Parodies of the Works of English and American Authors


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Parodies, Vol. 6


Book Description

Excerpt from Parodies, Vol. 6: Of the Works of English and American Authors Algernon Charles Swinburne, Mr. Swinburne, son of Admiral Charles Henry Swinburne, and grandson of Sir John Edward Swinburne, sixth baronet, was born and educated first at Eton, and afterwards at Oxford. Despite his ancient pedigree, his aristocratic connections, and his university education, the early writings of Mr. A. C. Swinburne, both in prose and verse, were coloured by Radical opinions of the most advanced description. Byron, Shelley, Wordsworth and Southey commenced thus, with results which should have taught him how unwise it is for a poet, who wishes to be widely read, to descend into the heated atmosphere of political strife. The Undergraduate Papers, published by Mr. Mansell, Oxford, 1857 8, contained some of Mr. Swinburne's earliest poems, these were followed by "Atalanta in Calydon," "Chaste-lard," and "Poems and Ballads." It will be readily understood that only a few brief extracts can be given from Mr. Swinburnes poems, sufficient merely to strike the key notes of the Parodies. The Creation Of Man. Before the beginning of years There came to the making of man Time, with a gift of tears; Grief, with a glass that ran; Pleasure, with pain for leaven! Summer, with flowers that fell; Remembrance fallen from heaven, And madness risen from hell; Strength without hands to smite: Love that endures for a breath; Night, the shadow of light, And life the shadow of death. And the high gods took in hand Fire, and the falling of tears, And a measure of sliding sand From under the feet of the years: And froth and drift of the sea; And dust of the labouring earth; And bodies of things to be In the houses of death and of birth; And wrought with weeping and laughter, And fashioned with loathing and love. With life before and after, And death beneath and above, For a day and a night and a morrow. That his strength might endure for a span With travail and heavy sorrow, The holy spirit of man. For the winds of the north and the south They gathered as into strife; They breathed upon his mouth. They filled his body with life; Eyesight and speech they wrought For the veils of the soul therein, A time for labour and thought, A time to serve and to sin; They gave him light in his ways, And love, and a space for delight. And beauty and length of days. And night, and sleep in the night. His speech is a burning fire; With his lips he travaileth; In his heart is a blind desire. In his eyes foreknowledge of death; He weaves, and is clothed with derision; Sows, and he shall not reap; His life is a watch or a vision Between a sleep and a sleep. A. C. Swinburne. American Parody. Before the beginning of years. There went to the making of man Nine tailors with their shears, A coupe and a tiger and span. Umbrellas and neckties and canes. An ulster, a coat, and all that - But the crowning glory remains. His last best gift was his hat. And the mad hatters took in hand Skins of the beaver, and felt, And straw from the isthmus land, And silk and black bears pelt: And wrought with prophetic passion, Designed on the newest plan. They made in the height of fashion The hat for the wearing of man. A Poet's Valentine Before the beginning of poet There came to the making of love Rhymes and of follies a host; Ducks with a dart and a dore; About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com




Parodies of the Works of English & American Authors; Volume 6


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Parody


Book Description

Parody is part of all our lives. It occurs not only in literature, but also in everyday speech, in theatre and television, architecture and films. Drawing on examples from Aristophanes to The Simpsons, Simon Dentith explores: * the place of parody in the history of literature * parody as a subversive or conservative mode of writing * parody's pivotal role in debates about postmodernism * parody in the culture wars from ancient times to the present This lively introduction situates parody at the heart of literary and cultural studies and offers a remarkably clear guide to this sometimes complex topic. Parody will serve as an essential resource, to be read and re-read by students of all levels.




Parodies of the Works of English & American Authors Volume


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




PARODIES OF THE WORKS OF ENGLI


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Parody


Book Description

In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.




Parodies of the Works of English and American Authors, Volume 6 - Primary Source Edition


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Parody in Jewish Literature


Book Description

Follows the development of the parody in Jewish literature from its rudiments in the Talmudic literature through its various ramifications down to its extended use.