PENELOPE'S PROGRESS - Complete Series


Book Description

Penelope Hamilton is a young American lady, who travels abroad to Europe with two of her friends, Francesca and Salemina. Salemina is a classy woman, sophisticated and open to world, while Francesca is inflexibly, almost aggressively American. Together these ladies discover the British Isles, experiencing differences of England, Scotland and Ireland, and going through few adventures of their own, including romances, affairs and a marriage. For the final adventure, they cross to the main land and find their selves in the hills of Switzerland and in the sunny Venice. Kate Douglas Wiggin (1856-1923) was an American educator and author of children's stories, most notably the classic children's novel Rebecca of Sunnybrook Farm. She started the first free kindergarten in San Francisco in 1878 (the Silver Street Free Kindergarten). With her sister during the 1880s, she also established a training school for kindergarten teachers. Kate Wiggin devoted her adult life to the welfare of children in an era when children were commonly thought of as cheap labor. Table of Contents: Penelope's English Experiences Penelope's Experiences in Scotland Penelope's Irish Experiences Penelope's Postscripts




American Fiction, 1901-1925


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A 1997 bibliography of American fiction from 1901-1925.




Reading Transatlantic Girlhood in the Long Nineteenth Century


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This collection is the first of its kind to interrogate both literal and metaphorical transatlantic exchanges of culture and ideas in nineteenth-century girls’ fiction. As such, it initiates conversations about how the motif of travel in literature taught nineteenth-century girl audiences to reexamine their own cultural biases by offering a fresh perspective on literature that is often studied primarily within a national context. Women and children in nineteenth-century America are often described as being tied to the home and the domestic sphere, but this collection challenges this categorization and shows that girls in particular were often expected to go abroad and to learn new cultural frames in order to enter the realm of adulthood; those who could not afford to go abroad literally could do so through the stories that traveled to them from other lands or the stories they read of others’ travels. Via transatlantic exchange, then, authors, readers, and the characters in the texts covered in this collection confront the idea of what constitutes the self. Books examined in this volume include Adeline Trafton’s An American Girl Abroad (1872), Johanna Spyri’s Heidi (1881), and Elizabeth W. Champney’s eleven-book Vassar Girl Series (1883-92), among others.










Catalog of Copyright Entries


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The Atlantic Monthly


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