On Marvellous Things Heard


Book Description

On Marvellous Things Heard (Greek: ???? ????????? ??????????, Latin: De mirabilibus auscultationibus) is a collection of thematically arranged anecdotes traditionally attributed to Aristotle but some say written by a Pseudo-Aristotle, though this treatise’s “spuriousness has never been seriously contested. The material included in the collection mainly deals with the natural world (e.g., plants, animals, minerals, weather, geography). The work is an example of the paradoxography literary genre. Aeterna Press




On Marvellous Things Heard


Book Description

Derived formally from Aristotle's Minor Work of the same title, my variation of "On Marvellous Things [Seen and] Heard" explores a range of literary appropriations of art and music, in terms of translation and metamorphosis. Part investigation, part inventory, and part invention (in the musical sense: a composition in simple counterpoint), this dissertation indirectly assays the narrating subject as she directly assays literatures that presume to speak, and not speak, of sounds and silences. Structured as a triptych (I. Critical Introductions, II. Creative Body, III. Critical Conclusions), three essays serve to frame the hybrid Galerie de Difformité at the collection's core. Adhering to natural processes of deformation and reformation, "On Marvellous Things Seen and Heard" draws upon a variety of disciplines and approaches, including museum studies, art history, disability studies, and music. In the vein of the "open work" (to borrow Umberto Eco's term), this critical and creative collection straddles literary genres to challenge their boundaries.




De Mirabilibus Auscultationibus


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




On Marvellous Things Heard


Book Description

Literary Nonfiction. Music. Poetry. Art. Derived in form from Aristotle's "Minor Work" of the same title, this variation of ON MARVELLOUS THINGS HEARD explores a range of literary appropriations of music, in terms of translation and metamorphosis. Part investigation, part inventory, and part invention(in the musical sense: a composition in simple counterpoint), this poetically-driven essay assays the narrating subject as she assays the subjects of literature, of music, and of silence. Printed in an edition of 250 with color plate supplied by artist Carrie Gundersdorf and an introduction by G. C. Waldrep.




On Marvellous Things Seen and Heard


Book Description

Derived formally from Aristotle's Minor Work of the same title, my variation of "On Marvellous Things [Seen and] Heard" explores a range of literary appropriations of art and music, in terms of translation and metamorphosis. Part investigation, part inventory, and part invention (in the musical sense: a composition in simple counterpoint), this dissertation indirectly assays the narrating subject as she directly assays literatures that presume to speak, and not speak, of sounds and silences. Structured as a triptych (I. Critical Introductions, II. Creative Body, III. Critical Conclusions), three essays serve to frame the hybrid Galerie de Difformité at the collection's core. Adhering to natural processes of deformation and reformation, "On Marvellous Things Seen and Heard" draws upon a variety of disciplines and approaches, including museum studies, art history, disability studies, and music. In the vein of the "open work" (to borrow Umberto Eco's term), this critical and creative collection straddles literary genres to challenge their boundaries.







The Book of Mormon


Book Description




Nicene and Post-Nicene Fathers


Book Description

"The Council of Nicaea in 325 AD marked the beginning of a new era in Christianity. For the first time, doctrines were organized into a single creed. The Nicene and Post-Nicene Fathers did most of their writing during and after this important event in Church history. Unlike the previous era of Christian writing, the Nicene and Post-Nicene era is dominated by a few very important and prolific writers. In Volume VIII of the 14-volume collected writings of the Nicenes and Post-Nicenes (first published between 1886 and 1889), readers will find Saint Augustines extensive treatment of the Psalms. Augustine took this book from the Old Testament and wove into it the revelation of Jesus as the savior of humanity. Through the skill of Augustine, it seems as though the Psalms had been written by an oracle who knew that eventually the messiah would come and wrote to pave the way. This volume is a valuable reference book for any Christian wishing to have the psalms illuminated and explained."