Oroonoko the Royal Slave EasyRead Comfor


Book Description

This is a classic story about the horrors of slavery. It is about a Coromantien (Ghanaian) prince who, through his courage and integrity, acquires respect in his circle and even amongst the prisoners he takes in battle. The plot takes an unexpected turn when the white slave traders eventually take Oroonoko captive. Later he is sold into slavery. Penetrating!




Oroonoko the Royal Slave EasyRead Editio


Book Description

This is a classic story about the horrors of slavery. It is about a Coromantien (Ghanaian) prince who, through his courage and integrity, acquires respect in his circle and even amongst the prisoners he takes in battle. The plot takes an unexpected turn when the white slave traders eventually take Oroonoko captive. Later he is sold into slavery. Penetrating!




Oroonoko the Royal Slave EasyRead Large


Book Description

This is a classic story about the horrors of slavery. It is about a Coromantien (Ghanaian) prince who, through his courage and integrity, acquires respect in his circle and even amongst the prisoners he takes in battle. The plot takes an unexpected turn when the white slave traders eventually take Oroonoko captive. Later he is sold into slavery. Penetrating!




Oroonoko (EasyRead Comfort Edition)


Book Description

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as in 'the first state of innocence, before man knew how to sin'. The novel also reveals Behn's ambiguous attitude to African slavery - while she favoured it as a means to strengthen England's rule, her powerful and moving work conveys its injustice and brutality. This new edition of Oroonoko is based on the first printed version of 1688, and includes a chronology, further reading and notes. In her introduction, [the editor] examines Aphra Behn's views of slavery, colonization and politics, and her position as a professional woman writer in the Restoration.-Back cover.




Oroonoko


Book Description

After learning how to fight at a young age, Oroonoko, an African prince, fights alongside his army against invading forces. When a celebrated general saves Oroonoko’s life, trading his own to take an arrow for Oroonoko, the young prince feels indebted to the man and decides to go pay his respects to the late general’s family. There, he meets Imoinda, the daughter of the general. Oroonoko and Imoinda quickly fall in love and become betrothed, but the King, Oroonoko’s father, hears of Imoinda’s beauty and decides to take her as one of his wives. When Oroonoko and Imoinda rebel against this, the King sells Imoinda into slavery. Heartbroken, Oroonoko goes back to war, only to be tricked and captured by a British general. After the British general sells Oroonoko into slavery, he is reunited with Imoinda, as they are sold to work on the same plantation. This joy is short lived, as the horrors of slavery take its toll. When Imoinda becomes pregnant, the couple decide to do whatever it takes to ensure the best life for their child. They beg to be emancipated, but the plantation owner hardly considers their request, forcing Oroonoko to take his freedom back by force. With a lifetime of training, the love of his life at his side, and a dedication to regain his freedom, Oroonoko must lead a slave rebellion, risking everything he has for what he and his family should have: freedom. Oroonoko: or, The Royal Slave has earned acclaim from both literary critics and historians. When it was originally published in 1688, less than a year before author Aphra Behn died, Oroonoko: or, The Royal Slave did not receive immediate attention. However, Behn’s work did gain popularity after a stage version of the novel was released in 1695. While the accuracy of the novel’s plot has been questioned and debated by historians, Oroonoko: or The Royal Slave has earned cultural and historical significance by being claimed as one of the first novels written in English. Along with its prolific and innovative writer, the novel has earned significance that is still admirable today. Now redesigned with an eye-catching cover and reprinted in a modern font, Oroonoko: or The Royal Slave by Aphra Behn is accessible for a modern audience.




Oroonoko


Book Description

Oroonoko is a novel by Aphra Behn, published in 1688, concerning the love of its hero, an enslaved African in Surinam in the 1660s, and the author's own experiences in the new South American colony. It is one of the earliest English novels. Interest in it has increased since the 1970s, critics arguing that Behn is the foremother of British women writers, and that Oroonoko is a crucial text in the history of the novel. Aphra Behn (baptised 14 December 1640 – 16 April 1689) was a prolific dramatist of the English Restoration, the first English professional female literary writer. Her writing contributed to the amatory fiction genre of British literature. Along with Delarivier Manley and Eliza Haywood, she is sometimes referred to as part of "The fair triumvirate of wit." Behn's work Oroonoko (1688) is critically acknowledged as important to the development of the English novel. She was also a key writer in seventeenth century theatre. She is perhaps best known to modern audiences for her short novel.




Literature and Lives


Book Description

Telling stories from secondary and college English classrooms, this book explores the new possibilities for teaching and learning generated by bringing together reader-response and cultural-studies approaches. The book connects William Shakespeare, Charles Dickens, Mark Twain, and other canonical figures to multicultural writers, popular culture, film, testimonial, politics, history, and issues relevant to contemporary youth. Each chapter contains brief explications of literary scholarship and theory, and each is followed by extensive annotated bibliographies of multicultural literature, approachable scholarship and theory, and relevant Internet sites. Each chapter also contains descriptions of classroom units and activities focusing on a particular theme, such as genocide, homelessness, race, gender, youth violence, (post)colonialism, class relations, and censorship; and discussion of ways in which students often respond to such "hot-button" topics. Chapters in the book are: (1) A Course in Contemporary World Literature; (2) Teaching about Homelessness; (3) Genderizing the Curriculum: A Personal Journey; (4) Addressing the Youth Violence Crisis; (5) Shakespeare and the New Multicultural British and World Literatures; (6) "Huckleberry Finn" and the Issue of Race in Today's Classroom; (7) Testimonial, Autoethnography, and the Future of English; and (8) Conclusion. Contains approximately 350 references. Appendixes contain an email exchange between the author and a first year, inner-city teacher; a note to teachers on the truth of Rigoberta Menchu's testimonial; a brief account of philology; a 13-item annotated bibliography of readings in literary theory for English teachers; and lists of web sites exploring literary theory and cultural studies, supporting literature teaching, and for new teachers. (NKA)




The Changeling


Book Description

The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.







Women Beware Women


Book Description

One of the great Renaissance playwrights, Middleton wrote tragedies essentially different from either Marlowe's or Shakespeare's, being wittier than the former and more grittily ironic than the latter. The genre of 'citizen tragedy' came into its own in the eighteenth century, but Middleton can claim to have created it: Bianca, wife of a middling commercial agent, arouses the lust of the Duke of Florence and becomes his mistress, first secretly, then openly and finally, after her husband has been seduced by the scheming Lady Livia and stabbed by Livia's brother, the Duke's wife. Livia plots her revenge, and the play ends with a banquet and a masque that are a triumph of black farce. Middleton's powerful, psychologically complex female characters and his clear-sighted analysis of misogyny are bound to impress today's audiences, but it is the pervasive irony - cynicism, even - with which he dissects the motivations of both oppressor and victim that makes him so eerily modern.