Plantation Homes of the James River


Book Description

Bruce Roberts takes us on a photographic tour of fourteen of the famous colonial Virginia plantation houses nestled along the shores of the Lower James River from Richmond east to Jamestown and Williamsburg. Now carefully restored, often with the original furnishings, these houses are glorious monuments to a bygone era. If you have never visited the James River plantations, this book will inspire you to plan a trip there. If you have, you will find this book a wonderful memento of a special place. Robert's 141 color photographs capture the magnificent exteriors of the houses, as well as their gardens and grounds, and offer rare and intimate glimpses of their interiors and furnishings. The plantations portrayed include Shirley Plantation, one of the oldest in America; Belle Air Plantation, with its unique seventeenth-century frame house containing America's finest Jacobean staircase; and Westover Plantation, site of the elegant Georgian home built by William Byrd II. The text provides histories of the plantations, presenting them as places where real people lived and worked -- and still do, in many cases. While the plantations share some common history, each reflects the individual characteristics of the men, women, and children who lived there. In the dining room at Berkeley Hundred, George Washington, Thomas Jefferson, and eight other presidents enjoyed meals and discussed affairs of state. At Carter's Grove, Roberts photographed the "Refusal Room," where, according to local history, both Washington and Jefferson were refused in marriage by Virginia belles. Today many of the plantation homes have been designated state and national historic sites, and with this book you can visit them and relive four hundred years of history.







Historic House Museums in the United States and the United Kingdom


Book Description

Historic House Museums in the United States and the United Kingdom: A History addresses the phenomenon of historic houses as a distinct species of museum. Everyone understands the special nature of an art museum, a national museum, or a science museum, but “house museum” nearly always requires clarification. In the United States the term is almost synonymous with historic preservation; in the United Kingdom, it is simply unfamiliar, the very idea being conflated with stately homes and the National Trust. By analyzing the motivation of the founders, and subsequent keepers, of house museums, Linda Young identifies a typology that casts light on what house museums were intended to represent and their significance (or lack thereof) today. This book examines: • heroes’ houses: once inhabited by great persons (e.g., Shakespeare’s birthplace, Washington’s Mount Vernon); • artwork houses: national identity as specially visible in house design, style, and technique (e.g., Frank Lloyd Wright houses, Modernist houses); • collectors’ houses: a microcosm of collecting in situ domesticu, subsequently presented to the nation as the exemplars of taste (e.g., Sir John Soane’s Museum, Isabella Stewart Gardner Museum); • English country houses: the palaces of the aristocracy, maintained thanks to primogeniture but threatened with redundancy and rescued as museums to be touted as the peak of English national culture; English country houses: the palaces of the aristocracy, maintained for centuries thanks to primogeniture but threatened by redundancy and strangely rescued as museums, now touted as the peak of English national culture; • Everyman/woman’s social history houses: the modern, demotic response to elite houses, presented as social history but tinged with generic ancestor veneration (e.g., tenement house museums in Glasgow and New York).







Monthly Bulletin


Book Description

"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-







Clay Lancaster's Kentucky


Book Description

"Clay Lancaster was infected by a love of architecture at an early age, a gentle madness from which he never cared to recover."—From the Foreword, by Roger W. Moss It is easy to take for granted the visual environment that we inhabit. Familiarity with routes of travel and places of work or leisure leads to indifference, and we fail to notice incremental changes. When a dilapidated building is eliminated by new development, it is forgotten as soon as its replacement becomes a part of our daily landscape. When an addition is grafted onto the shell of a house fallen out of fashion or function, onlookers might notice at first, but the memory of its original form is eventually lost. Also forgotten is the use a building once served. From historic homes to livestock barns, each structure holds a place in the community and can tell us as much about its citizens as their portraits and memoirs. Such is the vital yet intangible role that architecture plays in our collective memory. Clay Lancaster (1917-2000) began during the Great Depression to document and to encourage the preservation of America's architectural patrimony. He was a pioneer of American historic preservation before the movement had a name. Although he established himself as an expert on Brooklyn brownstones and California bungalows, the nationally known architectural historian also spent four decades photographing architecture in his native Kentucky. Lancaster did not consider himself a photographer. His equipment consisted of nothing more complex than a handheld camera, and his images were only meant for his own personal use in documenting memorable and endangered structures. He had the eye of an artist, however, and recognized the importance of vernacular architecture. The more than 150 duotone photographs in Clay Lancaster's Kentucky preserve the beauty of commonplace buildings as well as historic mansions and monuments. With insightful commentary by James D. Birchfield about the photographs and about Lancaster's work in Kentucky, the book documents the many buildings and architectural treasures—both existing and long gone—whose images and stories remain a valuable part of the state's heritage.







Wallace Nutting and the Invention of Old America


Book Description

Congregational minister, author, photographer & entrepreneur, Wallace Nutting collected, reproduced & marketed colonial American artefacts.




Country Life in America


Book Description