On the Ecclesiastical Mystagogy


Book Description

"St Maximus the Confessor (c. 580-662) expounds the meaning of the Divine Liturgy in On the Ecclesiastical Mystagogy. He draws on the tradition of the Celestial Hierarchy by Dionysius the Areopagite, and influences the subsequent tradition, beginning with St Germanus of Constantinople's commentary. Maximus situates his understanding of the liturgy within his bold synthetic theological vision, seeing Christ the Logos of the God reflected and manifested in the logoi of created things. For Maximus, all things are interrelated-the material and the spiritual, God and man, earth and heaven-and cohere in Christ (cf. Col 1.17)"--




Maximus Confessor


Book Description

This volume includes a translation of four spiritual treatises of Maximus the Confessor (c. 580-662), plus an account of his trial. Included are The Four Hundred Chapters of Love, Commentary on the Lord's Prayer, Chapters on Knowledge, The Church's Mystagogy, and Trial of Maximus.




Maximus the Confessor


Book Description

St Maximus the Confessor, the greatest of Byzantine theologians, lived through the most catastrophic period the Byzantine Empire was to experience before the Crusades. This book introduces the reader to the times and upheavals during which Maximus lived. It discusses his cosmic vision of humanity and the role of the church. The study makes available a selection of Maximus' theological treaties many of them translated for the first time. The translations are accompanied by a lucid and informed introduction.




Ambrose of Milan's Method of Mystagogical Preaching


Book Description

This book proposes a method of mystagogy based on the preaching of Ambrose of Milan. Chapter 1 establishes the need for mystagogy. chapter 2 lays out the historical context of Ambrose and his church. Chapters 3-8 are a series of six historical studies on Ambrose and his church that correspond to the components of a homiletic method. Chapter 9 proposes a method of mystagogy for the contemporary church based on Ambrose's preaching.




Two Hundred Chapters on Theology


Book Description

Popular Patristics Series Volume 53 The Chapters on Theology is one of Maximus' most eclectic writings. In this short piece, Maximus discusses many diverse themes, including God's relation to the cosmos, monastic discipline and life, scriptural difficulties, and his vision of the consummated universe in relation to the incarnate Word of God. The work is arranged into two hundred "chapters," which are often pithy pearls of wisdom coming from the respected figure of an elder or abbot. Chapters tend to address a range of issues monks would face in the course of their spiritual progress. As such, chapters differ in complexity, although many exhibit intentional ambiguities in order to speak meaningfully with the same sentence to those at different points in their spiritual journey. The wisdom of these ancient words has transcended its time and place and continues to be an inspirational piece, the insights of which are just as applicable today as they were nearly a millennium and a half ago.




Maximus the Confessor


Book Description

This study contextualizes the achievement of a strategically crucial figure in Byzantium's turbulent seventh century, the monk and theologian Maximus the Confessor (580-662). Building on newer biographical research and a growing international body of scholarship, as well as on fresh examination of his diverse literary corpus, Paul Blowers develops a profile integrating the two principal initiatives of Maximus's career: first, his reinterpretation of the christocentric economy of creation and salvation as a framework for expounding the spiritual and ascetical life of monastic and non-monastic Christians; and second, his intensifying public involvement in the last phase of the ancient christological debates, the monothelete controversy, wherein Maximus helped lead an East-West coalition against Byzantine imperial attempts doctrinally to limit Jesus Christ to a single (divine) activity and will devoid of properly human volition. Blowers identifies what he terms Maximus's "cosmo-politeian" worldview, a contemplative and ascetical vision of the participation of all created beings in the novel politeia, or reordered existence, inaugurated by Christ's "new theandric energy". Maximus ultimately insinuated his teaching on the christoformity and cruciformity of the human vocation with his rigorous explication of the precise constitution of Christ's own composite person. In outlining this cosmo-politeian theory, Blowers additionally sets forth a "theo-dramatic" reading of Maximus, inspired by Hans Urs von Balthasar, which depicts the motion of creation and history according to the christocentric "plot" or interplay of divine and creaturely freedoms. Blowers also amplifies how Maximus's cumulative achievement challenged imperial ideology in the seventh century--the repercussions of which cost him his life-and how it generated multiple recontextualizations in the later history of theology.




On the Divine Liturgy


Book Description

"The eighth-century document Historia Ecclesiastica of Germanus, Patriarch of Constantinople (715-730) was for centuries the quasi-official explanation of the Divine Liturgy for the Byzantine Christian world. Although "allegorical" in content, its interest lies in its historical value, for it appeared at a time of great flux in the life of the Byzantine Church, at the outbreak of the iconoclastic controversies, a period which marked a strong shift in theology and piety. The theological significance of this document and its usefulness in understanding the form of the liturgy celebrated in the eighth century is discussed in an extensive introduction by the translator, Paul Meyendorff. The introduction includes an exposition on mystagogical catecheses and the development of an historicizing system of liturgical symbolism. This title is part of the Popular Patristics series."--




Man and the Cosmos


Book Description

An introduction to the life and work of Maximus the Confessor (ca. 580-662), focusing on his thought concerning the cosmos, the nature of man and his relationship with God, christology, the liturgical and sacramental dimension, history and eschatology.




On the Two Ways


Book Description




Tradition and Innovation: Baptismal Rite and Mystagogy in Theodore of Mopsuestia and Narsai of Nisibis


Book Description

In Tradition and Innovation, Nathan Witkamp convincingly argues that Narsai of Nisibis’ (d. ca. 503) baptismal rite and mystagogy, as portrayed in his Liturgical Homilies 21-22, are much less dependent on Theodore of Mopsuestia (ca. 350-ca. 428) than scholars have previously supposed. Narsai’s baptismal rite turns out to represent a particular East Syrian liturgical tradition, independent of Theodore. In his mystagogy, Narsai uses Theodore’s Baptismal Homilies 1-3 as just one source among others to create the artwork he desires. This detailed comparative study contributes to our understanding of rite and mystagogy in Theodore and Narsai within the broader early Syrian context, as well as to the reception of Theodore by Narsai and the East Syrian Church.