Author : Aby Warburg
Publisher : Getty Publications
Page : 872 pages
File Size : 47,23 MB
Release : 1999
Category : Art
ISBN : 9780892365371
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Author : Christine Poggi
Publisher : Yale University Press
Page : 318 pages
File Size : 32,29 MB
Release : 1992-01-01
Category : Art
ISBN : 9780300051094
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Author : Richard Abel
Publisher : Indiana University Press
Page : 350 pages
File Size : 45,19 MB
Release : 2001-10-03
Category : Performing Arts
ISBN : 9780253108708
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Author : Alain Badiou
Publisher : Verso Books
Page : 365 pages
File Size : 19,81 MB
Release : 2014-05-13
Category : Philosophy
ISBN : 1844678466
Following on from Alain Badiou’s acclaimed works Ethics and Metapolitics, Polemics is a series of brilliant metapolitical reflections, demolishing established opinion and dominant propaganda, and reorienting our understanding of events from the Kosovo and Iraq wars to the Paris Commune and the Cultural Revolution. With the critical insight and polemical bravura for which he is renowned, Badiou considers the relationships between language, judgment and propaganda—and shows how propaganda has become the dominant force. Both wittily and profoundly, Badiou presents a series of radical philosophical engagements with politics, and questions what constitutes political truth.
Author : Library of Congress
Publisher :
Page : 32 pages
File Size : 35,99 MB
Release : 1972
Category :
ISBN :
Author : Ronald Bergan
Publisher : DK Publishing (Dorling Kindersley)
Page : 0 pages
File Size : 15,70 MB
Release : 2021
Category : Biography & Autobiography
ISBN : 9780241484838
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
Author : Judith M. Halberstam
Publisher : Indiana University Press
Page : 296 pages
File Size : 30,4 MB
Release : 1995-12-22
Category : Science
ISBN : 9780253115584
"... will draw a wide readership from the ranks of literary critics, film scholars, science studies scholars and the growing legion of 'literature and science' researchers. It should be among the essentials in a posthumanist toolbox." -- Richard Doyle Automatic teller machines, castrati, lesbians, The Terminator: all participate in the profound technological, representation, sexual, and theoretical changes in which bodies are implicated. Posthuman Bodies addresses new interfaces between humans and technology that are radically altering the experience of our own and others' bodies.
Author : James B. Haynes
Publisher :
Page : 526 pages
File Size : 15,98 MB
Release : 1910
Category : Exhibitions
ISBN :
Author :
Publisher :
Page : 654 pages
File Size : 31,5 MB
Release : 1961
Category : Parks
ISBN :
Author : Wanda Strauven
Publisher : Amsterdam University Press
Page : 464 pages
File Size : 49,67 MB
Release : 2006
Category : Performing Arts
ISBN : 9053569456
Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase “cinema of attractions” to describe the essential qualities of films made in the medium’s earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair’s debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars—and featuring contributions by Gunning and Gaudreault as well—The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence.
