Latin American Modern Architectures


Book Description

Latin American Modern Architectures: Ambiguous Territories has thirteen new essays from a range of distinguished architectural historians to help you understand the region’s rich and varied architecture. It will also introduce you to major projects that have not been written about in English. A foreword by historian Kenneth Frampton sets the stage for essays on well-known architects, such as Lucio Costa and Félix Candela, which will show you unfamiliar aspects of their work, and for essays on the work of little-known figures, such as Uruguayan architect Carlos Gómez Gavazzo and Peruvian architect and politician Fernando Belaúnde Terry. Covering urban and territorial histories from the nineteenth and twentieth centuries, along with detailed building analyses, this book is your best source for historical and critical essays on a sampling of Latin America's diverse architecture, providing much-needed information on key case studies. Contributors include Noemí Adagio, Pedro Ignacio Alonso, Luis Castañeda, Viviana d’Auria, George F. Flaherty, María González Pendás, Cristina López Uribe, Hugo Mondragón López, Jorge Nudelman Blejwas, Hugo Palmarola Sagredo, Gaia Piccarolo, Claudia Shmidt, Daniel Talesnik, and Paulo Tavares.




Eladio Dieste


Book Description

Eladio Dieste pioneered building with reinforced masonry in his native Uruguay. For most of his career he built industrial & public structures, small churches & farm buildings. Often standing apart from the mainstream architectural world, Dieste never lost sight of the modest people for whom he was building.




Building the New World


Book Description

Brasilia, Caracas, Mexico City, Rio de Janeiro ... cities synonymous with some of the most innovative and progressive architecture of the past century.




Encyclopedia of Contemporary Latin American and Caribbean Cultures


Book Description

This vast three-volume Encyclopedia offers more than 4000 entries on all aspects of the dynamic and exciting contemporary cultures of Latin America and the Caribbean. Its coverage is unparalleled with more than 40 regions discussed and a time-span of 1920 to the present day. "Culture" is broadly defined to include food, sport, religion, television, transport, alongside architecture, dance, film, literature, music and sculpture. The international team of contributors include many who are based in Latin America and the Caribbean making this the most essential, authoritative and authentic Encyclopedia for anyone studying Latin American and Caribbean studies. Key features include: * over 4000 entries ranging from extensive overview entries which provide context for general issues to shorter, factual or biographical pieces * articles followed by bibliographic references which offer a starting point for further research * extensive cross-referencing and thematic and regional contents lists direct users to relevant articles and help map a route through the entries * a comprehensive index provides further guidance.




Modernity and the Architecture of Mexico


Book Description

Since the mid 1970s, there has been an extraordinary renewal of interest in early modern architecture, both as a way of gaining insight into contemporary architectural culture and as a reaction to neoconservative postmodernism. This book undertakes a critical reappraisal of the notion of modernity in Mexican architecture and its influence on a generation of Mexican architects whose works spanned the 1920s through the 1960s. Nine essays by noted architects and architectural historians cover a range of topics from broad-based critical commentaries to discussions of individual architects and buildings. Among the latter are the architects Enrique del Moral, Juan O'Gorman, Carlos Obregón Santacilia, Juan Segura, Mario Pani, and the campus and stadium of the Ciudad Universitaria in Mexico City. Relatively little has been published in English regarding this era in Mexican architecture. Thus, Modernity and the Architecture of Mexico will play a groundbreaking role in making the underlying assumptions, ideological and political constructs, and specific architect's agendas known to a wide audience in the humanities. Likewise, it should inspire greater appreciation for this undervalued body of works as an important contribution to the modern movement.




Other Americas


Book Description




The Metropolis in Latin America, 1830-1930


Book Description

This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.




Beyond Modernist Masters


Book Description

Latin America has been an important place for architecture for many decades. Masters like Barragán, Dieste, Lina Bo Bardi, and Niemeyer pointed the way for architectural design all over the world, and they continue to do so today. Their approach to colors, materials, and walls had a deep and lasting influence on architectural modernism. Since then, however – and especially in the last fifteen years – architecture on the continent has continued to evolve, and a lively and extremely creative architecture scene has developed. The work of Latin American architects and city planners is often guided by social issues, for example, the approach to informal settlements on the outskirts of big cities, the scarcity of housing and public space, the availability of affordable transportation, and the important role of cultural infrastructure – such as schools, libraries, and sports facilities – as a catalyst for neighborhoods. Within this context, the book considers numerous projects that have prompted discussion and provided fresh impetus all across Latin America. Outstanding projects like the Santo Domingo Library in Medellin, Colombia, by Giancarlo Mazzanti; Alberto Kalach’s Liceo Franco-Mexicano in Mexico; and the works of Alejandro Aravena in Chile show that recent Latin American architecture is more than capable of holding its own beside the works of the founders. Felipe Hernández is an architect and professor of Architectural Design, History and Theory at The University of Liverpool. He attended an MA in Architecture and Critical Theory, graduating with distinction in 1998, and received his PhD from the University of Nottingham in 2003. He has taught at the Bartlett School of Architecture (UCL), The Universities of Nottingham, Sheffield, East London and Nottingham Trent in the United Kingdom as well as at Brown University and Roger Williams University in USA. Felipe has published numerous essays and articles examining the situation of contemporary Latin American cities and revealing the multiplicity of architectural practices that operate simultaneously in the constant re-shaping of the continent’s cities.




Space and Place in the Mexican Landscape


Book Description

Metaphysical conceptions have always influenced how human societies create the built environment. Mexico—with its rich culture, full of symbol and myth, its beautiful cities, and its evocative ruins—is an excellent place to study the interplay of influences on space and place. In this volume, the authors consider the ideas and views that give the constructed spaces and buildings of Mexico—especially, of Querétaro—their particular ambience. They explore the ways the built world helps people find meaning and establish order for their earthly existence by mirroring their metaphysical assumptions, and they guide readers through time to see how the transformation of worldviews affects the urban evolution of a Mexican city. The authors, then, construct a “metaphysical archeology” of space and place in the built landscape of Mexico. In the process, they identify the intangible, spiritual aspects of this land. Not only scholars of architecture, but also archeologists and anthropologists—particularly those interested in Mexican backgrounds and culture—will appreciate the authors’ approach and conclusions.




Encyclopedia of Latin American & Caribbean Art


Book Description

For abstracts see: Caribbean Abstracts, no. 11, 1999-2000 (2001); p. 111.