What Happens at a Bakery? / ¿Qué pasa en una panadería?


Book Description

Describes what Mr. Lopez the baker does when he makes a birthday cake for a customer.




Panaderia


Book Description




Principles of Operations Management


Book Description

In this textbook, Heizer (business administration, Texas Lutheran U.) and Render (operations management, Rollins College) provide a broad introduction to the field of operations management. A sampling of topics includes operations strategy for competitive advantage, forecasting, design of goods and services, human resources, e- commerce, project management, inventory management, and maintenance. The CD-ROM contains video case studies, lecture notes, Excel OM and Extend software, and additional practice problems. Annotation copyrighted by Book News Inc., Portland, OR




Poilâne


Book Description

For the first time, Poil0/00ne, CEO of the Poil0/00ne bakery, provides detailed instructions so bakers can reproduce its unique "hug-sized" sourdough loaves at home, as well as the bakery's other much-loved breads and pastries. Beyond bread, Poil0/00ne includes recipes for such pastries as tarts and butter cookies. cookies.




Escultura Social


Book Description

"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.




REMEX


Book Description

REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates—City, Woman, and Border. She links the rise of 1990s Mexico City art in the global market to the period’s consolidation of Mexico–US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists’ remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy—what Carroll terms the “allegorical performative”—REMEX adds context to the long-term effects of the post-1968 intersection of D.F. performance and conceptualism, centralizes women artists’ embodied critiques of national and global master narratives, and tracks post-1984 border art’s “undocumentation” of racialized and sexualized reconfigurations of North American labor pools. The book’s featured artwork becomes the lens through which Carroll rereads a range of events and phenomenon from California’s Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Ciudad Juárez, and Mexico’s war on drugs.




La Panadería, 1994-2002


Book Description

A lo largo de ocho años de existencia, La Panadería sirvió la Ciudad de México como un espacio sin ánimo de lucro vibrante para exposiciones, residencias, y eventos culturales relacionados con artistas locales e internacionales. Existe Este catálogo retrospectiva como un testimonio colectivo sobre las producciones artísticas y exposiciones que resultaron de el espacio, que fue fundada en 1994 en una antigua panadería de artistas locales Yoshua Okon y Miguel Calderón. La Panadería destacó, a través de su misma naturaleza, la integración de las prácticas marginales eclécticas. Se invitó a los jóvenes artistas a exhibir el vídeo, fotografía, instalación y obras basadas en el rendimiento, pero el espacio también se caracterizó por fiestas y conciertos, lo que refleja un estilo de vida y una dinámica social que se oponía a un conjunto rígido de paradigmas que dictaba cómo debería ser el arte. La Panadería: 1994-2002 es un representante visual y teórica resumen de la escena nacional e internacional del arte, que presenta una selecciobn de 60 exposiciones de artistas contemporáneos extranjeros y mexicanos a través de la documentación fotográfica, un texto descriptivo breve y efímero como invitaciones. Seis textos críticos consideran la relevancia del espacio, mientras que anécdotas de los artistas y el testimonio público de pago visitando a ella. Decenas de artistas están representados aquí, incluyendo Carlos Amorales, Chris Johanson, Emily Jacir, Francis Alÿs, gelatina, Kirsten Stoltmann, Las Ultrasonicas, Luis Felipe Ortega, Miguel Calderón, Minerva Cuevas, Semefo, Shepard Fairey y Uri Tzaig.."--translation from Amazon.




Age of discrepancies


Book Description

"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.




Latin America 25,000


Book Description




Paying the Price of Freedom


Book Description

Christine Hünefeldt documents in impressive, moving detail the striving and ingenuity, the hard-won triumphs and bitter defeats of slaves who sought liberation in nineteenth-century urban Peru. Drawing on judicial, ecclesiastical, and notarial records—including the testimony of the slaves themselves—she uncovers the various strategies slaves invented to gain their freedom. Hünefeldt pays particular attention to marriage relations and family life. Slaves used their family solidarity as a strategy, while slaveowners used the conflicts within families to prevent manumission. The author's focus on gender relations between slaveowners and slaves, as well as between slaves, is particularly original. Her eye for ethnographic detail and her perceptive reading of the documentary evidence make this book a rich and important contribution to the study of slavery in Latin America. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.