Procession


Book Description

This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909Ð1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory. His art derived inspiration from music (jazz and classical) and nature (seasonal change, plant forms, the sea). Also central to his work were the dramatic confrontations of the civil rights movement, in which he was an active participant among the New York art scene. Bridging the Harlem Renaissance, Abstract Expressionism, and beyond, Lewis is a crucial figure in American abstraction whose reinsertion into the discourse further opens the field for recognition of the contributions of artists of color. Bringing much-needed attention to LewisÕs output and significance in the history of American art, Procession is a milestone in Lewis scholarship and a vital resource for future study of the artist and abstraction in his period. Published in association with Pennsylvania Academy of the Fine Arts, Philadelphia. Exhibition dates: Pennsylvania Academy of the Fine Arts, Philadelphia: November 13, 2015ÐApril 3, 2016 Amon Carter Museum of American Art, Fort Worth: June 4ÐAugust 21, 2016 Chicago Cultural Center: September 17, 2016ÐJanuary 8, 2017 Ê




Henry Ossawa Tanner


Book Description

“This book constitutes a very welcome contribution to the public appreciation and scholarly study of Henry Ossawa Tanner, a painter of considerable significance in both Europe and America, and one whose religious imagery merits careful consideration. These well-researched essays by an international team of scholars offer substantial reflections on complex issues of race and religion, and situate the artist’s work and career within the context of his life and times. This is a robust framing of Tanner as a cultural phenomenon and one that readers will find quite rewarding.”—David Morgan, Professor of Religion at Duke University and author of The Embodied Eye: Religious Visual Culture and the Social Life of Feeling “Henry Ossawa Tanner has finally been recognized as an important artist in the last twenty years, and is now firmly part of the American canon as the first major African American painter to emerge from the academy. This book enriches our understanding of Tanner’s historic place in American art by considering his work as an early modernist religious artist—a status entwined with his race, but not defined by it. These essays, by an impressive collection of scholars, are full of substantially new material, and succeed in broadening our conception of Tanner’s life and work.”—Bruce Robertson, Professor of Art and Architecture at the University of California, Santa Barbara.




Unseeing Empire


Book Description

In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented.




Dynamic Human Anatomy


Book Description

An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art. Dynamic Human Anatomy picks up where Basic Human Anatomy leaves off and offers artists and art students a deeper understanding of anatomy, including anatomy in motion, and how that essential skill is applied to the creation of fine figurative art.




World War I and American Art


Book Description

-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---




Sand Creatures


Book Description




History of Illustration


Book Description

"Written by an international team of illustration historians, practitioners, and educators, History of Illustration covers image-making and print history from around the world, spanning from the prehistoric to the contemporary. With hundreds of color image, this book to contextualize the many types of illustrations within social, cultural, and technical parameters, presenting information in a flowing chronology. This essential guide is the first comprehensive history of illustration as its own discipline. Readers will gain an ability to critically analyze images from technical, cultural, and ideological standpoints in order to arrive at an appreciation of art form of both past and present illustration"--




Joan Semmel


Book Description

"This publication, the first comprehensive catalogue of Joan Semmel's work, will trace the artist's career from early abstract-expressionist paintings through her movement-defining feminist art and activism and, finally, to the vital and monumental work that she is making today of her own mature body. This book gives readers the opportunity to experience almost fifty-five years of Semmel's extraordinary work, including forty of her paintings, as well as a selection of her rarely seen drawings, collages, and photographs. In the face of persistent censorship and in defiance of deep-rooted sexism and ageism, Joan Semmel (b. 1932) relentlessly makes paintings that reflect the ongoing struggle for women's equal representation, power to make decisions about their own bodies and sexuality, and empowerment through the self. At a moment when sex and body positivity have become international movements, it's critical to celebrate Semmel's pivotal and under-recognized role in bringing these ideas forward. Though Semmel is one of the most important feminist painters, and her work has consistently gained visibility within that context, she remains relatively unacknowledged for her impact on representational painting in the United States. The authors will consider Semmel in both feminist and figurative painting frameworks-a long-held desire of the artist-specifically in relation to Semmel's forward-thinking approach to painting the nude body. Throughout her career, Semmel has always been ahead of the curve-today, at 87 years old, she is making vital work that continues to challenge the traditions of figurative painting"--




New Land Marks


Book Description

"What will we leave for future generations? What is it about a community that might inspire a work of art? Can that art give meaning to our public spaces?" "The artists and communities participating in the program New Land Marks: Public Art, Community, and Meaning of Place have been grappling with these challenging questions. The resulting book documents how a long-standing Philadelphia cultural organization - the Fairmount Park Art Association - initiated this program in order to plan and create unique public art projects with communities that volunteered to participate. Artists have been working with these communities to incorporate public art into ongoing community development, urban greening, civic history, streetscape enhancement, and other revitalization initiatives. The resulting proposals - which represent "works in process" - celebrate community identity, commemorate "untold" histories, inspire civic pride, respond to the local environment, and invigorate public spaces. This book is a guide for those interested in how communities and artists can examine the appearance and meaning of public spaces." "In addition to illustrating the work of the twenty-one artists participating in this innovative public art project, the book includes essays by noted authors Ellen Dissanayake, Thomas Hine, Lucy Lippard, and Penny Balkin Bach, Executive Director of the Fairmount Park Art Association, who also served as general editor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




First Modern


Book Description

From the Crystal Palace to the skyscraper and on to the functional aesthetic of the German Bauhaus, the development of modern architecture required less than seven decades. Philadelphia's Pennsylvania Academy of the Fine Arts warrants a central place in this narrative. Unlike the earlier buildings that made fragmentary and disconnected use of the latest industrial materials and systems, the Academy project combined the critical elements of modern logistical planning--steel and iron construction and modern plumbing, heating, and ventilation systems designed to serve a workplace and a school--with the architectural expression of the age. Moreover, rather than seeking to reify the past, architects Furness & Hewitt had chosen the most dynamic of modern forces, the machine, as both inspiration and ornament. Instead of being based on the rearview mirror, the new Academy, opened in 1876, looked to the present and the future. This created a civic museum and school building whose expressive style referenced both its updated purpose and a novel attitude toward history. The Academy's machine for making art can rightly be termed the first modern building.