Pan-Africanism for Beginners


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Pan-Africanism


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The first survey of the Pan-African movement this century, this book provides a history of the individuals and organisations that have sought the unity of all those of African origin as the basis for advancement and liberation. Initially an idea and movement that took root among the African Diaspora, in more recent times Pan-Africanism has been embodied in the African Union, the organisation of African states which includes the entire African Diaspora as its 'sixth region'. Hakim Adi covers many of the key political figures of the 20th century, including Du Bois, Garvey, Malcolm X, Nkrumah and Gaddafi, as well as Pan-African culture expression from Négritude to the wearing of the Afro hair style and the music of Bob Marley.




Routledge Handbook of Pan-Africanism


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The Routledge Handbook of Pan-Africanism provides an international, intersectional, and interdisciplinary overview of, and approach to, Pan-Africanism, making an invaluable contribution to the ongoing evolution of Pan-Africanism and demonstrating its continued significance in the 21st century. The handbook features expert introductions to, and critical explorations of, the most important historic and current subjects, theories, and controversies of Pan-Africanism and the evolution of black internationalism. Pan-Africanism is explored and critically engaged from different disciplinary points of view, emphasizing the multiplicity of perspectives and foregrounding an intersectional approach. The contributors provide erudite discussions of black internationalism, black feminism, African feminism, and queer Pan-Africanism alongside surveys of black nationalism, black consciousness, and Caribbean Pan-Africanism. Chapters on neo-colonialism, decolonization, and Africanization give way to chapters on African social movements, the African Union, and the African Renaissance. Pan-African aesthetics are probed via literature and music, illustrating the black internationalist impulse in myriad continental and diasporan artists’ work. Including 36 chapters by acclaimed established and emerging scholars, the handbook is organized into seven parts, each centered around a comprehensive theme: Intellectual origins, historical evolution, and radical politics of Pan-Africanism Pan-Africanist theories Pan-Africanism in the African diaspora Pan-Africanism in Africa Literary Pan-Africanism Musical Pan-Africanism The contemporary and continued relevance of Pan-Africanism in the 21st century The Routledge Handbook of Pan-Africanism is an indispensable source for scholars and students with research interests in continental and diasporan African history, sociology, politics, economics, and aesthetics. It will also be a very valuable resource for those working in interdisciplinary fields, such as African studies, African American studies, Caribbean studies, decolonial studies, postcolonial studies, women and gender studies, and queer studies.




Pan Africanism in the African Diaspora


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Walters (political science, Howard U.) uses the tools of comparative politics for examining similar Black and white social institutions and organizations in the US and other countries and for creating a "tailored" Pan African perspective as a criteria with which to describe the interactive relationships between the American Black community and Blacks in Britain, South Africa, Brazil, and the Caribbean. Annotation copyright by Book News, Inc., Portland, OR




Pan-Africanism, and the Politics of African Citizenship and Identity


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There is no recent literature that underscores the transition from Pan-Africanism to Diaspora discourse. This book examines the gradual shift and four major transformations in the study of Pan-Africanism. It offers an "academic post-mortem" that seeks to gauge the extent to which Pan-Africanism overlaps with the study of the African Diaspora and reverse migrations; how Diaspora studies has penetrated various disciplines while Pan-Africanism is located on the periphery of the field. The book argues that the gradual shift from Pan-African discourses has created a new pathway for engaging Pan-African ideology from academic and social perspectives. Also, the book raises questions about the recent political waves that have swept across North Africa and their implications to the study of twenty-first century Pan-African solidarity on the African continent. The ways in which African institutions are attracting and mobilizing returnees and Pan-Africanists with incentives as dual-citizenship for diasporans to support reforms in Africa offers a new alternative approach for exploring Pan-African ideology in the twenty-first century. Returnees are also using these incentives to gain economic and cultural advantage. The book will appeal to policy makers, government institutions, research libraries, undergraduate and graduate students, and scholars from many different disciplines.




Pan-Africanism


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Pan-Africanism from Within


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A Guyanese by birth and a Kenyan by citizenship, Ras Makonnen would still regard these two aspects of his life as accidents of history—his roots and destiny are in the continent of Africa. For the last half of the twentieth century, he has striven, along with the other major architects of pan-Africanism, to reconcile the forces that still divide the continent. This volume is a further contribution to that struggle. Makonnen’s analysis of the pan-African movement starts in the former British Guiana (Guyana) in the early twenties, warms up to the North American scene where, as a young man, he got increasingly more aware of the African and diasporic African person’s position in world history. He then describes his days in London and Manchester from the mid-thirties to the fifties; Accra (Ghana) until the fall of Kwame Nkrumah in 1966 and thereafter Nairobi (Kenya), where he worked and made his transition. Although the narrative is peppered with the most delightful character sketches of early African and other Black leaders, the author’s main concern is to interpret the quality of life amongst Black people at home and abroad. He does so by employing a wide historical perspective and by infusing into his study of particular pan-African actors his knowledge of the intellectual and political climate at large. He produces in the process a vivid participator’s commentary on whole areas that have been quite neglected in conventional studies of pan-Africanism. Black intergroup relations in North America and the African diaspora in the Caribbean; race relations in Britain; Black intellectuals and the white Left; Black expatriates and African socialism—these are just a few of the themes examined against a background of individual famous personalities as well as others not documented before. With an autobiographical thread that runs throughout, Makonnnen’s narrative is a uniquely diversified pan-African portrait.




The Pan-African Nation


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When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.




Literary Pan-Africanism


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"In a critical, well-researched, and illuminating analysis of history and literature, this study highlights the dynamics of the relationship between Africans and African-Americans since the original separation of the Middle Passage. The study emerges at a timely phase, as America struggles with its racial heritage, its ethnic future, and multiculturalism, and as people of African descent create new contexts for defining identity in a nation that struggles to embrace Africans who have arrived, this time, as voluntary migrants."--BOOK JACKET.




Pan-Africanism


Book Description

Contains papers from the 7th Pan African Congress held in Kampala, Uganda, in April 1994, the first of three volumes planned as output of the congress. Contributors offer both analysis and practical solutions on how Africa can reclaim its history and confront the threat of recolonization in the form of IMF/World Bank policies and domination of African civil society by northern NGOs, dealing with issues such as the African woman, creating an African common market, and science and technology as a solution to underdevelopment. Annotation copyright by Book News, Inc., Portland, OR