The King's English


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Kalith : Origin of The King’s Nine


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Kalith finds himself stranded and captured in an unknown land. Little does he know that he is a phasor and has accidentally travelled back in time. A series of strange and curious events progress as he gets rescued by a man who takes him to a hidden Gurukul, which is home to eight other gifted students who collectively are called The King’s Nine. He must learn to control his ‘phasing’ to return to his time. He embarks on a life-altering journey, trying to learn the ways of the Gurukul as he befriends the others and tries to learn how to discipline himself and amplify and manipulate his powers, all the while being unaware that there was a prophecy made many, many years ago in the same land that he is destined to fulfill.




King Lear


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Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink







The David Story: A Translation with Commentary of 1 and 2 Samuel


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"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.







A Dictionary of Modern English Usage


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A Brief History of King Arthur


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Who was the real King Arthur? What do the historical documents tell us about the Knight of the Round Temple? It is just a chivalric fantasy? The story of Arthur has been handed down to us by Medieval poets and legends - but what if he actually existed and was in fact a great king in the early years of Britain's story. Mike Ashley visits the source material and uncovers unexpected new insights into the legend: there is clear evidence that the Arthurian legends arose from the exploits of not just one man, but at least three originating in Wales, Scotland and Brittany. The true historical Arthur really existed and is distantly related to the present royal family.




Evolving God


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The author of How Animals Grieve “contends that religion . . . is a consequence of primate evolution” in this “brilliant book” (Booklist, starred review). Religion has been a central part of human experience since at least the dawn of recorded history. The gods change, as do the rituals, but the underlying desire remains—a desire to belong to something larger, greater, most lasting than our mortal, finite selves. But where did that desire come from? Can we explain its emergence through evolution? Yes, says biological anthropologist Barbara J. King—and doing so not only helps us to understand the religious imagination, but also reveals fascinating links to the lives and minds of our primate cousins. Evolving God draws on King’s own fieldwork among primates in Africa and paleoanthropology of our extinct ancestors to offer a new way of thinking about the origins of religion, one that situates it in a deep need for emotional connection with others, a need we share with apes and monkeys. Though her thesis is provocative, and she’s not above thoughtful speculation, King’s argument is strongly rooted in close observation and analysis. She traces an evolutionary path that connects us to other primates, who, like us, display empathy, make meanings through interaction, create social rules, and display imagination—the basic building blocks of the religious imagination. With fresh insights, she responds to recent suggestions that chimpanzees are spiritual—or even religious—beings, and that our ancient humanlike cousins carefully disposed of their dead well before the time of Neandertals. “Her interpretations result in a provocative hypothesis about the evolution of spirituality.” —The Dallas Morning News




God's Secretaries


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NATIONAL BESTSELLER • A NEW YORK TIMES NOTABLE BOOK “This scrupulously elegant account of the creation of what four centuries of history has confirmed is the finest English-language work of all time, is entirely true to its subject: Adam Nicolson’s lapidary prose is masterly, his measured account both as readable as the curious demand and as dignified as the story deserves.” — Simon Winchester, author of Krakatoa In God's Secretaries, Adam Nicolson gives a fascinating and dramatic account of the era of the King James Bible and its translation, immersing us in an age whose greatest monument is not a painting or a building but a book. A network of complex currents flowed across Jacobean England. This was the England of Shakespeare, Jonson, and Bacon; the era of the Gunpowder Plot and the worst outbreak of the plague. Jacobean England was both more godly and less godly than the country had ever been, and the entire culture was drawn taut between these polarities. This was the world that created the King James Bible. It is the greatest work of English prose ever written, and it is no coincidence that the translation was made at the moment "Englishness," specifically the English language itself, had come into its first passionate maturity. The English of Jacobean England has a more encompassing idea of its own scope than any form of the language before or since. It drips with potency and sensitivity. The age, with all its conflicts, explains the book. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.