Osun


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Osun across the Waters


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Ã’sun is a brilliant deity whose imagery and worldwide devotion demand broad and deep scholarly reflection. Contributors to the ground-breaking Africa's Ogun, edited by Sandra Barnes (Indiana University Press, 1997), explored the complex nature of Ogun, the orisa who transforms life through iron and technology. Ã’sun across the Waters continues this exploration of Yoruba religion by documenting Ã’sun religion. Ã’sun presents a dynamic example of the resilience and renewed importance of traditional Yoruba images in negotiating spiritual experience, social identity, and political power in contemporary Africa and the African diaspora. The 17 contributors to Ã’sun across the Waters delineate the special dimensions of Ã’sun religion as it appears through multiple disciplines in multiple cultural contexts. Tracing the extent of Ã’sun traditions takes us across the waters and back again. Ã’sun traditions continue to grow and change as they flow and return from their sources in Africa and the Americas.




Osun Seegesi


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What does our sophisticated, technically advanced society have to learn from a venerable African goddess? That is the question Dr. Diedre Badejo set out to answer a decade ago, armed only with a tape recorder, a working knowledge of Yoruba language, literature, and culture, and a mental "image" of the African Motherland molded as much by her great grandmother's character as by her own experience of the Black Power and Black Studies movements of the '60s and '70s. The answers Dr. Badejo found as she immersed herself in the ritual orature, sacred songs, and festival drama of the Yoruba goddess Osun Seegesi at the deity's principal shrine in the city of Osogbo, Nigeria, are shared with the world in this detailed documentary/analysis that presents a startling view of human relations and relationships that is powerful in its practicality and revolutionary in its civility. What Osun (pronounced "Oh-Shoon") offers to a civilization standing "at the crossroads" and poised on the "abyss of transition", says the author, is nothing less than "an African feminist theory that challenges the hegemony of the Western social order" with a holistic sociocultural vision that recognizes and affirms the reciprocal role of women and men in building and sustaining a truly civil society.




Theatrical Jazz


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The first full-length study of the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note.




Women in the Yoruba Religious Sphere


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Drawing on a wide range of oral and written sources, this book shows that women occupy a central place in the religious worldview and life of the Yoruba people and shows how men and women engage in mutually beneficial roles in the Yoruba religious sphere. It explores how gender issues play out in two Yoruba religious traditions—indigenous religion and Christianity in Southwestern Nigeria. Rather than shy away from illuminating the tensions between the prominent roles of Yoruba women in religion and their perceived marginalization, author Oyeronke Olajubu underscores how Yoruba women have challenged marginalization in ways unprecedented in other world religions.




Rewriting Osun


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Known to practitioners and scholars as the Yoruba goddess of sweet (waters), sensuality, fertility and delight, Osun is a deity of great controversy. Nigerians see her as an astute, responsible mother of many children, yet across the ocean in the New World she has become a promiscuous, fun-loving deity who abandons her children and gives them to Yemaya to raise. Alarcns research analyzes the diverse representations of Osun (as a metaphor for women) found in trans-national Yoruba literature, specifically the verses of Odu Ifa (divination poetry) and Apataki (stories/legends), and examines the roles gender, race and sexuality have played in cultural interpretations of Osun and therefore on the journey of women throughout the diaspora. (Re)Writing Osun challenges us to move beyond the remnants of limited colonial interpretations of African spiritual practices and begin the process of (re)writing OsunS narrative. Book includes color photographs!




No Condition Is Permanent


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Includes articles, interviews, creative writing, and book reviews.




African Indigenous Religious Traditions in Local and Global Contexts


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This volume honours one of the great scholars of our era, Professor Jacob Olupona. Although he has conducted significant portions of his career outside of Nigeria, he has not separated himself from his colleagues or from interests in religions in Nigeria and elsewhere in Africa. His publications and presentations offer the international scholarly community important critical insights into a range of religious activities, life ways and ideas originating in Africans and the African Diaspora. In spite of the diversity in the thoughts and opinions expressed, and equally of the range of disciplines and topics contained in the book, one can say that the contributors have developed a shared concern about the role of African Indigenous Religious Traditions in the processes of development and the context within which it (development) had or is taking place. The book guides us to a deep understanding and appreciation of how Africans in their varied situations grapple with existential problems through philosophical ruminations, complex ritual processes, cultivated memory and organized coping strategies.




Osogbo and the Art of Heritage


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Why has the home of a Yoruba river goddess become a UNESCO World Heritage site and a global attraction? Every year, tens of thousands of people from around the world visit the sacred grove of Osun, Osogbo's guardian deity, to attend her festival. Peter Probst takes readers on a riveting journey to Osogbo. He explores the history of the Osogbo School, which helped introduce one style of African modern art to the West, and investigates its intimate connection with Osun, the role of art and religion in the changing world of Osogbo, and its prominence in the global arena.




Osun Osogbo Festival


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