Royal Mysteries of the Stuart and Georgian Periods


Book Description

There is nothing new under the sun', a phrase ascribed originally to King Solomon, applies to the present book, with echoes of 'modern' themes exposing royal scandal, sex, corruption, political absolutism - attempted - religious controversy, danger of mass-terrorism, murder and 'suspicious' deaths, 'fake news' and international threat from superpowers. And all focusing on inside stories which today would be 'investigative journalism' with huge popular media interest. This is history for both specialists and, especially, for general readers, given media interest, including TV and film coverage in 'exciting' popular history, as set out by the author. The earlier 'Royal Mysteries' in the series were full of tragedy, suffering, pathos, heroism and romance, but the present set are equally interesting and disturbing and revisionist. These include the alleged attempt to murder James I and VI before the became King of England; the scandal at court involving 'poisoned tarts', James' 'toy-boy', and a subsequent murder trial. And the following questions and mysteries: did Charles II really promise to convert to Catholicism to please Louis XIV; did Charles marry his mistress Lucy Walter, mother of rebel Duke of Monmouth; was James II and VII an enlightened religious reformer or trying to convert England to Catholicism - the religion of European superpowers; did George I 'disappear' (a 'hit' in modern terms) his divorced wife's lover before ascending the English throne; did the unpopular Duke of Cumberland murder his gay lover; did the hugely admired 'respectable' George III, devoted husband and father, marry a middle-class Quaker woman?







The Connoisseur


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Antiques


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The Antiquarian


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The Spectator


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English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute


Book Description

In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations