Paris Match


Book Description

Stone Barrington finds himself in a dark place in the City of Light in this international thriller in Stuart Woods’s #1 New York Times bestselling series. When some business arrangements demand his personal attention, Stone Barrington jaunts off to Europe and immediately finds himself embroiled in trouble on both sides of the pond. In Paris, an old enemy is still in hot pursuit, but now he has the aide of a powerful man with his own ax to grind against Stone. And back in the States, the churning rumor mill threatens to derail a project of vital importance to the entire nation. From the bright lights of Paris to the staid paneled boardrooms of Capitol Hill, at risk is not just Stone’s reputation, but his very life...




Nouveau Paris Match


Book Description




Paris Match


Book Description

In Brooklyn, John von Sothen fell in love with Anaïs, a French waitress. And then, one night in Paris, on the Pont Neuf, she agreed to marry him ("Bah, we can always get divorced!"). A couple of decades in, the two have become quatre, living in their beloved 10th arondissement with teenage kids who chat to their African neighbours in fluent Parisian slang, and John has even become kind of French himself. Well, he likes to think he has. The family still see him as an American innocent abroad.Paris Match is one of those rare books that makes you laugh out loud, as von Sothen attempts to understand what makes the French tick. Why do they take such long holidays with friends who ration snacks and mock you for sleeping in; why do French men turn to him (an American!) for fashion tips; what really is the correct way to cut brie, and how do you tell if you're being invited to a super-exclusive secret society of intellectuals or a weird sex club? John von Sothen has found most of the answers and in this delightful, witty book shares his experience, insights and humour into the fine art of becoming everyday French.




Representation


Book Description

This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'. Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.







Lire Les Images, Voir Les Textes


Book Description

The essays in this volume are situated in French and Australian contexts and focus on texts linking language and visual images. There is an emerging debate in universities concerning the interpretation of images, whether in the field of aesthetics, politics or technology. The contributors focus on images ranging from photography to maps, films, paintings and computer games. In addition they consider relations between genders and nations, as understood in particular historical or semiological contexts. Geographic and disciplinary boundaries are consciously transgressed and blurred, so that a new interdisciplinary dialogue between written texts and visual arts emerges. Ce recueil d'essais, situé dans le contexte d'échanges franco-australiens, a pour objet les liens entre images et langage sur le plan du discours. L'interprétation du visuel fait l'objet d'un débat émergeant dans les universités, que ce soit dans le domaine de l'esthétique, du politique ou de la technologie. Les contributions analysent des images allant de la photographie, aux jeux multimédia en passant par les cartes, le cinéma et la peinture. Par ailleurs, elles interrogent les relations tant au niveau de l'individu que des nations dans des contextes historiques et sémiologiques spécifiques. Les contributeurs traversent les frontières disciplinaires et géographiques, de façon à susciter un nouveau dialogue interdisciplinaire entre textes et arts visuels.




The Eye


Book Description

They’re often behind the scenes, letting their work take center stage. But now Nathan Williams, founder and creative director of Kinfolk magazine and author of The Kinfolk Table, The Kinfolk Home, and The Kinfolk Entrepreneur—with over 250,000 copies in print combined—brings more than 90 of the most iconic and influential creative directors into the spotlight. In The Eye, we meet fashion designers like Claire Waight Keller and Thom Browne. Editorial directors like Fabien Baron and Marie-Amélie Sauvé. Tastemakers like Grace Coddington and Linda Rodin. We learn about the books they read, the mentors who guided them, their individual techniques for achieving success. We learn how they developed their eye—and how they’ve used it to communicate visual ideas that have captured generations and will shape the future. As an entrepreneur whose own work is defined by its specific and instantly recognizable aesthetic, Nathan Williams has a unique vision of contemporary culture that will make this an invaluable book for art directors, designers, photographers, stylists, and any creative professionals seeking inspiration and advice.




Murder on the Champ de Mars


Book Description

A dying woman has secret about the unsolved murder of Parisian P.I. Aimée Leduc’s father, but is kidnapped before she can reveal it Paris, April 1999: Aimée Leduc has her work cut out for her—running her detective agency and fighting off sleep deprivation as she tries to be a good single mother to her new bébé. The last thing she has time for now is to take on a personal investigation for a poor manouche (Gypsy) boy. But he insists his dying mother has an important secret she needs to tell Aimée, something to do with Aimée’s father’s unsolved murder a decade ago. How can she say no? The dying woman’s secret is even more dangerous than her son realized. When Aimée arrives at the hospital, the boy’s mother has disappeared. She was far too sick to leave on her own—she must have been abducted. What does she know that’s so important it’s worth killing for? And will Aimée be able to find her before it’s too late and the medication keeping her alive runs out?




Food Information, Communication and Education


Book Description

Food Information, Communication and Education analyses the role of different media in producing and transforming knowledge about food. 'Eating knowledge', or knowledge about food and food practice, is a central theme of cooking classes, the daily press, school textbooks, social media, popular magazines and other media. In addition, a wide variety of actors have taken on the responsibility of informing and educating the public about food, including food producers, advertising agencies, celebrity chefs, teachers, food bloggers and government institutions. Featuring a range of European case studies, this interdisciplinary collection advances our understanding of the processes of mediatization, circulation and reception of knowledge relating to food within specific social environments. Topics covered include: popularized knowledge about food carried over from past to present; the construction of trustworthy knowledge in today's food risk society; critical assessment of nutrition education initiatives for children; and political and ideological implications of food information policy and practice.




The Impostor


Book Description

How do we explain what Perry Anderson calls “the bizarre prominence of Bernard-Henri Lévy,” easily the best-known “thinker” under sixty in France? “It would,” he continues, “be difficult to imagine a more extraordinary reversal of national standards of taste and intelligence than the attention accorded this crass booby in France’s public sphere, despite innumerable demonstrations of his inability to get a fact or an idea straight. Could such a grotesque flourish in any other major Western culture today?” This book, based on a careful investigation comparing BHL’s words with his deeds, seeks to explore the remarkable persistence of this celebrity pseudo-philosopher since he burst onto the scene in 1977. Delving into his networks in the spheres of politics, the media and big business, Lindgaard and de la Porte reveal what the success of this three-decade long imposture tells us about the degeneration of contemporary French intellectual and cultural life.