Pastoral, Pragmatism, and Twentieth-Century American Poetry


Book Description

In the first expansive study of American pastoral since Leo Marx's The Machine in the Garden , Mikkelsen reinvigorates discussion of this literary mode as a form of cultural commentary whose subjects extend beyond the simple or rustic life to encompass the major social, economic, and political transformations of the past century.




Voices from the Field


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The Georgic Mode in Twentieth-Century American Literature


Book Description

The Georgic Mode in Twentieth-Century American Literature: The Satisfactions of Soil and Sweat explores environmental writing that foregrounds labor. Ethan Mannon argues that Virgil’s Georgics, as well as the georgic mode in general, exerted considerable influence upon some of America’s best-known writers—including Robert Frost, Willa Cather, and Wendell Berry—and that these and others worked to revise the mode to better fit their own contexts. This book also outlines the contemporary value of the georgic literary tradition—two thousand years of writing that begins with the premise that humans must use the world in order to survive and search for a balance between human needs and nature’s productive capacity. In the georgic mode, authors found an adaptable discourse that enabled them to advocate for the protection and responsible use of productive lands, present rural places and people in all of their complexity, explore human relationships with laboring animals, and advertise the sensory pleasures of rooted work.




Pastoral Cosmopolitanism in Edith Wharton’s Fiction


Book Description

American novelist Edith Wharton (1862–1937) is best known today for her tales of the city and the experiences of patrician New Yorkers in the “Gilded Age.” This book pushes against the grain of critical orthodoxy by prioritizing other “species of spaces” in Wharton’s work. For example, how do Wharton’s narratives represent the organic profusion of external nature? Does the current scholarly fascination with the environmental humanities reveal previously unexamined or overlooked facets of Wharton’s craft? I propose that what is most striking about her narrative practice is how she utilizes, adapts, and translates pastoral tropes, conventions, and concerns to twentieth-century American actualities. It is no accident that Wharton portrays characters returning to, or exploring, various natural localities, such as private gardens, public parks, chic mountain resorts, monumental ruins, or country-estate “follies.” Such encounters and adventures prompt us to imagine new relationships with various geographies and the lifeforms that can be found there. The book addresses a knowledge gap in Wharton and the environmental humanities, especially recent debates in ecocriticism. The excavation of Wharton's words and the background of her narratives with an eye to offering an ecocritical reading of her work is what the book focuses on.




Pastoral


Book Description

Updated throughout, this new edition provides a clear and invaluable introduction to the study of pastoral. Terry Gifford traces the history of the genre from its classical origins through to contemporary writing and introduces the major writers and critical issues relating to pastoral. Gifford breaks the term down into three accessible concepts – pastoral, anti-pastoral, post-pastoral – and provides up-to-date examples from literature and film. New chapters explain the continuing tradition of georgic literature and the recent evolution of pastoral in their historical contexts. Pastoral is essential and engaging reading for students and academics alike.




Invisible Terrain


Book Description

In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could he explain to them his prayer / that nature, not art, might usurp the canvas?' When Ashbery asks this strange question, he joins a host of transatlantic avant-gardists--from the Dadaists to the 1960s neo-avant-gardists and beyond--who have dreamed of turning art into nature, of creating art that would be 'valid solely on its own terms, in the way nature itself is valid, in the way a landscape--not its picture--is aesthetically valid' (Clement Greenberg, 1939). Invisible Terrain reads Ashbery as a bold intermediary between avant-garde anti-mimeticism and the long western nature poetic tradition. In chronicling Ashbery's articulation of 'a completely new kind of realism' and his engagement with figures ranging from Wordsworth to Warhol, the book presents a broader case study of nature's dramatic transformation into a resolutely unnatural aesthetic resource in 20th-century art and literature. The story begins in the late 1940s with the Abstract Expressionist valorization of process, surface, and immediacy--summed up by Jackson Pollock's famous quip, 'I am Nature'--that so influenced the early New York School poets. It ends with 'Breezeway,' a poem about Hurricane Sandy. Along the way, the project documents Ashbery's strategies for literalizing the 'stream of consciousness' metaphor, his negotiation of pastoral and politics during the Vietnam War, and his investment in 'bad' nature poetry.




Robert Frost in Context


Book Description

This new critical volume offers a fresh, multifaceted assessment of Robert Frost's life and works. Nearly every aspect of the poet's career is treated: his interest in poetics and style; his role as a public figure; his deep fascination with science, psychology, and education; his peculiar and difficult relation to religion; his investments, as thinker and writer, in politics and war; the way he dealt with problems of mental illness that beset his sister and two of his children; and, finally, the complex geo-political contexts that inform some of his best poetry. Contributors include a number of influential scholars of Frost, but also such distinguished poets as Paul Muldoon, Dana Gioia, Mark Scott, and Jay Parini. Essays eschew jargon and employ highly readable prose, offering scholars, students, and general readers of Frost a broadly accessible reference and guide.




Modernism in the Green


Book Description

Modernism in the Green traces a trans-Atlantic modernist fascination with the creation, use, and representation of the modern green. From the verdant public commons in the heart of cities to the lookout points on mountains in national parks, planned green spaces serve as felicitous stages for the performance of modernism. In its focus on designed and public green zones,Modernism in the Green offers a new perspective on modernism’s overlapping investments in the arts, politics, urbanism, race, class, gender, and the nature-culture divide. This collection of essays is the first to explore the prominent and diverse ways greens materialize in modern literature and culture, along with the manner in which modernists represented them. This volume presents the idea of "the green" as a point of exploration, as our contributors analyze social-organic spaces ranging from public parks to roadways and refuse piles. Like the term "green," one that evokes both more-than-human natural zones and crafted public meeting places, these chapters uncover the social and spatial intersection of nature and culture in the very architecture of parks, gardens, buildings, highways, and dumps. This book argues that such greens facilitate modernists’ exploration of how nature can manifest in an era of increasing urbanization and mechanization and what identities and communities the green now enables or prevents.




Attention Equals Life


Book Description

Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even a mode of resistance, to a culture suffering from an acute crisis of attention. In this timely and engaging study, Epstein examines why a compulsion to represent the everyday becomes predominant in the decades after modernism and why it has so often sparked genre-bending formal experimentation. With chapters devoted to illuminating readings of a diverse group of writers--including poets associated with influential movements like the New York School, language poetry, and conceptual writing--the book considers the variety of forms contemporary poetry of everyday life has taken, and analyzes how gender, race, and political forces all profoundly inflect the experience and the representation of the quotidian. By exploring the rise of experimental realism as a poetic mode and the turn to rule-governed "everyday-life projects," Attention Equals Life offers a new way of understanding a vital strain at the heart of twentieth- and twenty-first century literature. It not only charts the evolution of a significant concept in cultural theory and poetry, but also reminds readers that the quest to pay attention to the everyday within today's frenetic world of and social media is an urgent and unending task.




The Poetics of the American Suburbs


Book Description

The first scholarly study of the rich body of poetry that emerged from the post-war American suburbs, Gill evaluates the work of forty poets, including Anne Sexton, Langston Hughes, and John Updike. Combining textual analysis and archival research, this book offers a new perspective on the field of twentieth-century American literature.