Prelude to Israel's Past


Book Description

"In Prelude to Israel's Past, Lemche examines the nature and function of Old Testament historical narrative. Is the biblical narrative a reliable source of historical knowledge? Or does it have a literary and theological life of its own - proclaiming a truth that cannot be contested because it recounts "events" that happened once upon a time? Lemche explores these questions from two directions. First, he analyzes the biblical narratives from Abraham to Moses and demonstrates that these narratives are literature, not documents written by professional historians. Second, he compares the biblical portrait of the patriarchs with what we know about this period from other ancient sources. He urges that the Bible continues to guide and console a believing people not because it is a historically accurate record of past events but because its living stories recount a truth unfettered by time and culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Prelude to Bruise


Book Description

Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.




Roadmarks


Book Description

The Road can go Anywhere. The Road can go Anywhen. Almost. Red Dorakeen has been on the Road for a very long time. For all of time, in fact. It stretches infinitely into the future and past, with exits that take him wherever, or whenever, he wants to go. But he can't find the place he wants to be. He's not the only one who can travel the Road, and as people join and leave, they can alter the past, or the future, to suit their whims. Exits close off, become overgrown, and working out what to change back to return to old timelines could take, well . . . forever. Fortunately, Red has all the time he could ever need. Roadmarks is a fantastically mind-bending novel from one of SFF's most influential authors. It weaves together linear and non-linear narratives in a compelling tale full of mystery and magic.




Prelude for a Lord


Book Description

An unconventional young woman. A haunted young man. A forbidden instrument. Can their love of music bring them together . . . or will it tear them apart? Bath, England 1810 At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician. In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal. But when a thief ’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument … with the help of the dark, brooding Lord Dommick. Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul. Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . . Praise for Prelude for a Lord: “A vibrant, page-turning romance sure to delight fans of the Regency Era.” – Sarah E. Ladd, award-winning author of The Headmistress of Rosemere Sweet, full-length Regency romance Will appeal to fans of Bridgerton and Poldark Stand-alone novel




Prelude


Book Description

An all-new Quantum Leap adventure, based on the smash hit TV series, gives readers the "beginning" of the story. Dr. Sam Beckett and Admiral Al Calavicci begin an experiment called Project Quantum Leap and discover the secret of time travel via computer. But someone wants to sabotage Quantum Leap before it starts.




The Past is Prologue


Book Description

While there has been substantial scholarly work done on the development of Christian doctrine in the fourth and fifth centuries, very little corresponding attention has been paid to the writing of church history during this critical period. This work examines how authors began to construct the historical narrative of the “Arian” controversy and focuses on the interplay between theology and worshipping communities. Major figures such as Eusebius and Athanasius are examined, and important but overlooked figures such as an anonymous non-Nicene chronicler and Philostorgius are also included. In the introduction the book surveys recent developments in the study of “Arianism” and discusses the usefulness of the very category of an “Arian controversy.” Subsequent chapters set forth the thesis that church histories are important sources for understanding the development of doctrine. A chapter is devoted to Eusebius’ Ecclesiastical History, especially the oft-overlooked Book X. Further chapters explore the role of Rufinus as the first extant author to write a continuation of Eusebius. The work also consciously includes marginalized non-Nicene sources, and there are chapters which examine an anonymous non-Nicene chronicler and the Ecclesiastical History of the Eunomian Philostorgius of Borissus. The book is particularly useful for persons interested in examining the development of doctrine in the fourth century from fresh perspectives. The work approaches church histories as narrative myths of community origins produced by worshipping communities standing in continuity to local schools of thought.




Prelude to Berlin


Book Description

Prelude to Berlin: The Red Army's Offensive Operations in Poland and Eastern Germany, 1945, offers a panoramic view of the Soviet strategic offensives north of the Carpathians in the winter of 1945. During the course of this offensive the Red Army broke through the German defenses in Poland and East Prussia and eventually occupied all of Germany east of the Oder River. The book consists primarily of articles that appeared in various military journals during the first decade after the war. The General Staff's directorate charged with studying the war experience published these studies, although there are other sources as well. A particular highlight of these is a personal memoir that offers a rare insight into Soviet strategic planning for the winter-spring 1945 campaign. Also featured are documents relating to the operational-strategic conduct of the various operations, which were compiled and published after the fall of the Soviet Union. The book is divided into several parts, corresponding to the operations conducted. These include the Vistula-Oder operation by the First Belorussian and First Ukrainian Fronts out of their respective Vistula bridgeheads. This gigantic operation, involving over a million men and several thousand tanks, artillery and other weapons sliced through the German defenses and, in a single leap, advanced the front to the Oder River, less than 100 kilometres from Berlin, from which they launched their final assault on the Reich in April. Equally impressive was the Second and Third Belorussian Fronts' offensive into Germany's East Prussian citadel. This operation helped to clear the flank further to the south and exacted a long-awaited revenge for the Russian Army's defeat here in 1914. This effort cut off the German forces in East Prussia and concluded with an effort to clear the flanks in Pomerania and the storming of the East Prussian capital of Konigsberg in April. The study also examines in considerable detail the First Ukrainian Front's Upper and Lower Silesian operations of February-March 1945. These operations cleared the army's flanks in the south and deprived Germany of one of its last major industrial and agricultural areas.




Culture and International History


Book Description

Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.




Prelude to Foundation


Book Description

The first of two prequel novels in Isaac Asimov’s classic science-fiction masterpiece, the Foundation series THE EPIC SAGA THAT INSPIRED THE APPLE TV+ SERIES FOUNDATION It is the year 12,020 G.E. and Emperor Cleon I sits uneasily on the Imperial throne of Trantor. Here in the great multidomed capital of the Galactic Empire, forty billion people have created a civilization of unimaginable technological and cultural complexity. Yet Cleon knows there are those who would see him fall—those whom he would destroy if only he could read the future. Hari Seldon has come to Trantor to deliver his paper on psychohistory, his remarkable theory of prediction. Little does the young Outworld mathematician know that he has already sealed his fate and the fate of humanity. For Hari possesses the prophetic power that makes him the most wanted man in the Empire . . . the man who holds the key to the future—an apocalyptic power to be known forever after as the Foundation.




Bach's Well-tempered Clavier


Book Description

Bach's Well-tempered Clavier (or the 48 Preludes and Fugues) stands at the core of baroque keyboard music and has been a model and inspiration for performers and composers ever since it was written. This invaluable guide to the 96 pieces explains Bach's various purposes in compiling the music, describes the rich traditions on which he drew, and provides commentaries for each prelude and fugue. In his text, David Ledbetter addresses the main focal points mentioned by Bach in his original 1722 title page. Drawing on Bach literature over the past three hundred years, he explores German traditions of composition types and Bach's novel expansion of them; explains Bach's instruments and innovations in keyboard technique in the general context of early eighteenth-century developments; reviews instructive and theoretical literature relating to keyboard temperaments from 1680 to 1750; and discusses Bach's pedagogical intent when composing the Well-tempered Clavier. Ledbetter's commentaries on individual preludes and fugues equip readers with the concepts necessary to make their own assessment and include information about the sources when details of notation, ornaments, and fingerings have a bearing on performance.