the Virgilian epic model of conquest and imperial foundation. For Renaissance readers and authors, the Odyssey renders heroic other kinds of lived experience: the necessity of facing the world and its challenges with only human wisdom and reason; the ability to integrate traumatic detours and reversals into a vision of a successful and accomplished self; the recovery of a private life and personal desires painfully suspended for public service. Emphasizing marriage, reconciliation, homecoming, and the return to private life and private desires as suitably heroic matter for epic and powerful conventions for narrative and poetic closure, the Renaissance Odyssey and the epics and operas it inspired confer a uniquely heroic status on experience for men and women alike.




Black Odysseys


Book Description

This book explores works from Africa and the African diaspora which respond to the Homeric Odyssey. As a founding text of the Western canon, and as a homecoming trope and quest for identity, the Odyssey has inspired writers who are simultaneously striving against and appropriating the very forms which had been used to oppress them.




Writing Exile


Book Description

The volume explores how Greek and Latin authors perceive and present their own (real or metaphorical) exile and employ exile as a powerful trope to express estrangement, elicit readerly sympathy, and question political power structures.




Odyssey


Book Description

Since their composition almost 3,000 years ago the Homeric epics have lost none of their power to grip audiences and fire the imagination: with their stories of life and death, love and loss, war and peace they continue to speak to us at the deepest level about who we are across the span of generations. That being said, the world of Homer is in many ways distant from that in which we live today, with fundamental differences not only in language, social order, and religion, but in basic assumptions about the world and human nature. This volume offers a detailed yet accessible introduction to ancient Greek culture through the lens of Book One of the Odyssey, covering all of these aspects and more in a comprehensive Introduction designed to orient students in their studies of Greek literature and history. The full Greek text is included alongside a facing English translation which aims to reproduce as far as feasible the word order and sound play of the Greek original and is supplemented by a Glossary of Technical Terms and a full vocabulary keyed to the specific ways that words are used in Odyssey I. At the heart of the volume is a full-length line-by-line commentary, the first in English since the 1980s and updated to bring the latest scholarship to bear on the text: focusing on philological and linguistic issues, its close engagement with the original Greek yields insights that will be of use to scholars and advanced students as well as to those coming to the text for the first time.




Epic in American Culture


Book Description

This book investigates the concept of what it means to be 'epic' and its form in American life, literature, and art from the country's early days.




Three Rings


Book Description

A memoir, biography, work of history, and literary criticism all in one, this moving book tells the story of three exiled writers—Erich Auerbach, François Fénelon, and W. G. Sebald—and their relationship with the classics, from Homer to Mimesis. In a genre-defying book hailed as “exquisite” (The New York Times) and “spectacular” (The Times Literary Supplement), the best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own—works that pondered the nature of narrative itself: Erich Auerbach, the Jewish philologist who fled Hitler’s Germany and wrote his classic study of Western literature, Mimesis, in Istanbul; François Fénelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey, The Adventures of Telemachus—a veiled critique of the Sun King and the best-selling book in Europe for a hundred years—resulted in his banishment; and the German novelist W.G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn’s struggle to write two of his own books—a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father—that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.




Reciprocity in Ancient Greece


Book Description

In this collection of new essays, an international group of experts explores the significance of reciprocity (the principle and practice of voluntary requital, of benefit for benefit or harm for harm) in ancient Greek culture. Reciprocity has been seen as an important notion for anthropologists studying economic and social relations. A key question has been whether reciprocity constitutes an alternative pattern to the commercial, political, and ethical relationships characteristic of modern Western society. This volume takes the question forward in connection with Greek culture from Homer to the Hellenistic period. Building on previous research on this topic (especially on Homeric society), it provides a wide-ranging examination of reciprocity inGreek epic and drama, historiography, oratory, religion, and ethical philosophy. It asks fundamental questions about the importance of reciprocity in different phases of Greek history, the interplay between reciprocity and the ideology of Athenian democracy, and between reciprocity and altruism in ethical thought. Clear and non-technical, with all Greek translated, this volume will make debate on this important subject available to a wide circle of readers in classical, literary, anthropological, and historical studies.