Monthly Catalogue, United States Public Documents


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February issue includes Appendix entitled Directory of United States Government periodicals and subscription publications; September issue includes List of depository libraries; June and December issues include semiannual index










Europe 1450 to 1789


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Rethinking Acrylic


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Have you ever walked into an art supply store, stood in front of the amazing array of acrylic products and just thrown up your hands in confusion, leaving the store without buying something new to experiment with? If you've ever wondered what to do with all those products, then this book is for you. If you've been using acrylic in traditional painting forms, in this book you'll find grand, wild and inventive manipulations of acrylic that will get your creative juices flowing. Compared to more traditional art mediums such as oil and watercolor, acrylic is still in its infancy. But what it lacks in years, it makes up for in its range of use. Acrylics appeared on the market for artists in the late 1940s as a quick-drying alternative to oil paint. In its early manifestations, it dried so quickly that more than a few brushes stuck immediately to the canvas! Although acrylic has been around for more than fifty years, incredible advances continue to be made in the research and development of acrylic polymers and pigments. These advancements are attributable not only to the efforts of a few dedicated chemists, but also to the work of an entire community devoted to acrylic. There are a lot of brilliant minds taking these minute molecules very seriously.




Senate Joint Resolutions


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Bridge Across the Hudson River


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Lost and Found


Book Description

Tools, pipes, pottery, scavenged wood, and doll parts are among the startling artifacts that have been exposed by the retreating tides in Provincetown, Massachusetts, the oldest continuous art colony in the US. Until the 1930s, the harbor was also the town dump, and six contemporary artists with a keen eye for color, shape, and texture have amassed collections based on their individual intuition and aesthetic. Beachcombers, historians, artists, and coastal New Englanders will be fascinated by these objects--dating from indigenous peoples to the 21st century--and the art they've inspired in various mediums. Nearly 500 photographs and interviews with the artists create a unique narrative filled with wit, whimsy, and creative vision.