Order from Confusion Sprung


Book Description

Originally published in 1985, Order From Confusion Sprung brings together some of Claude Rawson's more important essays and articles on eighteenth-century subjects, most belong to the last decade or so, but a few earlier pieces have also been included. Swift, Pope and Fielding are extensively treated, and there are discussions of Johnson, Boswell, Cowper, as well as some authors of the so-called Sentimental School. The volume also contains reappraisals of the concepts underlying such terms as 'neo-classic' and 'Augustan' in their application to eighteenth-century literature, and comments forthrightly on prevailing trends in the academic study of the subject in the last two decades.







The Cambridge Companion to Jonathan Swift


Book Description

The Cambridge Companion to Jonathan Swift is a specially commissioned collection of essays. Arranged thematically across a range of topics, this volume will deepen and extend the enjoyment and understanding of Jonathan Swift for students and scholars. The thirteen essays explore crucial dimensions of Swift s life and works. As well as ensuring a broad coverage of Swift s writing - including early and later works as well as the better known and the lesser known - the Companion also offers a way into current critical and theoretical issues surrounding the author. Special emphasis is placed on Swift s vexed relationship with the land of his birth, Ireland; and on his place as a political writer in a highly politicised age. The Companion offers a lucid introduction to these and other issues, and raises new questions about Swift and his world. The volume features a detailed chronology and a guide to further reading.




Jonathan Swift: The Reluctant Rebel


Book Description

A rich and riveting portrait of the man behind Gulliver’s Travels, by a “vivid, ardent, and engaging” (New York Times Book Review) author. One of Europe’s most important literary figures, Jonathan Swift was also an inspired humorist, a beloved companion, and a conscientious Anglican minister—as well as a hoaxer and a teller of tales. His anger against abuses of power would produce the most famous satires of the English language: Gulliver’s Travels as well as the Drapier Papers and the unparalleled Modest Proposal, in which he imagined the poor of Ireland farming their infants for the tables of wealthy colonists. John Stubbs’s biography captures the dirt and beauty of a world that Swift both scorned and sought to amend. It follows Swift through his many battles, for and against authority, and in his many contradictions, as a priest who sought to uphold the dogma of his church; as a man who was quite prepared to defy convention, not least in his unshakable attachment to an unmarried woman, his “Stella”; and as a writer whose vision showed that no single creed holds all the answers. Impeccably researched and beautifully told, in Jonathan Swift Stubbs has found the perfect subject for this masterfully told biography of a reluctant rebel—a voice of withering disenchantment unrivaled in English.




The Rape of the Text


Book Description

Solomon (English, Auburn U.) deconstructs the two centuries of criticism of Pope's long philosophical poem, which was loved by his contemporaries, and has been denigrated and trivialized by recent critics. He concludes that literary critics should not try to interpret philosophy. Annotation copyright by Book News, Inc., Portland, OR




Lemuel Gulliver's Mirror for Man


Book Description

Satire, long the most neglected of literary genres, has begun to claim its share of critical attention. And no book in the satiric tradition has generated more controversy that Gulliver's Travels; since it was first published it has been the subject of an often passionate debate about its moral and esthetic value--a debate inseparable from the question of what Swift was really saying about us all, especially in Book IV. Despite the running controversy, this is the first extended study of the Travels to appear in over forty years. It places Swift's masterpiece in the perspective of its own age, but also in relation to ours. First it reviews the philosophical doubts of the Augustans about the nature of man--doubts now recognized as a major force behind Swift's satire. It examines Augustan satiric theory and its Continental background; and, coming to the Travels, treats them as one instance of a conventional form, the "satire on man." On the vexed problem of Book IV it argues that alternative views of Swift as a savage misanthrope and as a benign humanist are both inadequate, and that as in Swift's irony generally, what seem to be contradictory truths are simultaneously in force. The study is concerned throughout with the way values operate in a satiric context. What, for example are we to make of Gulliver's pious attachment to "truth"-telling? In this connection, a speculative theory is proposed which relates Swift's satiric intentions to the epistemology of John Locke. Finally, an epilogue looks ahead to some modern writers--Lewis Carroll, Joyce, Vladimir Nabokov--whose habits throw a retrospective light on Swift's. The study, broadly speaking, is not only about Gulliver's Travels but also about the psychology of the satirist and about the mind's response, whether the Augustans' or our own, at moments of intellectual crisis. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.




Parody


Book Description

Parody is part of all our lives. It occurs not only in literature, but also in everyday speech, in theatre and television, architecture and films. Drawing on examples from Aristophanes to The Simpsons, Simon Dentith explores: * the place of parody in the history of literature * parody as a subversive or conservative mode of writing * parody's pivotal role in debates about postmodernism * parody in the culture wars from ancient times to the present This lively introduction situates parody at the heart of literary and cultural studies and offers a remarkably clear guide to this sometimes complex topic. Parody will serve as an essential resource, to be read and re-read by students of all levels.




The Practice of Satire in England, 1658–1770


Book Description

An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.




Poetry of Attention in the Eighteenth Century


Book Description

By identifying a pervasive cultivation of attention as a perceptual and cognitive state in eighteenth-century poetry, this book explores overt themes of attention and demonstrate techniques of readerly attention.




Alexander Pope


Book Description

This title was first published in 2002: Making use of the growing body of research in recent years on the nature of creativity, Netta Goldsmith here presents a new view of the famous poet whose personality has long frustrated scholars as elusive. Goldsmith tells the story of Pope's life so as to show the factors-personal and public, psychological and social-which shaped his character and enabled him to secure widespread recognition as a major poet. Discussions of significant works are integrated into the narrative covering main events and key relationships, as well as illustrating points made throughout about Pope's approach to his art. Among other things this book shows how vulnerable Pope felt as a Papist in a time of endemic Jacobite activity, and how his fear of possible prosecution for sedition determined much of his conduct and the way he shaped his career. Alexander Pope: The evolution of a poet not only provides a fresh perspective on Pope, but also on the very nature of literary creativity.