On Kawara - Silence


Book Description

"Published on the occasion of the exhibition On Kawara -- Silence. Organized by Jeffrey Weiss with Anne Wheeler, Solomon R. Guggenheim Museum, New York, February 6-May 3, 2015"--Colophon.




Artists on on Kawara


Book Description

Artists from Renée Green to Haim Steinbach explore themes of temporality and absurdity in the work of On Kawara This is the sixth volume in a series that builds upon Dia Art Foundation's Artists on Artists lectures. The contributors to this book explore the practice of On Kawara (1932-2014) from various points of entry: Alejandro Cesarco uses a self-reflexive approach to the ideas of artistic legacy, influence and work; Nancy Davenport contends with innocence and trauma in two of Kawara's most influential series; Renée Green weaves a poetic relationship between the work of Chantal Akerman and Kawara; Annette Lawrence provides a close reading of the Todayseries and her own journals, grappling with what it means to keep time; Scott Lyall considers the experience and contingency of time, differentiating between thinking with and speaking about a work of art; Dave McKenzie stages a diaristic correspondence with Kawara; Bettina Pousttchi reflects on duration in art and the history of time keeping; and Haim Steinbach plays with Beckettian abstraction, absurdity and repetition.




The '90s


Book Description

A journey of grace for those who are ill . . . I spend my nights asking hundreds of questions: What will my husband do when I’m dead? How many people will show up for my funeral? What if I can’t get out of bed, shower, and get myself dressed tomorrow? And who’ll then shop for groceries, do the laundry, and put the garden to sleep for the winter? God, you promised you’d be with me. Where are you? Dealing with illness is never easy, but it can be especially difficult when that illness is terminal, such as cancer. Over a period of six years living with cancer, author Carol Winters kept a journal.When Hope Is Triedbrings together thirty-one of these daily meditations, which, taken together, depict a movement from outright anger to trusting God. In offering these meditations, Winters hoped to encourage others dealing with illness-and the people who care for them-to discover that God's grace is enough. This honest, faith-filled, and deeply personal devotional book includes Scripture passages, meditations, short prayers, and suggested Bible readings. “When Hope Is Triedis not for those seeking sentimental and easy answers. Winters dares to express anger, doubt, hesitation, pain, and confusion-in other words, she stands before God as a witness that we are in a broken world and declares that sometimes God’s plan seems mightily confusing. But as a witness, Winters points out in ringing and impassioned tones that even with pain and doubt, God is there; and even with confusion, God is there; and even with anger, God is there. And because God is always there, we can dare to live, and to live well.” -Dr. Gary Schmidt, author,Anson’s Way




Ausst. u.d.T.: Whole and parts, 1964 - 1995


Book Description

Visual documentation of conceptual artist On Kawara's most representative series of works as well as solo and group exhibitions, along with a selection of 30 critical texts (reprinted in their original languages, untranslated).




On Kawara 1966


Book Description

On Kawara (1932-2014) is considered to be one of the most important and most radical modern artists of our time. His oeuvre is consumed with time and place, concepts that he used to try and map out the meaning of human existence. On Kawara: 1966 focuses on Kawara's creations from 1966, a key year within his oeuvre as it was the birth of his world-famous date paintings: small paintings in which he inscribed the exact date on which he created the painting in white letters and numbers on a monochromatic background. If a painting wasn't complete by midnight, it was destroyed. The TODAY series, as the entire collection is called, comprises some 2,000 date paintings created in more than 100 different cities. The artist used a folder to accurately record the days on which he created a painting and what the format was. He also kept a smear of the paint he used and the newspaper headlines for that day in this folder. This folder, in which he documented his 1966 creations, is fully portrayed in On Kawara: 1966. In 2015, Kawara's date paintings from 1966 were displayed in the Dhondt-Dhaenens Museum in Deurle. This was the last project that the artist collaborated on, together with the museum curator and the editor of this book, Tommy Simoens, before his death in 2014.




