Over the Anvil We Stretch


Book Description

Over The Anvil We Stretch contains swampy, powerful poems that are as exciting as the pocket knife you got for your birthday, the three legged frog on the lawn and the jar of marbles your mother kept in the kitchen. Mojgani's poems are the sound of the river and the stars burning above. He manages to capture the axe in the stump with blood still on the handle. Anis Mojgani has drawn a map of the country in the shape of his wild surreal poems. These are memories of a life, captured through the blue green filter of the bayou. Mojgani's latest poems are tinged with the sound of crickets spying on us in the darkness. They move forward honestly, brutally and sweetly. The reader will be led into briar patches as well as the moonlight just on the other side. Anvil is a book of poetic truth, packed with humor and insight. It is a juggling act of the epic and the intimate. I read it and it echoes. Shut up so I can hear more. -David Gordon Green, filmmaker, All the Real Girls and The Pineapple Express Anis Mojgani, Andrea Gibson, and other young poets of their talent are the future of American poetry and frankly, that fills me with joy! --Thomas Lux, Guggenheim Fellow & recipient of the Kingsley Tufts Poetry Award for his book Split Horizons He’s probably the best poetry slammer alive. The intellect, optimism and humility with which he speaks feel like proof of the relevance of “spoken word” as a genre. He processes the world in slices of beauty, frustration and sympathy... -Willamette Week Newspaper




The Feather Room


Book Description

Science, birds, Billy the Kid, and lots of feathers surround The Feather Room, Anis Mojgani’s follow up to his Pushcart-nominated work, Over the Anvil We Stretch. In The Feather Room, Mojgani further explores storytelling in poetic form while traveling farther down the path of magic realism, endowing his tales with a greater sense of fantasy and brightness. The work recounts loss and heartbreak while discovering lightness and beauty on the other side. Throughout the book, Mojgani opens tree trunks to reveal chandeliers. He leads us through the rooms inside himself, using poems to part curtains and paint walls. He is lifting windows to let the fantasy indoors. Anis Mojgani, Andrea Gibson, you and other young poets of their talent are the future of American poetry and frankly, that fills me with joy! --Thomas Lux, Guggenheim Fellow & recipient of the Kingsley Tufts Poetry Award for his book Split Horizons Mojgani is not your typical national poetry slam champion...The playfulness, startling originality, and lyric optimism are all gravy. He's simply the best there is right now. -Taylor Mali, “The Last Time As We Are" Anis shook the dust off me and everyone else in the audience with the beauty of his words. -Saul Williams, “Said the Shotgun to the Head”




In the Pockets of Small Gods


Book Description

A beautiful exploration of grief by one of the top selling poets in America. Anis Mojgani's In the Pockets of Small Gods explores what we do with grief, long after the initial sadness has faded from our daily lives: how we learn to carry it without holding it, how our joy and our pain touch, and at times need one another. His latest collection of poetry touches on many kinds of sorrow, from the suicide of a best friend to a broken marriage to the current political climate. Mojgani swings between the surreal imagery and direct vulnerability he is known for, all while giving the poems a direct frankness, softening whatever the weight may be. A book of leaves and petals as opposed to a book of stones, In the Pockets of Small Gods encapsulates the human experience in a way that is both deeply personal and astoundingly universal.




Songs From Under the River


Book Description

World renowned performer and top-selling author and two-time National Slam Poetry Champion, Anis Mojgani has combed through out-of-print editions to put together Songs From Under the River, a best-of collection for his third Write Bloody release. Popular poems (Some with over 200,000 "Likes" on YouTube) such as "Direct Orders", "Shake the Dust", "Here Am I" and more, are collected here alongside lost poems, favorite poems and new unpublished works. The book showcases what audiences have come to expect from Anis—uplifting words, playful surrealism, and the journey through imagination. Songs From Under the River allows fans and new readers alike the chance to follow the trajectory of Anis' development, themes, and style of work over his 15 year career.




