Contemporary Painting in Pakistan


Book Description

Nutidige pakistansk malerkunst sat i en historisk og kunstnerisk perspektiv. Forfatteren, der er amerikaner har taget doktorgrad i asiatisk kunsthistorie. Emnet for hendes afhandling var den berømte pakistanske maler Muhammad ʻAbdurrahmān Cughtai




Painting in Pakistan


Book Description




Art and Polemic in Pakistan


Book Description

'[This book] has originality and insight and throws fresh light on an important aspect of the art world. By letting the categories of artistic production, nationalist identity and subterfuge speak to, inform, and challenge one another, Virginia Whiles has created a rich text which gives both historical depth and contemporary significance on questions of art, commodification and identity.'-Parvathi Raman, Senior Lecturer in Social Anthropology, Department of Anthropology and Sociology, School of Oriental and African Studies, University of London --




The Eye Still Seeks


Book Description

A superb art book of one of the most arresting art movements in the world today Pakistan’s contemporary art scene is arguably the most exciting in South Asia. Wellknown curator, artist and teacher Salima Hashmi gives us a superb overview in this lavishly designed book, which includes interviews with artists such as Rashid Rana and pieces by writers like Kamila Shamsie and Mohsin Hamid.




Image and Identity


Book Description

Celebrating fifty years of Pakistani painting and sculpture, this is the definitive story of the introduction and unfolding of modern art in Pakistan.




Painters of Pakistan


Book Description

Short biography of the painters; includes reproductions of some of their paintings.




Modern Art in Pakistan


Book Description

Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Pakistan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition. A masterful insight into South Asian art, this book will interest researchers, scholars, and students of South Asian art and art history, and Pakistan in particular. Further, it will be useful to those engaged in the fields of Islamic studies, museum studies, and modern South Asian history.




Punjab Painting


Book Description

Painting In Punjab Is A Doctoral Thesis Approved By Meerut University, Meerut (India). It Is A First Comprehensive Survey Of Visual Arts (Miniature Painting, Illustrated Manuscripts And Mural Painting) Which Flourished In The Land Of Five Rivers Governed By The Lion Of Punjab, Maharaja Ranjit Singh (1780-1839) As Also The Area Reigned By East Punjab Rajas Known As Ruler Of Cis-Sutlej I.E. Malwa States; Maharaja Narinder Singh (1845-1862) Being The Prominent Among The Patraons Of Art And Learning Whose Contribution Excelled All In This Respect. The Present Study Covers Miniatures, Illuminated Manuscripts As Well As The Mural Painting Done In Both The Areas Of Punjab Thus Discovering And Establishing For The First Time A Definitive Movement Of Visual Arts Which Existed In Punjab Of Nineteenth Century. This Brings To The Attention Of Scholarly World A Rich Style Of Painting Known As Punjab Painting Hitherto Unknown Just Like Other Indian Schools Of Painting Viz Mughal, Rajput And Pahari Painting With All The Salient Features Of Any Art Movement Inherent In It. Special Feature Of The Book Lies In The Fact That It Sheds Light On The Social Life Of The Painters Who Made Creative And Beautiful Environments-Royal And Private Both-But Thus Far Remained In Oblivion. Simultaneously It Seeks To Trace The Presence Of Amour Artists In Both Regions And Their Family Genealogies Which Help Us To Track Down The Movement Of Art From One Princely Center To Another. One Such Family Was Chughtai Family Which Came From Heart (Persia) And Settled In Lahore, And Its Members Were Responsible For Significant Contribution To Creative Arts Of Punjab Specially During The Life Time Of Maharaja Ranjit Singh In The Capital Town Of Lahore. Unique Feature Of The Book Is That It Offers To The Reader An Opportunity To See The Flowering Of Vaishnavite Art In The Courts Of Tolerant Sikh Rulers Of Both Trans-Sutlej As Well As Cis-Sutlej Areas Of Punjab.




Hanging Fire


Book Description

Accompanying the first U.S. museum exhibition devoted to contemporary art from Pakistan, this dynamic catalogue provides a groundbreaking look at recent and current trends in Pakistani art. Hanging Fire covers a fascinating range of subjects and media, from installation and video art to sculpture, drawing, and paintings in the "contemporary miniature" tradition. Essays by distinguished contributors from a variety of fields, including Salima Hashmi, Pakistani-American sociologist and historian Ayesha Jalal, and the celebrated novelist Mohsin Hamid, place contemporary Pakistani art in a cultural, historical, and artistic perspective. The book's title, Hanging Fire, alludes to the contemporary economic, political, and social tensions--both local and global--from which these artists find their creative inspiration. It may also suggest to the viewer to delay judgment, particularly based on assumptions or preconceived notions about contemporary society and artistic expression in Pakistan today. Distributed for the Asia Society Museum Exhibition Schedule: Asia Society and Museum (9/10/09 - 1/3/10)




Mazaar, Bazaar


Book Description

An interdisciplinary study on design and visual culture in Pakistan, this book reflects social, commercial and geo-political changes influencing this region. It documents contemporary visual vernacular and provides an overview of the impact of diverse cultures assimilated over several millennia. A broad horizon of graphic expression is addressed: from architectural calligraphy to postage stamps, from steatite seals of the Indus valley culture (4000 BC) and coinage to Mughal manuscripts and cinema posters. Historic evidence is fused with contemporary expression, as well as "fine arts" with "applied arts." Over 30 contributions from leading experts are organized into five sections. "Dekh Magar Pyar se" (Look, but with Love) consists of indigenous popular icons, a majority drawing heavily from religion and mythology. "Read" covers typography depicted by the Urdu, Persian, Arabic and English languages and script. "Be Pakistani, Buy Pakistani" celebrates consumer culture providing critique of some of the local retail packaging. "Pakistan Zindabad" (Long Live Pakistan) offers insight into the construct of a national graphic identity after its Independence in 1947. Pre-partition Perspective is structured chronologically and offers an illustrated history of the region. It is a sourcebook for designers, artists as well as students of communication and culture.