Appendix Project


Book Description

On the ongoing project of writing about grief; Zambreno's addendum to Book of Mutter. “I came up with the idea of writing these notes, or talks, out of a primary desire to not read from Book of Mutter, and instead to keep gesturing to its incompleteness and ongoingness, which connects, for me, to the fragmentary project of literature, and what I long for in writing." —from Appendix Project Inspired by the lectures of Roland Barthes, Anne Carson, and Jorge Luis Borges, Kate Zambreno's Appendix Project collects eleven talks and essays written in the course of the year following the publication of Book of Mutter, Zambreno's book on her mother that took her over a decade to write. These surprising and moving performances, underscored by the sleeplessness of the first year of her child's life, contain Zambreno's most original and dazzling thinking and writing to date. In Appendix Project Zambreno thinks through the work of On Kawara, Roland Barthes, W.G. Sebald, Bhanu Kapil, Walter Benjamin, Theresa Hak Kyung Cha, Marguerite Duras, Marlene Dumas, Louise Bourgeois, Doris Salcedo, Jenny Holzer, and more.




Felix Gonzalez-Torres


Book Description

This is a documentation of the artist's entire career, placing his work in the context of the 1980s, a decade which saw a rich array of new art-making practices, from the psychoanalytical discourse of feminist art to collaborative public projects with a social agenda. Nancy Spector also explores the major themes running through his art: travel, the body, light, political activism, homosexual desire and a quest for formal perfection.




Walking Artist


Book Description

"A book of Hamish Fulton's text pieces that both discuss and exemplify his artwork. Fulton's spare texts originate in walks he takes through the landscape. Descriptive and at times prescriptive, he describes them as "facts for the walker and fiction for everyone else." Carefully placed on the small square pages, each aphoristic piece is simultaneously present and absent as an artwork, a fact captured by the book's subtitle: 'The separation of subject (walking) and medium (text on paper).'"--Printed Matter.




Selected Tweets


Book Description

Literary Nonfiction. Art. Fiction. Poetry. SELECTED TWEETS by Mira Gonzalez and Tao Lin, dating from 2008 to 2014, as well as extras such as illustrations of each other's tweets, short stories, essays, and a long poem. SHEILA HETI: How do you imagine people read Twitter? TAO LIN: On their phones I think mostly. I think I've read the most Twitter while laying in bed or on my back, or just laying in places, like in parks or in airports. Maybe not the most, but a lot. I've dropped my phone on my face many times. I think other people must too, but I rarely hear about this. SHEILA HETI: What do you think about before you tweet? You once told me that you tweet what makes you feel uncomfortable. So which tweets do you reject, which do you accept? MIRA GONZALEZ: I wouldn't necessarily say that I tweet what makes me feel uncomfortable, I think it's more that I feel comfortable tweeting things that I would never feel comfortable saying in a real life conversation, or even in other places on the internet. For reasons that I don't fully understand, Twitter is a place where I don't feel ashamed to say my most shameful thoughts... (From "What Would Twitter Do," Tao Lin and Mira Gonzalez interviewed by Sheila Heti)




Sophie Calle: The Hotel


Book Description

A forensic conceptualist's inventory of the ordinary and extraordinary lives in a Venetian hotel In 1981 Sophie Calle took a job as a chambermaid for the Hotel C in Venice, Italy. Stashing her camera and tape recorder in her mop bucket, she not only cleans and tidies, but sorts through the evidence of the hotel guests' lives. Assigned 12 rooms on the fourth floor, she surveys the state of the guests' bedding, their books, newspapers and postcards, perfumes and cologne, traveling clothes and costumes for Carnival. She methodically photographs the contents of closets and suitcases, examining the detritus in the rubbish bin and the toiletries arranged on the washbasin. She discovers their birth dates and blood types, diary entries, letters from and photographs of lovers and family. She eavesdrops on arguments and love-making. She retrieves a pair of shoes from the wastebasket and takes two chocolates from a neglected box of sweets, while leaving behind stashes of money, pills and jewelry. Her thievery is the eye of the camera, observing the details that were not meant for her, or us, to see. The Hotel now manifests as a book for the first time in English (it was previously included in the book Double Game). Collaborating with the artist on a new design that features enhanced and larger photographs, and pays specific attention to the beauty of the book as an object, Siglio is releasing its third book authored by Calle, after The Address Book (2012) and Suite Vénitienne (2015). Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipo-like constraints, investigatory methods and the plundering of autobiography. The Whitechapel Gallery in London organized a retrospective in 2009, and her work has been shown at the Museum of Modern Art and the Whitney Museum of American Art, New York; the Carnegie Museum of Art, Pittsburgh; the Museum of Fine Arts, Boston; the Hayward Gallery and Serpentine, London; and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.