Performing Policy


Book Description

This book demonstrates how and why a majority of US artists must now function as producers of their original works, as well as creators. The author shows how, over the span of 20 years, the USA's cultural policy sector radically redefined US artists' practices without cohesively articulating the expectations of artists' new role.




Performing Left Populism


Book Description

This interdisciplinary volume offers new insights into the connections between populism and performance. As a driving force of the contemporary left, the populist logic offers a way for progressive politics to radicalize actions against the elite, fostering greater democratization of societies at a time of socio-political and environmental crisis. Exploring the populist roots of a number of performances, the contributors to this study analyze the potentials and limits of the new forms of left populism for more democratic ways of living together. Combining performance studies and political theory, Performing Left Populism demonstrates how various performance practices give rise to populism. It shows how both civic performances (including grassroots, civil movements, political speeches, state policies and media campaigns) and artistic performances (such as theatre, dance, music and artistic activism) contribute to these processes. By these means, the book examines the processes of constructing 'a people' through both the real/civic and imaginary/artistic perspectives. Offering scholars and practitioners a thought-provoking analysis of the ways in which performance can be viewed politically, as a social practice capable of mobilizing alternative ways of living and invigorating democracy, this study expands the debate about left populism towards strategies of mobilization, collectivism and democratic politics.




Informing Statecraft


Book Description

Analyzing the American intelligence network, senior research fellow at Hoover Institution Angelo Codevilla concludes that American intelligence efforts are desperately outdated in this “masterful exploration of the field” (Publishers Weekly). Based on years of research and experience working within the American intelligence network, Angelo Codevilla argues that the intelligence efforts of the nation’s government are outgrown and inconclusive. Suggesting that the evolution of American intelligence since the Vietnam War and World War II has been erratic and unplanned, Codevilla presents new efforts to be made within the intelligence network that would lead to strategized and effective methods of information gathering. Connecting the lines between a need for successful intelligence efforts and a strong government, Informing Statecraft warns of how intelligence failures of the past will eventually pale in comparison to the malaise that plagued American intelligence in the twentieth century.




Performing Statecraft


Book Description

The crafts of governance and diplomacy are spectacular, theatrical, and performative. Performing Statecraft investigates the performances of states, their leaders, and their citizens on an expanded field of the global arts of statecraft to consider the role of performance in the domestic and international affairs of states, and the interventions into global politics by artists, scholars, and activists. Treating theatre as both an art form and a practice of political actors, this book draws together scholarship on the embodied dimensions of governance, the stagecraft of revolution, arts activism on the world stage, sports performance by heads of state, the performativity of national dress, speechmaking and colonialism, war and medicine, singing diplomats, indigenous sovereignties, and performed nationalisms. It brings the perspective and methods of performance studies to bear on global politics, offering exciting new insights into encounters between states, sovereigns, and people. Whether one is watching a campaign speech, a nightly news broadcast, a sacred dance, or a play about global conflict, these chapters make clear the importance of performance as a tool wielded by amateurs and professionals to articulate the nation in global spaces.




The Modern Prince


Book Description

The role of leaders is never more crucial than during times of war. The ability to inspire confidence and communicate resolution is essential to the national interest. The requirements of leadership are not limited to military affairs: citizens look to leaders to guide the economy, protect the laws, and safeguard national values. Leadership has never been simple, but it is even more complicated in the age of mass democracy: globalization, the power of the media, and the constraints of bureaucracy are among the many challenges facing leaders at the beginning of the twenty-first century. What do leaders need to know in order to be effective? Carnes Lord—an eminent political scientist who has held a number of high-level positions in the United States government—here offers witty and trenchant counsel to both leaders and the citizens who elect them. Exploring such issues as leadership in war and crises, diplomacy, the use of secret intelligence, the role of political advisors, and the media, Lord enumerates the major challenges confronting modern leaders and offers practical advice on how leaders can deal with them effectively.




Russia’s Cultural Statecraft


Book Description

This book focusses on Russia’s cultural statecraft in dealing with a number of institutional cultural domains such as education, museums and monuments, high arts and sport. It analyses to what extent Russia’s cultural activities abroad have been used for foreign policy purposes, and perceived as having a political dimension. Building on the concept of cultural statecraft, the authors present a broad and nuanced view of how Russia sees the role of culture in its external relations, how this shapes the image of Russia, and the ways in which this cultural statecraft is received by foreign audiences. The expert team of contributors consider: what choices are made in fostering this agenda; how Russian state authorities see the purpose and limits of various cultural instruments; to what extent can the authorities shape these instruments; what domains have received more attention and become more politicised and what fields have remained more autonomous. The methodological research design of the book as a whole is a comparative case study comparing the nature of Russian cultural statecraft across time, target countries and diverse cultural domains. It will be of interest to scholars and students of Russian foreign policy and external relations and those working on the role of culture in world politics.




