Palm-leaf and Paper


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Buddhist Manuscripts


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The Bhāgavata Purāna, an Illustrated Oriya Palmleaf Manuscript, Parts VIII-IX


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Reproduction of a portion of an Oriya manuscript of the Bhāgabata illustrated by Brajanātha Baḍajenā, 1730-1795?; with text by his son Ghanaśyām, 18th cent.; critically edited with introduction and paraphrase.




Aspects of Manuscript Culture in South India


Book Description

This volume, the outcome of a seminar organized at the International Institute for Asian Studies, Leiden, marks an important advancement in the study of South Indian Sanskrit manuscripts which are predominantly on palm leaf and rarely older than three to four centuries. Nevertheless, they continued a manuscript culture for around two millennia and had a profound impact on traditions of knowledge and culture. After an introductory essay (by J.E.M. Houben and S. Rath) addressing theoretical and historical issues of text transmission in manuscripts and in India’s remarkably strong oral memory culture, it contains twelve contributions dealing with South Indian manuscript collections in India and Europe (mainly of Vedic and Sanskrit texts) and with problems related to the scripts, the dating of manuscripts and India's literary and intellectual history. Contributors include: G. Colas, A.A. Esposito, M. Fujii, C. Galewicz, J.E.M. Houben, H. Moser, P. Perumal, K. Plofker, S. Rath, S.R. Sarma, D. Wujastyk, K.G. Zysk




Palm Leaf Manuscripts of Sri Lanka


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Palm Leaf Etchings of Orissa


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This Book Is On The Drawings In The Palmleaf Manuscripts Of Orissa Drawn By The Scribes-Artists Who; Had No Family Background Of Art, No Training From Any Teacher.These Drawings Are Not Drawn By Pen Or Pencil But Etched By The Help Of An Iron Needle Called Style On Dry Palmleaves.They Are Based On The Text Of The Manuscripts And The Artists Have Shown Their Individuality In Their Drawings. They Are Successful In Expressing Their Feelings Through A Few Lines, Which They Have Drawn Spontaneously, But Precisely Within A Limited Space Of One To Two Inches (Which Is The Breadth Of The Palmleaf).




Buddhism Illuminated


Book Description

Buddhist temples in Southeast Asia are centers for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology, and fortune-telling. Buddhism Illuminated includes over one hundred examples of Buddhist art from the Library’s collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic, and religious contexts of their production. It is the first book in English to showcase the beauty and variety of Buddhist manuscript art and reproduces many works that have never before been photographed.




Chitra-pothi


Book Description

An art form of Orissa is illustration on palm-leaf that flourished along with the Orissan tradition of copying kavya texts on palm-leaf manuscripts and illuminating them. This book traces the palm-leaf tradition of Orissa and the development of Oriya literature that provides the basis of palm-leaf art. An important but little-known art form of Orissa is illustration on palm-leaf that flourished along with the Orissan tradition of copying kavya texts on palm-leaf manuscripts and illuminating them. This art form touched its zenith during the golden age of Oriya kavya




Manuscript Series


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