The Pocketknife Bible


Book Description

Pushcart Prize Nominee, two-time National Poetry Slam Individual Champion, and winner of the World Cup Poetry Slam, Anis Mojgani captivates with The Pocketknife Bible, which builds the bridge between a grown-up book for children and a children's picture book for adults, seeking to answer these questions through the author's poems and pictures: What if your future life came to you as a child in dreams? What if you wrote down those dreams in words and pictures, in the language we spoke as children but forgot once grown? What if as an adult you unearthed this book of dreams and prophecy from your past and translated them out of that long lost tongue into poems that those now grown could understand?




Our Poison Horse


Book Description

Our Poison Horse is the newest poetry collection released by Derrick C. Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a "...rekindling of the faith in the shocking, weird and beautiful power of words." Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer's community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long 'poetic play' called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, "an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book." Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown's words: "I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it's skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn't know I was ready for. There is a theme that in beautiful places, you will




The Oregon Trail is the Oregon Trail


Book Description

Loosely based on the iconic computer game The Oregon Trail, THE OREGON TRAIL IS THE OREGON TRAIL, which was shortlisted for the 2012 Believer Poetry Award, chronicles the journey of a family on their way out West. Along the way, they fight dysentery, a more racist Mel Gibson, syphilis, and consumption while learning that letting go is sometimes easier than starting over. Read the book, play the book as a choose your own adventure game, and never welcome the small pox welcome wagon. We have done bad things, and we will pay for them. New version now with illustrations.




A Choir of Honest Killers


Book Description

A Choir of Honest Killers, Buddy Wakefield's first new book of prose and poetry in eight years, is an episodic novel exploring his creative climb out of the gritty underbelly of anger and shame, into the dissolution of tragedy addiction and the unmistakable clearing ahead. Having toured the world performing poetry for the last eighteen years, navigating the blunt loneliness of life on the road and a rotating cast of unlikely antagonists, Buddy keenly unpacks topics like the intense overcompensation of his masculinity, growing up terribly queer in the south, the detriments of public shame, a toxic fear of intimacy and the devastation of a failed major relationship. Wakefield revs up for his relay race to the light with refreshing humor and insight by finding meditation as the love of his life, accepting bliss and learning to let go. While the poetry in A Choir of Honest Killers undeniably throws plenty of insightful punches, it's the through-story about moving from devastation to frequent serendipity that gives the book pace. But it's worth noting, as Wakefield writes, “Perfect probably isn't what you think it is.” Wakefield is ultimately catapulted through collective misery, landing in a sustainably joyful life governed by awareness, equanimity and a constant thorough understanding of impermanence. A Choir of Honest Killers is the result of a lifetime of intense work, fervent seeking and largely takes aim at an exodus from tragedy addiction, into the transmutation of his self-admitted density.




The Incredible Sestina Anthology


Book Description

More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world. Formalists and avant-gardes love sestinas for their ornate, maddeningly complicated rules of word repetition. For The Incredible Sestinas Anthology, editor Daniel Nester has gathered more than 100 writers—from John Ashbery to David Lehman to Matt Madden and Patricia Smith—to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.




How to Love the Empty Air


Book Description

New York Times bestselling nonfiction writer and poet Cristin O’Keefe Aptowicz’s How to Love the Empty Air reaches new heights in her revelatory seventh collection of poetry. Continuing in her tradition of engaging autobiographical work, How to Love the Empty Air explores what happens when the impossible becomes real?for better and for worse. Aptowicz’s journey to find happiness and home in her ever-shifting world sees her struggling in cities throughout America. When her luck changes?in love and in life?she can’t help but “tell the sun / tell the fields / tell the huge Texas sky.... / tell myself again and again until I believe it.” However, the upward trajectory of this new life is rocked by the sudden death of the poet’s mother. In the year that follows, Aptowicz battles the silencing power of grief with intimate poems burnished by loss and a hard-won humor, capturing the dance that all newly grieving must do between everyday living and the desire “to elope with this grief, / who is not your enemy, / this grief who maybe now is your best friend. / This grief, who is your husband, / the thing you curl into every night, / falling asleep in its arms...” As in her award-winning The Year of No Mistakes, Aptowicz counts her losses and her blessings, knowing how despite it all, life “ripples boundless, like electricity, like joy / like... laughter, irresistible and bright, / an impossible thing to contain.”