The Imperial Harem


Book Description

The unprecedented political power of the Ottoman imperial harem in the sixteenth and seventeenth centuries is widely viewed as illegitimate and corrupting. This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.




Ottoman Women Builders


Book Description

Examined here is the historical figure and architectural patronage of Hadice Turhan Sultan, the young mother of the Ottoman Sultan Mehmed IV, who for most of the latter half of the seventeenth century shaped the political and cultural agenda of the Ottoman court. Captured in Russia at the age of twelve, she first served the reigning sultan's mother in Istanbul. She gradually rose through the ranks of the Ottoman harem, bore a male child to Sultan Ibrahim, and came to power as a valide sultan, or queen mother, in 1648. It was through her generous patronage of architectural works-including a large mosque, a tomb, a market complex in the city of Istanbul and two fortresses at the entrance to the Dardanelles-that she legitimated her new political authority as a valide and then attempted to support that of her son. Central to this narrative is the question of how architecture was used by an imperial woman of the Ottoman court who, because of customary and religious restrictions, was unable to present her physical self before her subjects' gaze. In lieu of displaying an iconic image of herself, as Queen Elizabeth and Catherine de Medici were able to do, Turhan Sultan expressed her political authority and religious piety through the works of architecture she commissioned. Traditionally historians have portrayed the role of seventeenth-century royal Ottoman women in the politics of the empire as negative and de-stabilizing. But Thys-Senocak, through her examination of these architectural works as concrete expressions of legitimate power and piety, shows the traditional framework to be both sexist and based on an outdated paradigm of decline. Thys-Senocak's research on Hadice Turhan Sultan's two Ottoman fortresses of Seddülbahir and Kumkale improves in a significant way our understanding of early modern fortifications in the eastern Mediterranean region and will spark further research on many of the Ottoman fortifications built in the area. Plans and elevations of the fortresses are published and analysed here for the first time. Based on archival research, including letters written by the queen mother, many of which are published here for the first time, and archaeological fieldwork, her work is also informed by recent theoretical debates in the fields of art history, cultural history and gender studies.




Life after the Harem


Book Description

The first study to explore the lives of female slaves of the Ottoman imperial court, including the period following their manumission and transfer from the imperial palace. Through an analysis of a wide range of hitherto unexplored primary sources, Betül İpşirli Argıt demonstrates that the manumission of female palace slaves and their departure from the palace did not mean the severing of their ties with the imperial court; rather, it signaled the beginning of a new kind of relationship that would continue until their death. Demonstrating the diversity of experiences in non-dynastic female-agency in the early-modern Ottoman world, Life After the Harem shows how these evolving relationships had widespread implications for multiple parties, from the manumitted female palace slaves, to the imperial court, and broader urban society. In so doing, İpşirli Argıt offers not just a new way of understanding the internal politics and dynamics of the Ottoman imperial court, but also a new way of understanding the lives of the actors within it.




Women and Gender in Central and Eastern Europe, Russia, and Eurasia


Book Description

This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.




Harem: The World Behind the Veil (25th Anniversary Edition)


Book Description

A fascinating illustrated history of one of the strangest, and cruelest, cultural institutions ever devised. A worldwide best seller, translated into twenty-five languages. “I was born in a konak (old house), which once was the harem of a pasha,” writes Alev Lytle Croutier. “People around me often whispered things about harems; my own grandmother and her sister had been brought up in one.” Drawing on a host of firsthand accounts and memoirs, as well as her own family history, Croutier explores life in the world’s harems, from the Middle Ages to the early twentieth century, focusing on the fabled Seraglio of Topkapi Palace as a paradigm for them all. We enter the slave markets and the lavish boudoirs of the sultanas; we witness the daily routines of the odalisques, and of the eunuchs who guarded the harem. Here, too, we learn of the labyrinthine political scheming among the sultan’s wives, his favorites, and the valide sultana—the sultan’s mother—whose power could eclipse that of the sultan himself. There were the harems of the sultans and the pashas, but there were also “middle-class” harems, the households in which ordinary men and women lived out ordinary—albeit polygamous—lives. Croutier reveals their marital customs, child-rearing practices, and superstitions. Finally, she shows how this Eastern institution invaded the European imagination—in the form of decoration, costume, and art—and how Western ideas, in turn, finally eroded a system that had seemed eternal. Juxtaposing a rich array of illustrations—Western paintings, Turkish and Persian miniatures, family photographs, and even film stills—Croutier demystifies the Western erotic fantasy of “the world behind the veil.” This revised and updated 25th anniversary edition of Harem includes a new introduction by the author, revisiting her subject in light of recent events in Turkey, and the world.




