Antonio Canova and the Politics of Patronage in Revolutionary and Napoleonic Europe


Book Description

The sculptor Antonio Canova was the most celebrated artist of a perilously protean and fractious era. In revolutionary and Napoleonic Europe, while other artists bent to the will of the political powers that commissioned their work, producing art in the service of the state, Canova managed to resist both threats and blandishments. Although he held strong opinions on the issues of his day, he avoided direct political or ideological engagement in his sculpture. Christopher M. S. Johns presents the first sustained study of Canova's career in relation to his patrons and contemporary politics. In it he enlarges our understanding of an artist whose work is crucial to the evaluation of European art and political history.




Artistry in Bronze


Book Description

The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze




Stourhead


Book Description

'Brings both house and garden vividly to life... A magnificent achievement' Gardens Illustrated 'A finely crafted work... it is an important record of the history of one of the country's most splendid estates' The English Garden The Palladian house of Stourhead, in Wiltshire, occupies a plateau above the confluence of three valleys. When you cross the south lawn and descend the tree-hung slopes, you glimpse a lake adorned with classical temples. Continue and you will find an allegorical grotto; a gothick hideaway; a Pantheon of demi-gods and, on high, a deserted temple to Apollo. To the west Alfred's Tower commands views over three counties, a gaunt landmark to English monarchy and patriotism. This is how in Georgian times Henry Hoare – known as Henry the Magnificent – would have explored the garden he designed. Generations of the Hoare family, bankers who combined service with enlightened patronage and philanthropy, have developed and cultivated the garden at Stourhead, and for many its breathtaking vistas are paradise. Dudley Dodd charts the owners of Stourhead and the history of the landscape, house and art collection. He describes how flights of folly, individual flair, taste and careful stewardship have nurtured a national treasure, which is among the finest English landscape gardens and, since 1946, a jewel of The National Trust. The stunning new pictures by the renowned photographer Marianne Majerus provide an up to date record of this enduring Elysium.