Peter Ashley


Book Description

Set in Charleston on the eve of South Carolina's secession from the Union, DuBose Heyward's Peter Ashley weaves together fact and fiction in one of the first historical novels of its kind. A departure from Heyward's focus on African American and Gullah culture, Peter Ashley explores war, class and Southern society. Peter is a young man, just returned from Oxford, who questions Southern ideals and values as he fights to pursue a literary career and remain uninvolved in the bitter conflict that has seized the nation. He finds himself torn between choosing a life of art and individuality or conforming to tradition. This is a novel of love, war and, above all, social criticism as Heyward unabashedly points out the tensions and hypocrisies of the antebellum South as it




English Allsorts


Book Description

'Open this book with reverence. It is a hymn to England - the old England, the England of beach huts and Constable skies.' Clive Aslet. This beautiful book acts both as a touchstone for peopleâe(tm)s memories and as a guide to the visually lovely places and artefacts that we can still see and enjoy today, but as far away from a traditional âe~touristâe(tm) guide as can be imagined. There is probably no illustrated book as eclectic as this. Where else will a Hornby clockwork train be happy alongside a Tiptree jam jar, or a Romney Marsh church rub along with a set of Len Deighton book jackets? A personal natural history of fungi and flowers will segue into an essay on Typhoo tea packets; London transports of delight into unique views of English market towns. Ruined Norfolk churches, the pleasures of seaside holidays, the mysteries of landmark fir trees. All these things are written about with passion, knowledge and humour.




The Little Blue Frog


Book Description

The Little Blue Frog is a story of a frog who stands out from the crowd, but does not know why. Through perseverance, the frog discovers his true purpose in the world. And others in the story learn the value of acceptance and diversity.




Peter Never Came


Book Description

Winner of the 2010 Autumn House Press Fiction Prize, selected by Sharon Dilworth.




Infinite Hope


Book Description

Recipient of a Coretta Scott King Illustrator Honor Award Recipient of a Bologna Ragazzi Non-Fiction Special Mention Honor Award A Kirkus Reviews Best Middle Grade Book of 2019 From celebrated author and illustrator Ashley Bryan comes a deeply moving picture book memoir about serving in the segregated army during World War II, and how love and the pursuit of art sustained him. In May of 1942, at the age of eighteen, Ashley Bryan was drafted to fight in World War II. For the next three years, he would face the horrors of war as a black soldier in a segregated army. He endured the terrible lies white officers told about the black soldiers to isolate them from anyone who showed kindness—including each other. He received worse treatment than even Nazi POWs. He was assigned the grimmest, most horrific tasks, like burying fallen soldiers…but was told to remove the black soldiers first because the media didn’t want them in their newsreels. And he waited and wanted so desperately to go home, watching every white soldier get safe passage back to the United States before black soldiers were even a thought. For the next forty years, Ashley would keep his time in the war a secret. But now, he tells his story. The story of the kind people who supported him. The story of the bright moments that guided him through the dark. And the story of his passion for art that would save him time and time again. Filled with never-before-seen artwork and handwritten letters and diary entries, this illuminating and moving memoir by Newbery Honor–winning illustrator Ashley Bryan is both a lesson in history and a testament to hope.




The Immoderate Past


Book Description

The Immoderate Past deals with the southern writer's preoccupation with history, concentrating on representative novelists from three major periods. Finding the origins of this preoccupation in the antebellum period, when most American novelists wrote in the mode of Sir Walter Scott, C. Hugh Holman examines the Revolutionary romances of William Gilmore Simms. With the coming of realism to American fiction after the Civil War, the southern writer turned to a combination of the realistic method with the novel of manners in order to describe the way of life in the South during the nineteenth century. The Civil War replaced the American Revolution as the crucial event in the novels of this second period and was seen as disrupting the quality and texture of antebellum southern life. To illustrate the southern novel in the realistic tradition, Holman discusses Ellen Glasgow's The Battleground, DuBose Heyward's Peter Ashley, Stark Young's So Red the Rose, Allen Tate's The Fathers, Margaret Mitchell's Gone with the Wind, and Margaret Walker's Jubilee. Since the 1930s writers in the region have experimented with modernistic techniques distorting reality in order to make special statement about the nature and meaning of the southern experience. To illustrate this latest development in southern writing, Holman turns to William Faulkner's Light in August and Absalom, Absalom!; Robert Penn Warren's All the King's Men, World Enough and Time, Brother to Dragons, and Wilderness; and William Styron's Confessions of Nat Turner. The Immoderate Past closes with a consideration of the extent to which southern novelists have persisted in using time as a major dimension in their fiction, whereas time has tended to be displaced by space in the standard American novel.




