Book Description
Published to accompany the exhibition, 8 October - 22 November 2014.
Author : David Boyd Haycock
Publisher :
Page : 0 pages
File Size : 30,7 MB
Release : 2014
Category : Watercolor painting, British
ISBN : 9781901192377
Published to accompany the exhibition, 8 October - 22 November 2014.
Author : David Boyd Haycock
Publisher : Old Street Publishing
Page : 424 pages
File Size : 14,14 MB
Release : 2009
Category : Art
ISBN :
The formative years of five of the most important British artists of the 20th century.
Author : Paul Nash
Publisher : Scala Books
Page : 174 pages
File Size : 42,35 MB
Release : 2010
Category :
ISBN :
An analysis of the themes and visual symbolism in the work of one of the great pioneers of British Modernism.
Author :
Publisher :
Page : 40 pages
File Size : 35,79 MB
Release : 1920
Category :
ISBN :
Author : Andrew Causey
Publisher : Oxford University Press, USA
Page : 556 pages
File Size : 40,31 MB
Release : 1980
Category : Art
ISBN :
Author : David Boyd Haycock
Publisher : Scala Books
Page : 176 pages
File Size : 36,87 MB
Release : 2013
Category : Art
ISBN : 9781857598186
David Bomberg, Dora Carrington, Mark Gertler, Paul Nash, C.R.W. Nevinson and Stanley Spencer - six of the most important and distinctive British artists of the twentieth century - had all been students together at the Slade School of Art in London. They formed part of what their drawing teacher, Henry Tonks, described as the school's last 'crisis of brilliance'. For young British artists working in the years immediately before the Great War it was an exciting and demanding time as various Modernist movements fought for precedence: Primitivism, Futurism, Cubism, Vorticism and Expressionism. Each of the six artists found their own distinctive response. David Boyd Haycock's group biography, A Crisis of Brilliance, was published to much acclaim in 2009. Jenny Uglow wrote in her review in the Guardian, 'We should call for a joint exhibition of [their] work, to complement the moving portrayal of their lives in this engrossing and enjoyable book.' This book marks the fulfilment of that wish. It features Haycock's selection of 70 works, ranging from their early student drawings, watercolours and oil paintings, to the first great mature works that they made during and immediately after the Great War of 1914-18. AUTHOR: David Boyd Haycock is a freelance writer, lecturer and curator specialising in British and European art and culture of the early twentieth century. He is the author of a number of books, including A Crisis of Brilliance: Five Young British Artists and the Great War (2009) and I Am Spain (2012). SELLING POINTS: *Illustrated follow-up to the author David Boyd Haycock's first book on the subject, a group biography, A Crisis of Brilliance, which was published to much acclaim in 2009 *Includes contributions by Frances Spalding, the leading art historian and biographer of the Bloomsbury Group, and by Alexandra Harris, whose Romantic Moderns won the Guardian First Book award in 2010 110 colour illustrations
Author : Gordon Hughes
Publisher : Getty Publications
Page : 212 pages
File Size : 49,27 MB
Release : 2014-11-25
Category : Art
ISBN : 1606064312
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
Author : Dave McKean
Publisher : Dark Horse Comics
Page : 140 pages
File Size : 49,12 MB
Release : 2022-05-10
Category : Comics & Graphic Novels
ISBN : 1506717535
New edition with bonus material by Dave McKean! Dark Horse proudly presents a new, second edition, of the graphic novel by legendary artist Dave McKean, based on the life of Paul Nash, a surrealist painter during World War 1. The Dreams of Paul Nash deals with real soldier's memoirs and all the stories add up to a moving piece about how war and extreme situations change us, how we deal with that pain, and, in Nash's case, how he responded by turning his landscapes into powerful and fantastical psychoscapes. The second edition of Black Dog: The Dreams of Paul Nash features a new cover by Dave McKean, along with 15 pages of new bonus material examining the creation of the book.
Author : Emma Chambers
Publisher : Tate
Page : 196 pages
File Size : 35,87 MB
Release : 2016
Category : Art
ISBN :
Published on the occasion of the exhibition Paul Nash, Tate Britain, London, 26 October 2016 - 5 March 2017.
Author : Nanette Norris
Publisher : Rowman & Littlefield
Page : 257 pages
File Size : 34,62 MB
Release : 2015-12-16
Category : History
ISBN : 1611478049
New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.