Performing Left Populism


Book Description

This interdisciplinary volume offers new insights into the connections between populism and performance. As a driving force of the contemporary left, the populist logic offers a way for progressive politics to radicalize actions against the elite, fostering greater democratization of societies at a time of socio-political and environmental crisis. Exploring the populist roots of a number of performances, the contributors to this study analyze the potentials and limits of the new forms of left populism for more democratic ways of living together. Combining performance studies and political theory, Performing Left Populism demonstrates how various performance practices give rise to populism. It shows how both civic performances (including grassroots, civil movements, political speeches, state policies and media campaigns) and artistic performances (such as theatre, dance, music and artistic activism) contribute to these processes. By these means, the book examines the processes of constructing 'a people' through both the real/civic and imaginary/artistic perspectives. Offering scholars and practitioners a thought-provoking analysis of the ways in which performance can be viewed politically, as a social practice capable of mobilizing alternative ways of living and invigorating democracy, this study expands the debate about left populism towards strategies of mobilization, collectivism and democratic politics.




Performing Populism


Book Description

Whether or not it constituted a complete break from the past, the 15-M movement’s most important legacy was a more expansive notion of the popular political, one that recognized cultural representation as a mode of political articulation and as part of a political culture. In an effort to understand the populist cycle inaugurated by 15-M, and to do so beyond a series of narrated events, Performing Populism sets out to explain Spanish populism in relation to the performances of its visual politics. The book's first part examines how the 15-M movement created a new way of seeing that in turn led to a new way of doing politics in Spain. Part Two focuses on the multiple ramifications of that new vision once the people stopped marching and the movement became less visible. From electoral posters to fiction films, documentaries, and internet memes, Performing Populism traces the ways that collective Spanish identities evolved from a period when "the people" seemed to have been willingly subsumed under the apathetic ideation of the middle-class consumer to the moment in 2011 when a crisis of representation forced many into political consciousness. This rude awakening kickstarted the reconstruction of a Spanish "us" that staged exhibitions of popular will on par with and parallel to the Arab Spring, but in a European register that embraced the countercultural through art that disremembered its political past but could not escape the ghostly shadow of its history.




Populism


Book Description

Populism is the key political phenomenon of the 21st century. From Trump to Brexit, from Chávez to Podemos, the term has been used to describe leaders, parties and movements across the globe who disrupt the status quo and speak in the name of ‘the people’ against ‘the elite’. Yet the term remains something of a puzzle: poorly understood, vaguely defined and, more often than not, used as a term of abuse. In this concise and engaging book, leading expert Benjamin Moffitt cuts through this confusion. Offering the first accessible introduction to populism as a core concept in political theory, he maps the different schools of thought on how to understand populism and explores how populism relates to some of the most important concepts at the heart of political debate today. He asks: what has populism got to do with nationalism and nativism? How does it intersect with socialism? Is it compatible with liberalism? And in the end, is populism a good or bad thing for democracy? This book is essential reading for anyone – from students and scholars to general readers alike – seeking to make sense of one the most important and controversial issues in the contemporary political landscape.




The Oxford Handbook of Politics and Performance


Book Description

While political scientists and political theorists have long been interested in social and political performance, and theatre and performance researchers have often focused on the political dimensions of the live arts, the interdisciplinary nature of this labor has typically been assumed rather than rigorously explored. This volume brings together leading scholars in the fields of Politics and Performance--drawing on experts across the fields of literature, law,anthropology, sociology, psychology, and media and communiction, as well as politics and theatre and performance--to map out and deepen the evolving interdisciplinary engagement. Organized into seven thematic sections, the volume investigates the relationship between politics and performance to show thatcertain features of political transactions shared by performances are fundamental to both disciplines--and that to a large extent they also share a common communicational base and language.




Populism


Book Description

A timely overview of populism, one of the most contested concepts in political journalism and the social sciences




Democracy's Paradox


Book Description

Does populism indicate a radical crisis in Western democratic political systems? Is it a revolt by those who feel they have too little voice in the affairs of state or are otherwise marginalized or oppressed? Or are populist movements part of the democratic process? Bringing together different anthropological experiences of current populist movements, this volume makes a timely contribution to these questions. Contrary to more conventional interpretations of populism as crisis, the authors instead recognize populism as integral to Western democratic systems. In doing so, the volume provides an important critique that exposes the exclusionary essentialisms spread by populist rhetoric while also directing attention to local views of political accountability and historical consciousness that are key to understanding this paradox of democracy.




The Global Rise of Populism


Book Description

Once seen as a fringe phenomenon, populism is back. While some politicians and media outlets present it as dangerous to the U.S., Europe, and Latin America, others hail it as the fix for broken democracies. Not surprisingly, questions about populism abound. Does it really threaten democracy? Why the sudden rise in populism? And what are we talking about when we talk about "populism"? The Global Rise of Populism argues for the need to rethink this concept. While still based on the classic divide between "the people" and "the elite," populism's reliance on new media technologies, its shifting relationship to political representation, and its increasing ubiquity have seen it transform in nuanced ways that demand explaining. Benjamin Moffitt contends that populism is not one entity, but a political style that is performed, embodied, and enacted across different political and cultural contexts. This new understanding makes sense of populism in a time when media pervades political life, a sense of crisis prevails, and populism has gone truly global.




The Oxford Handbook of Populism


Book Description

The Oxford Handbook of Populism presents the state of the art of research on populism from the perspective of Political Science. The book features work from the leading experts in the field, and synthesizes the main strands of research in four compact sections: concepts, issues, regions, and normative debates. Due to its breath, The Oxford Handbook of Populism is an invaluable resource for those interested in the study of populism, but also forexperts in each of the topics discussed, who will benefit from accounts of current discussions and research gaps, as well as a map of new directions in the study of populism.




Populist Communication


Book Description

How can we make sense of the current age of global political disruption when populism leaves norms overturned and the future form of democracy unpredictable? Political representatives are no longer elected for their experience and expertise but out of a desire for an ephemeral sense of authenticity, a direct connection to citizens, and the certainty of the truths they tell. But when populists project these ideas and claim to represent the citizenry, what is reality and what is strategic performance for the media? This conceptually rich book explores the performative strategies of the populist politicians who disrupt the normative order with acts of ‘truth-telling’. It disentangles their complex use of media—from their appeal to news values through spectacular disruptions to sophisticated social media commentary—in repertoires of mediated performances. Based on vigorous empirical research in both established and transitional democracies, it develops a theoretical framework of populist communication in the new media environment.




Performance and Politics in a Digital Populist Age


Book Description

This book re-evaluates the role of performance in global politics in the face of populism and the digital mediatisation of political interactions. As political communications are increasingly conducted in online environments,‘post-truth’ performances become evermore central to democratic processes. It is therefore essential to reconsider the political potency of performance and theatricality in order to effectively reinvigorate democracy in the 21st century. Drawing on applied theatre practices, this book shows that performance is inherently concerned with cooperative and collaborative encounters across difference, and performance might therefore support effective responses to digital populism. The analysis addresses the performative aspects of populist political movements in the United States and United Kingdom. The chapters engage with aspects of performance and theatricality not commonly broached in IR scholarship, including interpersonal engagement, creative embodiment and interactive affect, making the case for the importance of these features to democratic engagement. This book resonates with recent debates regarding the relevance and treatment of Arts and Performance as IR subjects, methodologies and practices, and will be of interest to scholars and students of global politics, international relations, performance studies, radical democracy, and mass communication and culture.