S.T. Gill & His Audiences


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Samuel Thomas Gill, or STG as he was universally known, was Australia’s most significant and popular artist of the mid-nineteenth century. For his contemporaries he epitomised ‘Marvellous Melbourne’ basking in the glow of the gold rushes. He worked in South Australia, Victoria and New South Wales and left some of the most memorable images of urban and rural life in colonial Australia. A passionate defender of Indigenous Australians and of the environment, Gill in his art celebrated the emerging quintessential Australian character. This is the first major comprehensive book to be devoted to Gill and presents a radical reassessment of one of the most important figures in Australian colonial art and reproduces, in some instances for the first time, some of the most startling images from nineteenth-century Australian art. There will be an exhibition of S.T. Gill’s work at the State Library of Victoria in July 2015 and at the National Library of Australia in June 2016, plus smaller shows in regional Victorian galleries. In association with the State Library of Victoria.







Paintings of S.T. Gill


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Samuel Thomas Gill; Artist


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Ancestral Modern


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A fascinating look at Australian Aboriginal art over the past four decades, highlighting millennia-old artistic traditions




S.T. Gill's Australia


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100 illustrations of Samuel Thomas Gill who arrived in Adelaide in 1839 and painted, until his death in 1880, Adelaide, gold diggings, Melbourne, Ballarat and Sydney.




White on Black


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Discusses early explorers & artists attitudes to natives, differing national attitudes of British & French, analysis of painting styles & ways in which Aborigines are depicted; includes notes on cartoons, notes on artists & paintings.




Famous Australian Art


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Madge Gill by Myrninerest


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Myrninerest', a stunning new monograph on the visionary English outsider artist Madge Gill, is published in conjunction with an exhibition of her work at the William Morris Gallery in London. With selections from a seemingly endless body of work, it explores the natural creativity Gill possessed. She often attributed her inspiration for the thousands of intricate ink drawings and embroideries to her ethereal guide, after which this book is named. Gill was obsessed with spiritualism, and this unseen force gave her a new outlook and energy which shaped her work, guiding her hand and allowing her to find the strength and inspiration to take control over the many hardships in her life.




CONFLICTING VIEWS


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