On the Threshold of the Apocalypse


Book Description

On the Threshold of the Apocalypse, 1913-1915, is the seventh volume from Léon Bloyʼs personal journal begun in 1892. This volume begins one year before World War I began, but ends, like the author (who passed in 1917), before the great war ended. Often prescient when it comes to the European stage, and particularly the imminent threat posed by Prussia, with respect to France, "the Eldest Daughter of the Church," - Bloy had been predicting a terrible cataclysm as far back as the early 1870s. In fact, Our Lady of Salette, whom Bloy was familiar with, provided the religious explanation for the war, if purely human reasons were not enough. In this journal, the bloody writing on the wall is seen as early as January, 1913: "When one wants to change a banknote, one is bombarded with one-hundred sous pieces. The Bank has returned all the gold coin to its vaults, in prevision for some dreadful war." In late July, 1914, he writes, "Universal disquietude caused by the menacing attitude of Austria toward Serbia takes shape all of a sudden. That war being able to have a European conflagration for effect... Are the announced cataclysms close finally?" On July 31, 1914, he writes: "Austria has just begun its war with Serbia which will infallibly unleash everything." What follows is a nearly daily account of the war as seen from Paris, Chartes, Rennes. But with all the cataclysm and apocalyptic gloom that one would expect, from a man like Léon Bloy, there is also, for all that, the optimism, and good faith, in a good God: "All that happens in life is perfectly adorable, because nothing happens that is outside the divine plan."




Thresholds of Medieval Visual Culture


Book Description

Interdisciplinary approaches to the material culture of the middle ages, from illuminated manuscripts to church architecture.




What If We Stopped Pretending?


Book Description

The climate change is coming. To prepare for it, we need to admit that we can’t prevent it.




Millennial Seduction


Book Description

Who among us still thinks the year 2000 is just an arbitrary turn of a calendar page? Why does its approach bring both fear of apocalyptic destruction and the promise of millennial salvation? Lee Quinby investigates how anxiety about the arrival of the new century casts everything from El Niño to sheep cloning in apocalyptic terms, simultaneously fueling panic and fostering unfounded hope for a perfect world. Millennial rhetoric is both pervasive and persuasive, Quinby argues, because it operates with mutually reinforcing doses of fear and hope. Religious and secular anxiety erupts over charged issues such as sex education, the regulation of cyberspace, and the Christian masculinity of the Promise Keepers. Quinby exposes the dangers of millennialist solutions, which link misogyny, homophobia, and racism with absolutist claims about truth, morality, sexuality, and technology. It is the absolutism of apocalyptic thought—not an impending apocalypse—that poses the more serious threat to our society, Quinby maintains. Millennial Seduction advocates a form of skepticism that challenges absolutism and encourages democratic participation.




Anti-Apocalypse


Book Description

Anti-Apocalypse was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. As the year 2000 looms, heralding a new millennium, apocalyptic thought abounds-and not merely among religious radicals. In politics, science, philosophy, popular culture, and feminist discourse, apprehensions of the End appear in images of cultural decline and urban chaos, forecasts of the end of history and ecological devastation, and visions of a new age of triumphant technology or a gender-free utopia. There is, Lee Quinby contends, a threatening "regime of truth" prevailing in the United States-and this regime, with its enforcement of absolute truth and morality, imperils democracy. In Anti-Apocalypse, Quinby offers a powerful critique of the millenarian rhetoric that pervades American culture. In doing so, she develops strategies for resisting its tyrannies. Drawing on feminist and Foucauldian theory, Quinby explores the complex relationship between power, truth, ethics, and apocalypse. She exposes the ramifications of this relationship in areas as diverse as jeanswear magazine advertising, the Human Genome project, contemporary feminism and philosophy, texts by Henry Adams and Zora Neale Hurston, and radical democratic activism. By bringing together such a wide range of topics, Quinby shows how apocalypse weaves its way through a vast network of seemingly unrelated discourses and practices. Tracing the deployment of power through systems of alliance, sexuality, and technology, Quinby reveals how these power relationships produce conflicting modes of subjectivity that create possibilities for resistance. She promotes a variety of critical stances—genealogical feminism, an ethics of the flesh, and "pissed criticism"—as challenges to apocalyptic claims for absolute truth and universal morality. Far-reaching in its implications for social and cultural theory as well as for political activism, Anti-Apocalypse will engage readers across the cultural spectrum and challenge them to confront one of the most subtle and insidious orthodoxies of our day. Lee Quinby is associate professor of English and American studies at Hobart and William Smith Colleges. She is the author of Freedom, Foucault, and the Subject of America (1991) and coeditor (with Irene Diamond) of Feminism and Foucault: Reflections on Resistance (1988).