The Performative State


Book Description

What does the state do when public expectations exceed its governing capacity? The Performative State shows how the state can shape public perceptions and defuse crises through the theatrical deployment of language, symbols, and gestures of good governance—performative governance. Iza Ding unpacks the black box of street-level bureaucracy in China through ethnographic participation, in-depth interviews, and public opinion surveys. She demonstrates in vivid detail how China's environmental bureaucrats deal with intense public scrutiny over pollution when they lack the authority to actually improve the physical environment. They assuage public outrage by appearing responsive, benevolent, and humble. But performative governance is hard work. Environmental bureaucrats paradoxically work themselves to exhaustion even when they cannot effectively implement environmental policies. Instead of achieving "performance legitimacy" by delivering material improvements, the state can shape public opinion through the theatrical performance of goodwill and sincere effort. The Performative State also explains when performative governance fails at impressing its audience and when governance becomes less performative and more substantive. Ding focuses on Chinese evidence but her theory travels: comparisons with Vietnam and the United States show that all states, democratic and authoritarian alike, engage in performative governance.




Design, Utilization, and Analysis of Simulations and Game-Based Educational Worlds


Book Description

Games and simulations have emerged as new and effective tools for educational learning by providing interactivity and integration with online resources that are typically unavailable with traditional educational resources. Design, Utilization, and Analysis of Simulations and Game-Based Educational Worlds presents developments and evaluations of games and computer-mediated simulations in order to showcase a better understanding of the role of electronic games in multiple studies. This book is useful for researchers, practitioners, and policymakers to gain a deeper comprehension of the relationship between research and practice of electronic gaming and simulations in the educational environment.




Theatre and its Audiences


Book Description

Written in the aftermath of the Covid crisis, this book brings the past, present and future of theatre-going together as it explores the nature of the relationships between performance practitioners, arts organisations and their audiences. Proposing that the pandemic forced a re-evaluation of what it means to be an audience, and combining historical and current cultural sector perspectives, the book reflects on how historical conventions have conditioned present day expectations of theatre-going in the UK. Helen Freshwater examines the ways in which developments in technology, architecture and forms of communication have influenced what is expected by and of audiences, reflecting changes in theatre's cultural status and place in our lives. Drawing on the first-hand experiences of festival director and performance practitioner Kate Craddock, it also contends that practitioners now need to turn their attention to care, access and sustainability, arguing that the pandemic taught us, above all, that it is possible to do things differently. Part vision, part provocation, part critical interrogation, Theatre and its Audiences offers an insightful appraisal of past norms and assumptions to set out a bold argument about where we should go from here.




Virtue Politics


Book Description

Winner of the Helen and Howard Marraro Prize A Times Literary Supplement Book of the Year “Perhaps the greatest study ever written of Renaissance political thought.” —Jeffrey Collins, Times Literary Supplement “Magisterial...Hankins shows that the humanists’ obsession with character explains their surprising indifference to particular forms of government. If rulers lacked authentic virtue, they believed, it did not matter what institutions framed their power.” —Wall Street Journal “Puts the politics back into humanism in an extraordinarily deep and far-reaching way...For generations to come, all who write about the political thought of Italian humanism will have to refer to it; its influence will be...nothing less than transformative.” —Noel Malcolm, American Affairs “[A] masterpiece...It is only Hankins’s tireless exploration of forgotten documents...and extraordinary endeavors of editing, translation, and exposition that allow us to reconstruct—almost for the first time in 550 years—[the humanists’] three compelling arguments for why a strong moral character and habits of truth are vital for governing well. Yet they are as relevant to contemporary democracy in Britain, and in the United States, as to Machiavelli.” —Rory Stewart, Times Literary Supplement “The lessons for today are clear and profound.” —Robert D. Kaplan Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Everywhere they saw problems. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; religious leaders preoccupied with self-advancement while feuding armies waged endless wars. Their solution was at once simple and radical. “Men, not walls, make a city,” as Thucydides so memorably said. They would rebuild the fabric of society by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft. A landmark reappraisal of Renaissance political thought, Virtue Politics challenges the traditional narrative that looks to the Renaissance as the seedbed of modern republicanism and sees Machiavelli as its exemplary thinker. James Hankins reveals that what most concerned the humanists was not reforming institutions so much as shaping citizens. If character mattered more than laws, it would have to be nurtured through a new program of education they called the studia humanitatis: the precursor to our embattled humanities.