Paris Primitive


Book Description

In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.




Taboo


Book Description

Scholars have been trying to explain taboo customs ever since Captain Cook discovered them in Polynesia over 200 years ago. The subject has been treated at length, but none of the theories has more than a limited validity, so numerous are the taboos recorded and so diverse the societies in which they occur. This book contains chapters on: · Taboo as a Victorian invention · The complicated taboos in the Pentateuch · Taboos in Polynesia Originally published in 1956.




Metropolitan Fetish


Book Description

From the 1880s to 1940, French colonial officials, businessmen and soldiers, returning from overseas postings, brought home wooden masks and figures from Africa. This imperial and cultural power-play is the jumping-off point for a story that travels from sub-Saharan Africa to Parisian art galleries; from the pages of fashion magazines, through the doors of the Louvre, to world fairs and international auction rooms; into the apartments of avant-garde critics and poets; to the streets of Harlem, and then full-circle back to colonial museums and schools in Dakar, Bamako, and Abidjan. John Warne Monroe guides us on this journey, one that goes far beyond the world of Picasso, Matisse, and Braque, to show how the Modernist avant-garde and the European colonial project influenced each other in profound and unexpected ways. Metropolitan Fetish reveals the complex trajectory of African material culture in the West and provides a map of that passage, tracing the interaction of cultural and imperial power. A broad and far-reaching history of the French reception of African art, it brings to life an era in which the aesthetic category of "primitive art" was invented.




A History of Modern France


Book Description

Organized chronologically, A History of Modern France presents a survey of the dramatic events that have punctuated French history, including the French Revolution, the upheavals of the 19th century, the world wars of the 20th century, and France's current role in the European Union. Written for today's undergraduate students, the text presents scholarly controversies in an unbiased manner and reflects the best of contemporary scholarship in French history.




Primitive Art in Civilized Places


Book Description

AcknowledgmentsIntroduction1. The Mystique of Connoisseurship2. The Universality Principle3. The Night Side of Man4. Anonymity and Timelessness5. Power Plays6. Objets d'Art and Ethnographic Artifacts7. From Signature to Pedigree8. A Case in PointAfterwordNotesReferences CitedIllustration Credits Copyright © Libri GmbH. All rights reserved.




Africa and France


Book Description

An “excellent [and] incisive” look at identity, immigration, and culture in postcolonial France (Journal of West African History). This stimulating and insightful book reveals how increased control over immigration has changed cultural and social production in theater, literature, and even museum construction. Dominic Thomas’s analysis unravels the complex cultural and political realities of long-standing mobility between Africa and Europe. Thomas questions the attempt to place strict limits on what it means to be French or European and offers a sense of what must happen to bring about a renewed sense of integration and global Frenchness. “Essential reading for anyone investigating the debates surrounding contemporary French identity and the ever-changing relationship between France and her former colonial possessions.” —African Studies Bulletin




19th and 20th Century French Philosophy


Book Description

Copleston, an Oxford Jesuit and specialist in the history of philosophy, created his history as an introduction for Catholic ecclesiastical seminaries. The 11-volume series gives an accessible account of each philosopher's work, and explains their relationship to the work of other philosophers.




French Primitivism and the Ends of Empire, 1945-1975


Book Description

For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.




The Steps of Man Towards Civilization


Book Description

This book delivers an introduction to the theory programme called structure-genetic sociology. I developed this theory programme in the past 30 years. In the meantime, I have written ten books and numerous articles about the subject. The programme mainly bases on developmental psychology and has worked it out to a theory of the evolution of humankind. It encompasses a theory of social change and social evolution, a theory of the development of economy, society, culture, sciences, religion, morals, law, and manners. The fact of the anthropological evolution of humankind from lower, childlike anthropological stages to more elaborated stages is the most groundbreaking and fascinating fact in all social sciences and humanities. It is the only phenomenon within humanities and social sciences whose relevance and importance corresponds to the fact of biological evolution provided by Darwin ́s evolutionary theory. This fact forms the kernel of the entire theory programme. Structure-genetic sociology is the theoretical heir of the outstanding classical approaches such as the classical sociologies, the classical British anthropology, the ethnology of Lucien Lévy-Bruhl, the developmental psychology of Jean Piaget, and the philosophy of symbolic forms of Ernst Cassirer. We can understand these classical achievements only against the background of the more elaborated empirical foundations and theoretical structures of my structure-genetic sociology. It helps to verify, to correct, to develop, and to improve the best traditions of social sciences and humanities. Structure-genetic sociology formulates the essence of three hundred years of social sciences and humanities.




Berbers and Others


Book Description

Berbers and Others offers fresh perspectives on new forms of social and political activism in today's Maghrib. In recent years, the Amazigh (Berber) movement has become a focus of widespread political, social, and cultural attention in North Africa, Europe, and the United States. Berber groups have peacefully yet persistently laid claim to ownership over broad areas of creativity in the arts, politics, literature, education, and national memory. The contributors to this volume present some of the best new thinking in the emerging field of Berber studies, offering insight into historical antecedents, language usage, land rights, household economies, artistic production, and human rights. The scope, depth, and multidisciplinary approach will engage specialists on the Maghrib as well as students of ethnicity, social and political change, and cultural innovation.