A Companion to the Premodern Apocalypse


Book Description

The final book of the New Testament, the Apocalypse, has been controversial since its initial appearance during the first century A.D. For centuries after, theologians, exegetes, scholars, and preachers have grappled with the imagery and symbolism behind this fascinating and terrifying book. Their thoughts and ideas regarding the apocalypse—and its trials and tribulations—were received within both elite and popular culture in the medieval and early modern eras. Therefore, one may rightly call the Apocalypse, and its accompanying hopes and fears, a foundational pillar of Western Civilization. The interest in the Apocalypse, and apocalyptic movements, continues apace in modern scholarship and society alike. This present volume, A Companion to the Premodern Apocalypse, collates essays from specialists in the study of premodern apocalyptic subjects. It is designed to orient undergraduate and graduate students, as well as more established scholars, to the state of the field of premodern apocalyptic studies as well as to point them in future directions for their scholarship and/or pedagogy. Contributors are: Roland Betancourt, Robert Boenig, Richard K. Emmerson, Ernst Hintz, László Hubbes, Hiram Kümper, Natalie Latteri, Thomas Long, Katherine Olson, Kevin Poole, Matthias Riedl, Michael A. Ryan




Owen Barfield’s Poetry, Drama, and Fiction


Book Description

Owen Barfield influenced a diverse range of writers that includes T. S. Eliot, J. R. R. Tolkien, W. H. Auden, Howard Nemerov, and Saul Bellow, and Owen Barfield's Poetry, Drama, and Fiction is the first book to comprehensively explore and assess the literary career of the "fourth Inkling," Owen Barfield. It examines his major poems, plays, and novels, with special attention both to his development over a seventy-year literary career and to the manifold ways in which his work responds with power, originality, and insight to modernist London, the nuclear age, and the dawning era of environmental crisis. With this volume, it is now possible to place into clear view the full career and achievement of Owen Barfield, who has been called the British Heidegger, the first and last Inkling, and the last Romantic.




Apocalyptic Shakespeare


Book Description

This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.




Marlovian Tragedy


Book Description

This re-visioning of the Marlowe canon aims to explain the ambiguous effects that readers have long associated with Marlowe's signature. Marlovian tragedy has been inadequately theorized because Marlowe has too often been set under the giant shadow of Shakespeare. Grande, by contrast, takes Marlowe on his own terms and demonstrates how he achieves his notorious moral ambiguity through the rhetorical technique of dilation or amplification. All of Marlowe's plays end in the conventional tragic way, with death. But each play, as well as Hero and Leander, repeatedly evokes the reader's expectations of a tragic end only to defer them, dilating the moment of pleasure so that the protagonists can dally before the "law" of tragedy.




Apocalyptic Sentimentalism


Book Description

Focusing on a range of important antislavery figures, including David Walker, Nat Turner, Maria Stewart, Harriet Beecher Stowe, and John Brown, Apocalyptic Sentimentalism illustrates how antislavery discourse worked to redefine violence and vengeance as the ultimate expression (rather than denial) of love and sympathy.