The Steal


Book Description

“A gripping ground-level narrative…a marvel of reporting: tightly wound… but also panoramic.”—Washington Post “A lean, fast-paced and important account of the chaotic final weeks.”—New York Times In The Steal, veteran journalists Mark Bowden and Matthew Teague offer a week-by-week, state-by-state account of the effort to overturn the 2020 presidential election. In the sixty-four days between November 3 and January 6, President Donald Trump and his allies fought to reverse the outcome of the vote. Focusing on six states—Arizona, Georgia, Michigan, Nevada, Pennsylvania, and Wisconsin—Trump’s supporters claimed widespread voter fraud. Caught up in this effort were scores of activists, lawyers, judges, and state and local officials. Working with a team of researchers and reporters, Bowden and Teague uncover never-before-told accounts from the election officials fighting to do their jobs amid outlandish claims and threats to themselves, their colleagues, and their families. The Steal is an engaging, in-depth report on what happened during those crucial nine weeks and a portrait of the dedicated individuals who did their duty and stood firm against the unprecedented, sustained attack on our election system and ensured that every legal vote was counted and that the will of the people prevailed.




The School Prints


Book Description

This beautifully produced book tells the story of The School Prints series. It was dreamt up towards the end of WW2, when Brenda Rawnsley and her husband Derek had the idea of bringing contemporary art to young children by putting 'good' art into schools. Initially British artists were commissioned to produce one lithograph each, John Nash, Paul Nash, Henry Moore, John Tunnard, Barbara Jones, L.S Lowry and many more. These were issued in a series of standard-sized prints to which schools could subscribe. A war widow at the age of 30, Brenda took up the project again immediately after the war and embarked on an even more ambitious project to sign up the great European artists of her day. She travelled extensively around France - not an easy task at the time - and signed up the likes of Picasso, Braque, Leger, Matisse and Dufy to contribute works 'pour les enfants anglais' as Picasso said. Tragically the project was not a commercial success, many of the schools finding the works too avant garde and modern. However The School Prints project should be seen in the context of attempts to democratise British art in the mid-20th Century, as well as part of the renaissance of lithography that was taking place at that time. This book and its companion Art For Everyone will appeal to anyone interested in Modern British Art and sit perfectly alongside several titles in the ACC Design series. AUTHOR: Ruth Artmonsky trained as a psychologist. On her retirement from her associate directorship of a leading psychometric consultancy she ran a small art gallery. Her particular interests are the 'jobbing' artist and the democratisation of art. She has written and published a number of books on British mid-20th century art. SELLING POINTS -Exquisitely designed and packaged -Perfect companion to many titles in the ACC Design series -Topical subject due to the current fascination with Modern British and Modern prints ILLUSTRATIONS 100 colour




The English Buildings Book


Book Description

This is the most comprehensive single volume on English architecture for the general reader. It is a visual cornucopia and a tribute to the diversity of the English built environment, which is among the richest and most diverse in the world. Over 700 buildings are described and illustrated, and they range from the architectural icons to the less noticeable but equally fascinating buildings of England's towns and villages.




The Restoration of the Roman Forum in Late Antiquity


Book Description

In The Restoration of the Roman Forum in Late Antiquity, Gregor Kalas examines architectural conservation during late antiquity period at Rome's most important civic center: the Roman Forum. During the fourth and fifth centuries CE—when emperors shifted their residences to alternate capitals and Christian practices overtook traditional beliefs—elite citizens targeted restoration campaigns so as to infuse these initiatives with political meaning. Since construction of new buildings was a right reserved for the emperor, Rome's upper echelon funded the upkeep of buildings together with sculptural displays to gain public status. Restorers linked themselves to the past through the fragmentary reuse of building materials and, as Kalas explores, proclaimed their importance through prominently inscribed statues and monuments, whose placement within the existing cityscape allowed patrons and honorees to connect themselves to the celebrated history of Rome. Building on art historical studies of spolia and exploring the Forum over an extended period of time, Kalas demonstrates the mutability of civic environments. The Restoration of the Roman Forum in Late Antiquity maps the evolution of the Forum away from singular projects composed of new materials toward an accretive and holistic design sensibility. Overturning notions of late antiquity as one of decline, Kalas demonstrates how perpetual reuse and restoration drew on Rome's venerable past to proclaim a bright future.