Eighteenth Century Waifs


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Eighteenth Century Waifs


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There is much and curious food for reflection, in the tendency that mankind has ever shown to sympathise with the daring and ingenious depredators who relieve the rich of their superfluity, which may possibly be owing to the romantic adventures and hair-breadth escapes which the robbers, in their career, have undergone. But, be the cause what it may, it is certain that the populace of all nations view with admiration great and successful thieves: for instance, what greater popular hero, and one that has been popular for centuries, could be found than Robin Hood? Almost every country in Europe has its traditional thief, whose exploits are recorded both in prose and poetry. In England, Claude Duval, Captain Hind, Dick Turpin, Jonathan Wild, and Jack Sheppard have each in their turn occupied a prominent place in the annals of crime; whilst in France, amongst the light-fingered heroes that have, from time to time, extorted respect from the multitude, Cartouche and Vidocq take first rank. Germany is proud of its Schinderhannes, the Robber of the Rhine, the stories of whose generosity and courage still render his memory a favourite on the banks of that river, the travellers on which he so long kept in awe. In Italy and Spain, those homes of brigands and banditti, the inhabitants have ever-ready sympathy for the men whose names and exploits are as familiar among them as Ôhousehold words.Õ Cartouche, however, is the only rival to Barrington in their particular line, and Barrington, certainly, was no mere common pick-pocket, only fit to figure in the ÔNewgate Calendar,Õ but he possessed talents which, had they been properly directed on his first setting out in life, might have enabled him to have played a distinguished part either in literature or in business. But, unfortunately, very early in his youth, poverty led him to adopt theft as his professed vocation; and, by his ingenuity and constant practice, he contrived to render himself so expert, as almost to have conducted his depredations on systematic rules, and elevated his crime into a Ôhigh art.Õ Barrington, too, by his winning manners, gentlemanly address, and the fair education he contrived to pick up, was a man eminently fitted (if such an expression may be allowed) for his profession! his personal appearance was almost sufficient to disarm suspicion, and this, in all probability, contributed greatly to the success which he met with in his career.







A dateless bargain


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From Heather Hills


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Selected Letters of Vernon Lee, 1856–1935


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Vernon Lee was the pen name of Violet Paget (1856–1935) – a prolific author best known for her supernatural fiction and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. Letters written in a language other than English have been expertly translated by scholars Sophie Geoffroy (from the French), Crystal Hall (from the Italian), and Christa Zorn (from the German). The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee’s articles, books and stories. Full transcriptions of some 500 letters, covering the years 1856-1935, are arranged in chronological order along with newly written introductions that explain their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee’s critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields. In this second volume, covering the years 1885–1889, the 421 assembled letters follow Violet Paget-Vernon Lee in her early thirties. Recovering from the stinging reception of her first novel and from Annie Meyer’s death, she turns to essay writing on aesthetics and ethics and ghost stories. After Mary Robinson’s engagement to marry French orientalist Prof. Darmesteter, she travels to Spain, Gibraltar and Tangiers and briefly falls under the spell of the Orient. She also takes a liking to Scotland, and many of her close friends are Scottish --Alice Callander, Lady "Archie" (Janey Sevilla Archibald Campbell)—and so is her future partner Clementina Anstruther-Thomson. The letters reflect the expansion of her subject matter from cultural studies, art history and aesthetic philosophy. Her charity work in hospitals in Florence and her readings in Political Economy lead her thinking towards social reform and political issues. Her brother’s mental illness and her own breakdown bring about an awareness of body and mind balance and a taste for outdoor pursuits (mountaineering; bicycling; horse riding; swimming) and for experimental psychology (rotating mirrors; hypnosis) and therapies (hydrotherapy). The Pagets move away from the city center of Florence into the Villa Il Palmerino, then in the countryside, where both Eugene and Vernon recover. Correspondents include Lee’s parents, Matilda and Henry Ferguson Paget; her step-brother poet Eugene Lee-Hamilton; English poetess Mary Robinson; English poet Robert Browning; British novelist and journalist Ellen Mary Abdy-Williams; British social reform activist and editor Percy William Bunting; Irish journalist and activist Frances Power Cobbe; Irish scholar and novelist Bella Duffy; British eugenicist Karl Pearson; British publisher William Blackwood; Scottish writer Robert Louis Stevenson; American novelist Henry James; American connoisseur and arts patron Isabella Stuart Gardner; French translator and critic Marie-Thérèse Blanc ("Th. Bentzon"); Lady Louisa Wolseley; Irish historian and activist Alice Stopford-Green; Italian Countess Angelica (Pasolini) Rasponi; Italian poet, writer and critic Enrico Nencioni; Italian novelist, essayist and critic Mario Pratesi; Italian editor and man of letters Francesco Protonotari; Italian painter Telemaco Signorini.