People Of The Black Mountains Vol.I


Book Description

This proud and haunting novel is the last great work of Raymond Harris, his final testament. Here, in one vast, breathtaking sweep is his story of the land where he was born, the land he loved and left, but could never forget - the story of the people of Wales and the borders, not over one or two generations but many thousands, from the very beginning of recorded time. People of the Black Mountain is a chronicle with a difference, alive with feeling, set within a night-long quest of a young man of today, searching for his grandfather lost on the high ridges. On the moonlit heights Glyn hears voices calling within him, voices which pull us back, over the rim of the years to the days of Marod and his family, sheltering in their caves and hunting horses in a misty Arctic summer. As Glyn follows the tracks the stories form a linking chain across the ages, from before the last Ice-Age to the fierce, defiant struggle against the invading Romans. Lost lives, forgotten memories, like like the arrowheads beneath close-cropped turf. Myth and magic, plague and invasion, the warmth and sadness of daily life - slowly the waves of history ebb and flow, like the oceans which long ago formed the sandstone layers at the heart of the mountains themselves. Rooted in the past yet written for the present, People of the Black Mountains is a novel unlike any other, written by one of the great men of our time: a journey in search of a buried history, following the tracks on a map that all of us can read - and walk along - today.




People Of The Black Mountains Vol.Ii


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Raymond Williams' last novel is an imaginary history of Wales from Roman times to the Middle Ages. It is an expansive, profound and insightful panorama of ordinary human life, played out in the foothills of the Black Mountains.




People of the Black Mountains


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The Slav Peoples


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Alan Moore


Book Description

Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel, Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works—Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea, and Lost Girls. The study also highlights Moore's lesser-known output, such as Halo Jones, Skizz, and Big Numbers, and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.




Mountain Dialogues from Antiquity to Modernity


Book Description

Throughout the longue dureé of Western culture, how have people represented mountains as landscapes of the imagination and as places of real experience? In what ways has human understanding of mountains changed – or stayed the same? Mountain Dialogues from Antiquity to Modernity opens up a new conversation between ancient and modern engagements with mountains. It highlights the ongoing relevance of ancient understandings of mountain environments to the postclassical and present-day world, while also suggesting ways in which modern approaches to landscape can generate new questions about premodern responses. It brings together experts from across many different disciplines and periods, offering case studies on topics ranging from classical Greek drama to Renaissance art, and from early modern natural philosophy to nineteenth-century travel writing. Throughout, essays engage with key themes of temporality, knowledge, identity, and experience in the mountain landscape. As a whole, the volume suggests that modern responses to mountains participate in rhetorical and experiential patterns that stretch right back to the ancient Mediterranean. It also makes the case for collaborative, cross-period research as a route both for understanding human relations with the natural world in the past, and informing them in the present.




Red Moon and Black Mountain


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Leap Before You Look


Book Description

La exposición refleja la historia del Black Mountain College (BMC), fundado en 1933 en Carolina del Norte y concebido como universidad experimental que situaba al arte en el centro de una educación liberal que pretendía educar mejor a los ciudadanos para participar en la sociedad democrática. La educación era interdisciplinaria y concedía gran importancia al debate, la investigación y la experimentación, dedicando la misma atención a las artes visuales –pintura, escultura, dibujo- que a las llamadas artes aplicadas –tejidos, cerámica, orfebrería, así como a la arquitectura, la poesía, la música y la danza.




Representations of Working-Class Masculinities in Post-War British Culture


Book Description

This book presents an analysis of representations of white, heterosexual, working-class masculinities in British culture between 1945 and 1989 to trace the development of the sociocultural and material conditions that shaped the masculinities which are helping to shape contemporary culture. This book seeks to fan the ‘spark of hope’ in the past that informs our present. The period which saw the establishment of the welfare state and the construction and breakdown of the post-war consensus in British politics was of great significance in the formation and maintenance of working-class masculinities and their correspondent representations. The author engages with a variety of cultural texts across various modes and media including films (Alfie), plays (Don’t Look Back in Anger), television (Boys from the Blackstuff), and music (The Beatles), and employs the analysis of the representation of working-class masculinities as a lens through which to examine a range of historical and cultural moments. This book reinstates class as a central precept in the study of British cultural representations and offers a timely intervention in ongoing debates around class and gender identities in Britain. The book will be key reading for students and researchers with interests in twentieth-century social and cultural British history, masculinities and gender studies, twentieth-century British literature, British television, and cultural studies more broadly.




About Raymond Williams


Book Description

A collection of contemporary revisitings and applications of the work of Raymond Williams that historicizes and contextualizes his theories.