Ottoman Harem


Book Description

Thirty years ago, we have published The Ottoman Harem in Turkish and I have given a copy to Şükran Vahide (Mary Weld) to evaluate and to translate to English. She has translator the Risâle-i Nur Collection completely and is a native in English. When she had completed the translation, she told me “Dr. Akgunduz! I have enjoyed translating this book and I think that this book is very important in historical and religious sense.” I have spent five years preparing this work Male and Female Slavery in Islam and the Ottoman Ḫarem. The product of those five years’ work has now been published in English. The subjects discussed in this book are as follows: Part One; the distortions and misrepresentations of male and female slavery and the Ḫarem, together with some examples. Part Two; male and female slavery in non-Muslim societies and in other religions. Part Three; the institutions of male and female slavery in Islamic law. Part Four; aspects of the practice of slavery, male and female, in the Ottoman state. Part Five; an investigation of the question: what is the Ḫarem? Part Six; a lady governess’s memoirs of the Ḫarem. Part Seven; the replies to a number of important questions on these subjects. My request of readers is that they read the sections they are interested in, and particularly that they study Parts One, Five, and Seven. I realize that Part Two is a slight digression, but I am of the opinion that the comparison is necessary in order to illuminate slavery in Islam and in the Ottoman state. “Ahmed Cevdet Pasha says: “To own slaves in Islam is to be a slave.” What should be realized here is that Islam did not introduce slavery. So how was slavery practised in other societies and religions? How did other religions and peoples act towards slaves? Since “Everything is known through it opposites,” it is essential to know this in order to understand male and female slavery in Islamic law and the Ḫarem in Ottoman society. The women in the Sultan’s Ḫarem lived under very strict discipline. They lived an enclosed life in their apartments, just as they paid great attention to these matters when they were out on trips or travelling. Since it was thus, does it conform to historical fact to show them to be immodest and overly free and easy, as in the films made recently? Does this reflect history as it was lived or is it make-belief? This should be pondered over fairly and reasonably.”




The Forbidden Modern


Book Description

A prominent Turkish sociologist examines the veiling of young university women, and the cultural cleavages between the Islamic and Western worlds




Women and Civil Society in Turkey


Book Description

Focusing on three important interrelated issues, Women and Civil Society in Turkey challenges the classical definition, developed in the West, of civil society as an equivalent of the public sphere in which women are excluded. First it shows how feminist movements have developed a new definition of civil society to include women. Second it draws attention to the role of women in the modernization of Turkey with special reference to the debate on the possibility of an indigenous feminist movement. Finally, it underlines the contribution of feminist, Islamic and Kurdish women’s movements in the transition from an ideologically constructed, uniform public sphere to a multi-public domain. Giving attention to the influence of diverse women’s movements over Turkish political values this book sheds light into the issue of how a feminine civil society has been constructed as part of a plural public space in Turkey. Ömer Çaha argues that this new public realm is the product of values and institutions which have been developed by diverse women’s groups who have succeeded in eliminating the traditional barricades between public and domestic spheres and in steering women into public life without sacrificing their own values.




The Hammered Dulcimer


Book Description

The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.